By bringing together new art with rarely seen
historical works from artists» studios and estates, In The Making suggests the social and intellectual interactions that fuel the production of art — interactions that take place behind the scenes and exert remarkable influence.
The exhibition will also feature
historical works from the Transcendental Painting Group.
In addition to the all - new paintings created specifically for this show, the show will include select
historical works from Chong - Hyun's oeuvre.
The Crystal Bridges Museum of American Art is notorious for snatching up prized
historical works from beleaguered institutions.
Comprised of important and
historical works from each artist's career, as well as new works produced expressly for the exhibition, the show will be on view through September 2nd, 2017.
Constructing Identity: Petrucci Family Foundation Collection of African - American Art brings together paintings, sculpture, prints, and drawings by prominent contemporary African - American artists along with a selection of
historical works from the 1930s, 1940s, and Civil Rights era.Drawing from the Petrucci Family Foundation collection, Constructing Identity features works by more than 80 artists, including Henry Ossawa Tanner, Elizabeth Catlett, Romare Bearden, Norman Lewis, Faith Ringgold, Radcliffe Bailey, Kara Walker, and Mickalene Thomas as well as John Biggers, Barbara Bullock, David Driskell, Joyce Scott, and Sonya Clark, among others.
This exhibition features paintings, sculpture, prints and drawings by prominent contemporary African - American artists, as well as a selection of
historical works from the 1930s and»40s, and the civil - rights - movement era.
In response to
historical works from the AGW's collection Devine examines the legacy of Chief Tecumseh, whose death at the Battle of the Thames on October 5 1813 marked the end of First Nations» resistance in the region.
The exhibition brought together a selection of Kilimnik's new and
historical works from the past three decades, evoking the history of painting through the construction of fantastical narratives which drew on a rich pastiche and personal flights of fancy.
Presented alongside is a personal selection of
historical works from the Leeds Museums and Galleries sculpture collection including works by Hermon Cawthra, Geoffrey Clarke, Frank Dobson, Jacob Epstein, John Farnham, George Frampton and Henry Moore.
Curated by Nicolas Trembley, the exhibition juxtaposes
historical works from Japanese Mingei artists with modern and contemporary artists inspired by Mingei.
In addition to the gallery presentation, a satellite exhibition of Piper's
historical works from the 1970s - 1990s will be presented by Elizabeth Dee Gallery at The Armory Show, March 27 - 30, Pier 94, New York City.
Historical works from the 1970s in particular (definition - method 208c painting, depainting, repainting and definition / method 98: to be continued), and nine new works will be presented for the occasion.
In order to open a critical dialogue on how political ideas relate to biography, text in relation to form, and identity in relation to subject, crucial works will be placed in close dialogue with peers at the time such as David Hammons, Louise Lawler and Julia Scher as well as with
historical works from Helmar Lerski.
On display are 23 works, both
historical works from the 1970s in particular (definition - method 208c painting, depainting, repainting and definition / method 98: to be continued), as well as nine new works.
Beginning with significant
historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.
The exhibition explores the history of American modernist ballet and new representations of the body through a combination of contemporary works by Mauss and
historical works from the 1930s and 1940s in ballet design, the visual arts, theater, and fashion.
By showcasing current contemporary painting and sculpture, the exhibition explores both postmodern and modern concepts through the re-evaluation of
historical work from varying mediums, styles and content by recalling abstract expressionism and minimalism.
Leading galleries from North America, Latin America, Europe, Asia, and Africa show
historical work from the masters of Modern and contemporary art, as well as newly created pieces by emerging stars.
About Art Basel Miami Beach Leading galleries from North America, Latin America, Europe, Asia, and Africa show
historical work from the masters of Modern and contemporary art, as well as newly created pieces by emerging stars.
Over 250 of the world's leading galleries participate, drawing over 50,000 visitors each year.Leading galleries from North America, Latin America, Europe, Asia, and Africa show
historical work from the masters of Modern and contemporary art, as well as newly created pieces by emerging stars.
Not exact matches
Adelaide - based Tom Moore has won one of the nation's most prestigious glass art awards
from the Art Gallery of WA, with a
work he says references quizzical
historical applications of glass for comedic effect.
It's these
historical assumptions of what
works that prevents organizations
from generating new ideas,» he writes.
Perhaps the best
historical quip relevant to the taxation of cryptocurrency comes
from Thomas Kuhn's 1962
work «The Structure of Scientific Revolutions,» in which he states, «scientific revolutions are here taken to be those non-cumulative developmental episodes in which an older paradigm is replaced in whole or in part by an incompatible new one.»
From a
historical standpoint, however, when the equity market has joined persistent overvalued, overbought, overbullish extremes with deteriorating market internals, with a cherry on top featuring two - tiered speculation in glamour stocks and heavy new issuance of stock by companies that predominantly have no earnings, we find it difficult to find any precedent that hasn't
worked out quite badly.
In the end Gallienus decides to pay for the celebrations using direct theft (by confiscating and then selling the estates of his enemies and those of their families), but the final sentence of the above excerpt
from a
work of
historical fiction reveals more knowledge of how monetary inflation
works than is found in the writings of most Keynesian economists.
Churches who provide 3 meals a day, You see the beauty of an
historical place like the Vatican, preserving history in its art
work amd library but are unaware of the services it provides behind the scenes away
from the eyes of the public.
It may be that in the course of history certain dimensions of saving truth become obscured and must be recovered but it is impossible for a theologian to stand apart
from tradition and begin his
work ab initio; to do so would be to cut himself off
from the Church, which is the source sine qua non of theology, and to deny the
historical givenness of Revelation.
The ten essays collected in In Search of Lost Meaning range broadly,
from «anniversary» pieces (of the 1989 elections, the emergence of Solidarity, the imposition of martial law, and Hungary's 1956 revolt) to treatments of
historical memory and judgment (that part of the book is titled «The
Work of Hatred») to Catholic «Jewish relations.
John Montague came by his mature faith honestly: Sent back to his family's Ireland
from the Brooklyn of his birth, enduring separation and a simple life in the complex North, he married in his
works the intimately human and the broadly
historical with a seamlessness that few have achieved.
The very arrangement of the biblical books in the Hebrew canon of scripture presupposes this definition of prophetism.1 Between the first division of the Law and the third division of the Writings, the central category of the Prophets embraces not only the books of the prophets Isaiah, Jeremiah, Ezekiel, and the twelve prophets
from Hosea to Malachi (all together termed «Latter Prophets») but also the
historical writings of Joshua, Judges, and the books of Samuel and Kings («Former Prophets») In this way the Hebrew Bible formally and appropriately acknowledges that prophetism is more than the prophet and his
work, that it is also a way of looking at, understanding, and interpreting history.
From what has been urged above we see that God's activity in the world is not confined to the
historical person of Jesus Christ; incarnation is «the manner and the mode,» in Cardinal Bérulle's words, of all God's
working in the world, which we find vividly disclosed in «the Galilean vision.
Rodrigues is based on a
historical priest, Giuseppe Chiara, and while Silence is a
work of fiction, the story takes place in an actual time when the Japanese government sought to remove the 300,000 Christians converts and priests
from their country.
The latter investigations were carried on by a school of students of religion who aspired to emancipation
from theological conceptions,
working for the establishment of a science of religion on the basis of the critical (
historical and philological) and comparative methods.
To interpret this text as a
historical vestige, moored in misguided hopes
from Israel's past, is to misunderstand the canonical forces at
work in shaping the prophetic tradition into a corpus of scripture directed to Israel's subsequent generations of faith.
Perhaps I ought to be more surprised at his omission of
historical fiction, including that of Madeleine Polland, written
from a deeply Christian perspective; she wrote such
works as Beorn the Proud, now available in reprint, and my personal favorite, The Queen's Blessing, set in the time of Saint Margaret of Scotland.
Historical - criticism always deals with Scripture as a series of fragmented
works from different periods and by definition remains at the basic level of human hypothesis.
In his
historical tour of the proofs for and against God's existence, Nathan Schneider, a journalist and activist whose last
work treated the Occupy movement, unfolds the story of provers and their arguments
from the ancient Greeks through medieval Muslims to today's analytic philosophers and New Atheists.
Hegel's Phenomenology is often judged to be the most revolutionary of all philosophical
works, and it is clearly revolutionary in understanding consciousness itself as a consistently and comprehensively evolving consciousness, evolving
from the pure immediacy of sense - certainty to absolute knowing, and this evolution is internal and
historical at once.
We shall return to Jeremias's
work on the parables again and again, for it is epoch - making in several respects, but for the moment we want only to call attention to the consequences of this
work so far as a general view of the nature of the synoptic tradition is concerned the success of Jeremias's
work demands that we accept his starting - point, namely, that any parable as it now stands in the gospels represents the teaching of the early Church and the way back
from the early Church to the
historical Jesus is a long and arduous one.
Here the «contemporized» tradition («Show me your faith apart
from your
works, and I by my
works will show you my faith»; 1:18) appears diametrically opposed to the earlier Pauline formulation unless one takes into account the changed
historical context; then differences still remain but they can be viewed as compatible.
In their
historical context, however, the issues, in response to which the Pauline formula was forged, no longer existed: because Christianity was well on the way to becoming a gentile religion, separate
from Judaism, the question of the salutary benefit of faith in Christ, which earlier had arisen among Christians who did not observe the cultic requirements of Jewish law, and in that sense were without «
works of the law, arose now among Christians whose lives exhibited moral laxity, which could be understood in terms of popular moral philosophy.
Since the twentieth century
worked out its initial attitude toward the «
historical Jesus» in terms of the only available reconstruction, that of the nineteenth century with all its glaring limitations, it is not surprising to find as a second consequence a tendency to disassociate the expression «the
historical Jesus»
from «Jesus of Nazareth as he actually was», and to reserve the expression for: «What can be known of Jesus of Nazareth by means of the scientific methods of the historian».
«47 And third, it is through this
work of reinterpreting its own traditions that Israel as a community develops a
historical consciousness, thereby becoming a
historical reality, if it is true, as critical scholarship suggests, that Israel did not exist as a unified entity until the amphictyonic period after the settlement of Canaan, then we can say that «by elaborating this history as a living tradition, Israel projected itself into the past as a single people, to whom occurred, as to an indivisible totality, the deliverance
from Egypt, the revelation on Sinai, the wandering in the desert, the gift of the Promised Land.
[39] Regarding chronology, Timothy Barnes, in Tertullian, op cit., points out that this treatise, which comes
from the period before Tertullian became a Montanist, does not yield more precise information when the criteria regarding
historical allusions, references to other
works, doctrinal progression and style, are applied.
The
historical forces now pushing those issues toward the top of the social agenda — and therefore toward serious consideration by the churches — are different
from those of the turbulent 1920s and «30s, when the masses of
working people in the United States were struggling for the basic right to have a union, a decent wage and tolerable
working conditions.
Drawing
from the
work of biblical scholars, most notably James Brownson, Matthew looks at the context, language, and
historical background of these passages to conclude that the Bible does not directly address the issue of same - sex orientation or the expression of that orientation.
Hegel started
from the belief that, as he said of the French Revolution, mans existence centres in his head, i.e., in thought, inspired by which he builds up the world of reality».2 In his greatest
work, the Phenomenology of Mind, Hegel traces the development of mind or spirit (Geist), reintroducing
historical movement into philosophy and asserting that the human mind can attain to absolute knowledge.
This was the
work of an
historical theologian, reconstructing the thought of the past for its own sake, but it was also timely given the recent Continental turn away
from being toward «becoming,» and the so - called «linguistic turn» of Anglo - American philosophy.
Take just one example
from the
historical work of Eberhard Busch, who was Barth's last assistant in Basel and now holds the same chair Barth once occupied at the University of Göttingen.