Sentences with phrase «historical works hold»

While the dense hang downstairs is successful — the individual historical works hold their own against neighbours, the clutter lending the show itself a certain abstract quality in which form and colour between compositions seem to overlap — this device of overfilling the space falls apart upstairs.

Not exact matches

Take just one example from the historical work of Eberhard Busch, who was Barth's last assistant in Basel and now holds the same chair Barth once occupied at the University of Göttingen.

Birthing from Within Advanced Mentor Retreat with Virginia Bobro, 2017 Doula Trainings International Doula Training with Jackie Davey, 2017 Creating a Culture of Breastfeeding in the NICU with BreastfeedLA, 2017 Diversity, Determinants, and Disparities in Maternal Mental Health, 2017 Hypnobirthing for Birth Professionals with Ellie Shea, 2017 (certified 2017) Working with Diverse Populations in Maternal and Child Health with Shafia Monroe, 2017 Changing the Paradigm: Social and Historical Trauma, 2017 Seeking Safety with Treatment Innovations, 2017 Holding Space for Pregnancy Loss with Amy Wright Glenn, 2017 Working with Childhood Trauma with Echo Parenting, 2017 Breastfeeding Full Circle with Dr. Jack Newman, 2016 Art of Sacred Postpartum and Mother Roasting with Sara Harkness, 2016 (certified 2017) Birth Story Medicine Part I with Pam England, 2016 Supporting Perinatal Mental Health as a Doula with Sonia Nikore, 2016 Prenatal and Postpartum Nutrition with Elizabeth Kotek, 2016 Sacred Blood Mysteries Online Class with Sacred Living, 2016 Birthing from Within Introductory Workshop with Virginia Bobro, 2016 Supporting Breastfeeding as a Doula with Kate Zachary, 2016 Homebirth Caesarean Workshop with Courtney Jarecki, 2016 Return to Zero Training for Supporting Fetal and Infant Loss with Kiley Hanish and Ivy Margulies, 2016 Acupressure for Pregnancy, Labor, Birth and Postpartum with Abigail Morgan, 2016 Becoming Dad Workshop with Darren Mattock, 2015 Diversity Roundtable for Birth Workers with Debra Langford, 2015 Babywearing for Doulas with Laura Brown, 2015 Co-leader, BabywearingLA, 2014 - 2016 DASC Director of Hospitality, 2014 - 2015 Co-leader, Silver Lake meeting of the International Caesarean Awareness Network, 2013 CAPPA Lactation Educator Training with Christy Jo Hendricks, 2013 (certified 2015, recertified 2018) Acupressure for Labor and Birth with Abigail Morgan, 2013 Essential Oils for Doulas with BluJay Hawk, 2013 Babywearing for Birthworkers with Laura Brown, 2013 Rebozo Techniques with Angela Leon, 2013 Massage Techniques for Doulas with Jenna Denning, 2013 Breeches, Twins and VBACs with Stuart Fischbein, 2013 DASC co-Director of Development, 2012 - 2013 Co-founded Two Doulas Birth, 2012 Spinning Babies Training with Gail Tully, 2012 Featured as the Doula Expert in LA Parent Magazine, 2012 Advanced Doula Training with Penny Simkin, 2012 CAPPA Postpartum Doula Training with Darla Burns, 2012 (certified 2014, recertified 2017) Yoga Instructor, Yogavidala, Los Angeles, CA, 2011 - 2012 Billings Ovulation Method Teacher Training, 2011 CAPPA Labor Doula Training with Angie Whatley, 2010 (certified 2011, recertified 2014, recertified 2017) CAPPA Childbirth Educator Training with Angie Whatley, 2010 (certified 2011, recertified 2014, recertified 2017) Neonatal Resuscitation Program Workshop with Karen Strange, 2010 (certified 2010) Herbs and Homeopathics in the Care of Women and Infants, 2010 The Farm Midwifery Center Midwife Assistant Workshop with Ina May Gaskin, 2009 Birthing from Within Introductory Workshop with Pam England, 2009 Iyengar Yoga Introductory I Assessment passed, 2010 Yoga Instructor, Eastern Sun Yoga, Memphis, TN 2008 - 2011 Yoga Instructor, Evergreen Yoga Center, Memphis, TN, 2009 - 2011 Eastern Sun Yoga Iyengar Teacher Training with Lou Hoyt, 2008 - 2011 Audubon Yoga Iyengar Teacher Training with Karin O'Bannon, 2010 - 2011

Bellone: Snowstorm was significant, but not historical On Thursday, Feb. 9, 2017, Suffolk County Executive Steve Bellone and other officials held a news conference at the Department of Public Works Yard in Commack.

The library has a 100 - capacity auditorium, 45 - seater multi-media centre, seminar rooms and a museum that holds historical materials that reflect the life and works of the late president.

The historical data says that Buy - and - Hold is the one thing that never works.

He was amazed to learn what the historical record tells us — Buy - and - Hold has precisely zero chance of ever working for a single long - term investor.

This past April, Gecco told Silent Hill Historical Society that they were working on two new statues; one of which is a Red Pyramid Thing (Pyramid Head) holding the Great...

This past April, Gecco told Silent Hill Historical Society that they were working on two new statues; one of which is a Red Pyramid Thing (Pyramid Head) holding the Great Spear.

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.

He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.

In 1978, he held an anthological exhibition curated by Jean - Christophe Ammann at the Kunsthalle Basel that featured historical works alongside more recent ones.

At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.

Each work illustrates a poignant subject or event that holds significance for the artist, from portraits of incarcerated family members and friends lost in acts of violence to fantastical scenarios incorporating historical figures, role models, and public icons.

Wols's first U.S. retrospective at the Menil Collection, which has among the largest and widest - ranging public holdings of his paintings and works on paper, aggravates the historical slight by splitting the show between two of the museum's smaller exhibition galleries on opposite sides of the building.

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

Since then, the gallery's holdings of Canadian and international contemporary and historical art have increased, with the AGA currently boasting over 6000 works valued at approximately $ 30 million.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

To watch Mr. Zwirner flip through a binder holding images of the works is to travel through the last 25 years of modern and contemporary art, accompanied by quick bits on their historical importance from Mr. Zwirner, whose father, Rudolf Zwirner, was a prominent European dealer.

At the Whitney he brings together his own works, alongside historical photographs, sculptures, paintings, drawings, film and video from the Whitney's holdings and those of other public and private collections — all presented within a layered exhibition design by Mauss that allows for the works to be seen in a new light.

When Malevich repeated the work in the 1920s geometric abstraction had taken hold; the aesthetic value of the later versions may be barely distinguishable, but their art historical and potentially therefore their market values are wholly different.

A private view will be held on Thursday 25 September from 6 - 9 pm featuring a one - off performance by artist collaborators Meta Drcar and Dori Deng featuring three female dancers responding to the architecture of the space, alongside a live performance of sculptural objects by Harold Offeh based on his series of work looking at elements of historical 17th and 18th century gardens as sites of artifice, spectacle and theatre.

In a 2 - day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used.

Grasso's work incorporates video, sculpture, painting, drawing and exhibition devices, combining documentary, historical and mythological sources as long as they hold aesthetic and fictional potential.

The format of pairing living artists with historical works is not without precedent — you may remember the brilliant Frieze Masters talk in which Ed Ruscha waxes poetic about Giovanni Bellini's The Ecstasy of St. Francis at the Frick — but the Met's encyclopedic holdings offer a virtually unrivaled range from which to choose.

Major historical works by artists including Howardena Pindell, Sam Gilliam and Melvin Edwards demonstrate the Rose's commitment to diversifying its holdings in 20th century painting and sculpture by acquiring important works by figures who until recently have been excluded from canonical accounts of art history due to race and gender - based discrimination.

The acquisitions program has followed a three - pronged approach: to strengthen the holdings of landmark works by modern artists collected by the museum in depth; to widen its breadth with works by historical artists new to the department's collection, especially work by women, artists of African descent, and artists working outside of Europe and North America; and to actively collect works produced by the new generation of artists.

The symposium is held on May 12 at Akademin Valand in Gothenburg and will highlight Tuija Lindström's work and the historical context of the 1990's.

He begins with a reference to an object or image that holds personal or historical significance, and then abstracts the reference through his process - based approach, resulting in work that is visually autonomous from the original imagery.

At the same time, the exhibition functions as a group portrait of Pearlstein's art world, bringing together historical and recent works portraying the artist's friends and colleagues — figures like Al Held from the past, and Patterson Sims, the curator, still working.

Sims, who went on to hold executive positions at the Studio Museum in Harlem and New York's Museum of Arts and Design, is quick to point out, however, that while the field for contemporary African - American artists has developed steadily, and works by more historical figures have become increasingly sought - after by museums and collectors, there is still much work to be done.

Marlborough Chelsea is pleased to announce a multi-generational exhibition of paintings drawn from the gallery's large and varied historical holdings together with recent work by younger artists from New York and London.

For 10th edition of Kabinett, there will be 27 curated exhibitions with a well - balanced mix of fresh work from Contemporary art stars like Glenn Kaino, Chris Ofili, Richard Pettibone, Joseph Kosuth and Nari Ward, and significant historical presentations of works by Chris Burden, Al Held and Agnès Varda.

The gallery also promoted and collected the work of a younger generation of artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among many others, whose aesthetic tendencies suggested intriguing connections to the historical holdings of his gallery's collection.

The project provided a platform to highlight the museum's holdings and draw connections between largely historical works and the fresh perspectives of artists working today.

What their painting holds in common is their obvious love for the physicality of paint, their desire to create worlds that the viewer can enter, and their commitment to work forward in the historical tradition of abstraction, drawing on the past with the intention of developing a new visual vocabulary.

In the first major presentation in an American museum of Jitish Kallat's work, the contemporary Indian artist has designed a site - specific installation that connects two key historical moments — the First World Parliament of Religions held on September 11, 1893, and the terrorist attacks at the World Trade Center and the Pentagon on that very date, 108 years later.

The acquisitions program has followed a three - pronged approach: to strengthen the holdings of landmark works by modern artists whom the Museum collects in depth; to widen its breadth with works by historical artists new to the department's collection, especially women, artists of African descent, and artists working outside of Europe and North America; and to collect actively from the new generation of artists working today.

As part of the Early Weather Data research stream, scientists worked to digitise and extend some of southeastern Australia's key meteorological records held by the Bureau of Meteorology, National and State Archives and a range of pre-Federation observatories and historical societies.

Commonwealth of Pennsylvania (Harrisburg, PA) 1989 — 1991 Legislative Budget & Finance Committee — Analyst - I, Government Auditor (Compliance & Performance Audit) • Conducted government agency audit and research projects utilizing GAGAS • Participated in all aspects of project mission and audit plan development, working closely with agency department heads, senior management, and staff to facilitate audit plan completion • Held responsibility for consolidating and summarizing audit findings as well as official state legislative Committee recommendations and reports • Completed numerous high - profile legislative studies and audit projects including Commonwealth IT purchasing practices, PA Liquor Control Board, and the effectiveness of drug law enforcement • Worked as part of audit and analysis team responsible for preparing the Legislative Statistical Budget Digest annual summary and historical analysis of the Governor's $ 30 billion budget for the Commonwealth of Pennsylvania