Sentences with phrase «historical works by gallery artists»

Tanya Bonakdar Gallery is very pleased to celebrate its twentieth anniversary with a group exhibition highlighting important historical works by gallery artists.

Not exact matches

Produced in collaboration with The Vinyl Factory, the exhibition features a range of historical and recent works by a number of gallery artists in a variety of media.

ARTFORUM — March 2016 — Reviews SAN DIEGO «Atmospheric Abstraction» QUINT GALLERY The title of this group show, «Atmospheric Abstraction,» neatly suggested the historical lineage of a collection of contemporary nonfigurative work by Los Angeles — based artists heavily indebted to their Southern California Light and Space predecessors.

Her gallery will present innovative historical exhibitions of such influential European and American figures as well as showcases of exceptional new work by living artists and special commissioned projects.

For nearly three decades, the Gallery has sought to exhibit the work of celebrated artists alongside those whose works were eclipsed by the familiar historical narrative that focused almost exclusively on American art's European (patri) lineage.

The exhibition — a collaboration between Iziko South African National Gallery (ISANG), the country's premier public museum and host venue for this show, and The New Church Museum, a private collection with a contemporary focus — juxtaposes historical and contemporary works by 27 artists (20 men and seven women) to offer various critical insights about patriarchy and gendered tropes within figurative painting.

It focuses on works by primarily African - American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington.

For his sixth solo exhibition at Lisson Gallery, Jonathan Monk revisits narratives drawn from his own biography and transforms historical works by artists that have also proved to be personal, formative influences.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young aGallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young agallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young agallery, as well as young artists.

Each booth — shared by two different galleries — presents a dialogue between works by two artists from different generations, in an interaction between historical impact and experimentation.

MK Gallery's summer exhibition, Cadences (27 June — 7 September 2014), brings together a selection of 40 historical and modern works on loan from one of Holland's most illustrious collections - the Museum Boijmans Van Beuningen, Rotterdam - alongside a contemporary film, Flight by Catherine Yass, a British artist who was shortlisted for the Turner Prize in 2002.

Curated by Antonio Natali, director of the Uffizi Gallery, and Carlo Falciani, a lecturer in art history, the exhibition will showcase new philological, historical and iconological research into the work of the two artists.

The gallery will present a program of curated exhibitions that range from thematic historical surveys to showcases of exceptional new work by living artists.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Renate BERTLMANN For the new Features section curated by Alison Gingeras, Richard Saltoun Gallery will present a solo stand of recent and historical works by Austrian feminist artist Renate Bertlmann.

Works on show in the six galleries comprise historical artefacts, as well as artworks by renowned classical and modern masters (such as Rembrandt, René Magritte and Henri Cartier - Bresson) and post-war and contemporary artists from all over the world.

For Art Basel Miami Beach: Survey section, Richard Saltoun Gallery will present a solo curated stand of rare historical works by the Argentine artist Edgardo Antonio VIGO (1928 - 1997).

The gallery's original mission was to exhibit contemporary works on paper by American and European artists and to produce monographs together with tightly curated historical exhibitions.

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

In addition to showing primary market works by contemporary artists, the gallery mounts exhibitions by 20th century masters of historical importance.

Since its inception, the gallery mounted historical exhibitions of work by Swiss and international artists work painting, drawing, photograph, sculpture, video, installation, sound installation, performance, new media and new technology.

Taking place in the galleries of the PMA's Perelman Building beginning in the spring of 2016, a series of installations and programs features newly commissioned works of art and performances by acclaimed living African artists - in - residence, set against the backdrop of an exhibition of historical African art drawn from the University of Pennsylvania Museum of Archaeology and Anthropology's unparalleled collection — the largest of its kind in the United States.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Expo Chicago Booth 327 For its inaugural presentation at Expo Chicago, Alexander Gray Associates presented an exhibition of the conceptually paralleled artistic processes of Gallery artists from diverse geographical and cultural contexts, featuring recent and historical works by Luis Camnitzer, Melvin Edwards, Harmony Hammond, Lorraine O'Grady, Hassan Sharif and Jack Tworkov.

To begin by mentioning this fact might seem to be stacking the deck if a concern with the medium's various historical demises did not figure so markedly in the British artist's work — but it does, to the extent that he titled his second solo show at Andrea Rosen Gallery «Dead Painter.»

This solo presentation by Amsterdam gallery Grimm dives into the historical works of pioneering Dutch conceptual artist Ger van Elk, who passed away just two years ago, offering a thoughtful reflection on the artist's influence over the last 45 years.

Marlborough Chelsea is pleased to announce a multi-generational exhibition of paintings drawn from the gallery's large and varied historical holdings together with recent work by younger artists from New York and London.

David Richard Gallery has gathered together a mix of historical and current paintings and works on paper by artists whose connecting thread is the...

Alexander Gray Associates presented an exhibition of the conceptually parallel artistic practices of Gallery artists from diverse geographical and cultural contexts, featuring recent and historical works by Polly Apfelbaum, Luis Camnitzer, Melvin Edwards, Harmony Hammond, Lorraine O'Grady, Betty Parsons, Joan Semmel, Hassan Sharif, Valeska Soares and Sergei Eisenstein.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

In September the gallery is publishing the first monograph on Suellen Rocca's work, featuring full - color reproductions of more than fifty works, essays by Dan Nadel and Sarah Lehrer - Graiwer, and a narrative chronology illustrated with historical photos and ephemera from the artist's personal archive.

Whether he is placing multimillion - dollar bids at auction for publishing magnate S.I. Newhouse or record industry mogul David Geffen; brokering a $ 40 - million deal to buy 50 Abstract Expressionist and Pop art works given to Richard Weisman by his parents, the late Los Angeles collectors Frederick and Marcia Weisman; joining forces in a joint gallery operation with Leo Castelli, the dean of New York contemporary art dealers; staging museum - quality historical exhibitions; luring hot artists such as Salle, Philip Taaffe and Chris Burden to his stable or simply hiring staff, Gagosian is in the news.

«By inaugurating the new gallery with a joint exhibition of historical works by Cindy Sherman and David Salle,» Montagu explains, «we hope to give a renewed perspective in which to consider the importance of the artists» earlier works, and their influence on subsequent generations of painters and photographers.&raquBy inaugurating the new gallery with a joint exhibition of historical works by Cindy Sherman and David Salle,» Montagu explains, «we hope to give a renewed perspective in which to consider the importance of the artists» earlier works, and their influence on subsequent generations of painters and photographers.&raquby Cindy Sherman and David Salle,» Montagu explains, «we hope to give a renewed perspective in which to consider the importance of the artists» earlier works, and their influence on subsequent generations of painters and photographers.»

The Nathalie Obadia Gallery, Brussels, is pleased to present a solo exhibition by Ricardo Brey, the Cuban artist, now living and working in Belgium, thus rekindling historical ties, as the gallery exhibited his work for the first time in Paris iGallery, Brussels, is pleased to present a solo exhibition by Ricardo Brey, the Cuban artist, now living and working in Belgium, thus rekindling historical ties, as the gallery exhibited his work for the first time in Paris igallery exhibited his work for the first time in Paris in 1994.

In the Spotlight section, devoted to solo presentations of historical works, Brooklyn's Southfirst brought a selection of performative photographs by Jared Bark, made between 1969 and 1976, for which he employed the predetermined grid of the automatic photobooth strip, reprising the gallery's recent critically acclaimed exhibition of the artist.

More intimately scaled than these art - historical antecedents and installed in close quarters at this tiny artist - run gallery, twelve brightly colored, highly patterned works by Lee Arnold, Mark Brosseau, and Meg Lipke reverberate in a visual conversation reminiscent of the sonic repartee between layered tracks of a song.

He has placed important works by gallery artists and historical artists in several major museums and private collections.

This year, for its inaugural presentation at EXPO CHICAGO, Alexander Gray Associates (Booth 327) will present an exhibition of the conceptually paralleled artistic processes of gallery artists from diverse geographical and cultural contexts, featuring recent and historical works by Luis Camnitzer, Melvin Edwards, Harmony Hammond, Lorraine O'Grady, Hassan Sharif and Jack Tworkov.

Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

On view across all of the gallery's Chelsea spaces in New York (519, 525 & 533 West 19th Street and 537 West 20th Street), the exhibition will feature artworks by the gallery's artists, including significant historical work, alongside new and never - before - seen works commissioned specially for the occasion.

Two exhibitions responding to the war — one directly and the other indirectly — are now on view in Boston: a powerful solo show of recent paintings by the celebrated political artist Jenny Holzer at Barbara Krakow Gallery, and «War and Discontent,» a well - meaning but muddled exhibition of historical and contemporary works at the Museum of Fine Arts.