Sentences with phrase «historical show»

We did originally think of a kind of historical show in a different venue.

There is a strong African - American presence this year, many historical shows and a number of concept exhibitions.

Mr. Marks also mounted historical shows of Lucian Freud, Ellsworth Kelly, Tony Smith and Paul Feeley.

What I find more striking is the degree to which Humphrey has been excised from surveys and historical shows focusing on the period between 1960 and 1990.

The Gallery intermittently mounted historical shows such as works by Francis Picabia, an installation by Marcel Broodthaers, 1960s paintings by Agnes Martin, a group of the «monument» for V. Tatlin sculptures by Dan Flavin, the rarely seen paintings of Clyfford Still, and the «Mirror Paintings» of the 1970s by Roy Lichtenstein.

Miami «s Center for the Fine Arts provides the most diverse array of historical shows for 1990 - 91.

The Gallery intermittently mounted historical shows such as works by Francis Picabia, an installation by Marcel Broodthaers, 1960s works by Agnes Martin, the rarely seen paintings of Clyfford Still, and the «Mirror Paintings» of the 1970s by Roy Lichtenstein.

★ «Taiping Tianguo»: A History of Possible Encounters: Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong in New York» (closes on Saturday) New York is network city, and this invaluable nugget of an art historical show uncovers hitherto unexplored local links among four artists of Chinese descent in the 1970s and»80s, before most of them had developed significant reputations and long before contemporary Chinese art had become global news.

1 New York gallery flashback Markets of all kinds got a bad rap this year, but New York's galleries bucked the broadsides with historical shows of such quality and focus they gave local museums a run for their dwindling money.

For all that Tate Britain has put on some very good historical shows in the last five or six years — on Turner, the Pre-Raphaelites, and Van Dyck, among others — the notion that it no longer can has become a worrying critical norm.

In September 2017, the gallery opened the first historical show of Jean Dubuffet in Luxembourg featuring more than 50 works of the artist.

New York is network city, and this invaluable nugget of an art historical show uncovers hitherto unexplored local links among four artists of Chinese descent in the 1970s and»80s, before most of them had developed significant reputations and long before contemporary Chinese art had become global news.

One veteran auction house official, who declined to criticize Gagosian's handling of the artist on the record, did note: «What's been lost is the progression in Schnabel's paintings and a more historical show [at Pace] just might help bring that to the fore.»

«I see that if you attempt to integrate more women into historical shows you're working against the canon — of history of art told from a male perspective.

He told me that he was honored to be included and that the exhibition is «one of the most historical shows that has ever happened in Brooklyn.»

It houses rare southern artifacts and hosts historical shows at its amphitheater.1

Judging from the first two episodes, this is a skillfully acted, richly detailed historical show that would not be out of place on PBS or a high - end pay - cable outlet.

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

At the moment, historical shows appear to outnumber the new.

It's that memory, and myth, that's distilled in «Leap Before You Look: Black Mountain College 1933 - 1957» at the Institute of Contemporary Art here, one of the season's most atmospheric historical shows.

Since then, his work has been included in several historical shows, including A Shared Tradition: Art by Four African Americans at the Indianapolis Museum of Art (1996) and Abstract Expressionism: Further Evidence at Michael Rosenfeld Gallery (2009).

Other historical shows in the contemporary section include a flashy installation of Daniel Buren, the master of stripes, at Kamel Mennour.

Museum - quality historical shows have also always played a major role in the gallery, with rigorously curated exhibitions focusing on specific moments in art or thematically arranged groups of work, and featuring pieces on loan from a variety of institutions and private collections (which are very often not for sale).

A fairly standard historical show using a museum collection may be a surprising pick, but it seems like it could be an interesting window into how we as a culture came to aestheticize the fragments left behind by past civilizations.

«I've done two celebrated historical shows of Brice,» he said.

At 32 East 57th Street, works by Picasso, De Kooning, Dubuffet, Bonnard, Rothko, Mondrian, Reinhardt, and Giacometti, reveal partial reconfigurations of previous historical shows.

Occasional gallery space 42 Carlton Place — the home of the artists Merlin James and Carol Rhodes, the latter of whom is also the focus of a GSA lecture during GI to mark the launch of a new monograph — has a habit of putting on fascinatingly idiosyncratic historical shows during Glasgow International.

The 35 - artist historical show — co-organized by Ellegood's friend, New York - based art historian Johanna Burton — is an institutional critique of museums themselves as it examines American artists who the curators felt have changed the way we, as a culture, think about art.

Happily, the exhibition continues the Onassis tradition of attractive and engaging historical shows that speak to the cultural and political present.

Also one or two important historical shows [such as] the Beckmann triptychs.

New York museum curators also have to compete with New York galleries, which are out there discovering new and overlooked artists and — increasingly — mounting invaluable historical shows.

Do you find yourself watching too many historical shows and movies about pirates, ships, or swashbuckling archaeologists?

Best Historical Show: «James Ensor,» organized by the Museum of Modern Art, New York, curated by Anna Swinbourne.

«La Bella Figura», Max Wigram Gallery's first historical show, opened the week after Christie's sold a major collection of arte povera and Sotheby's included works by Alberto Burri and Lucio Fontana in its contemporary sale.

Special sections include «Nova» (works created within the last three years), «Positions» (focusing on new talent), «Survey» (art historical shows; don't miss Judith Bernstein at The Box) and more.

Her work is currently featured in a host of group shows and exhibitions on photography, including art - historical shows such as Real Worlds: Brassai, Arbus, Goldin at the MOCA in Los Angeles.

I do feel like it suffered from a little bit of repetition, with the same power struggle themes going on but I do recognize that this is a historical show so they have to be true to history.

This fall, Pace Gallery in London will be given over to a historical show of Jean Dubuffet's «Théâtres de Mémoire,» a series of monumental paintings made by the late French painter between 1975 and 1978.

In the tradition of the gallery's programming, having these historical shows has been a way to broaden both our understanding of contemporary art practices and a means to experience art and the world in a deeper way.

Without doubt, the creators behind Women's Work see it as a historical show, which fits its setting in an all - female college, only recently trans - inclusive, committed to educating its populace on feminist history and theory.

So I thought it would be great to start with a historical show and the next show will be a contemporary group show about woman identified bodies.

It's an historical show but also a fun one.

During the entire show, which was in part a repetition of a historical show from the year 1990, Kippenberger decided that a Simply Red song was the accompanying soundtrack for every visitor, the «If you don't know me by now», greeted each visitor, luring him into the space to look at the work and then hopefully, possibly, everybody will leave the show with a better understanding of the Kippenberger universe.

Suzy Lake (1947, United States) Lake was the subject of a major mid-career retrospective organised by the Canadian Museum of Contemporary Photography in 1993, and was one of 119 women in the historical show WACK!

Taking it's title from the seminal early - feminist Virginia Woolf essay, «A Room of One's Own,» at Yancey Richardson Gallery through Aug. 21, 2015, plays off of that historical show, looking further inward not just at the process of experimenting in the studio, but at the space itself, as a muse and subject in the art of 12 contemporary photographers, including Anne Collier, Mickalene Thomas, and Laura Letinsky.

«Michael was King of the»80s,» he said of Werner, who lives in Berlin and oversees some of the gallery's historical shows.

Other competitive award categories include traveling thematic show, architecture and design show, historical show, and commercial gallery exhibition.

The historical shows live on as platitudes, examples of «disrupting the white cube» and «flattening cultural hierarchies.»

The historical show will present works by John Singer Sargent, Mary Cassatt, James Abbott McNeill Whistler, Winslow Homer, William Morris Hunt, John La Farge and Thomas Eakins.