Sentences with phrase «historical works taking»

Out of Line featured nearly thirty historical works taking Colombian artist Feliza Bursztyn's raucous, stainless steel sculpture Sin título (de la serie Histéricas)(1967) as the point of departure.

Not exact matches

It has also taken the time to carefully preserve historical buildings, working with professionals to ensure their structural integrity while maintaining the beautiful original finishes.

Perhaps the best historical quip relevant to the taxation of cryptocurrency comes from Thomas Kuhn's 1962 work «The Structure of Scientific Revolutions,» in which he states, «scientific revolutions are here taken to be those non-cumulative developmental episodes in which an older paradigm is replaced in whole or in part by an incompatible new one.»

I also believe in God, and I respect the Bible as a work of inspiration, and a source of inspiration, but I don't believe it is necessarily historical, and I certainly don't believe its creation stories should be taken literally, since the various stories conflict with each other.

Rodrigues is based on a historical priest, Giuseppe Chiara, and while Silence is a work of fiction, the story takes place in an actual time when the Japanese government sought to remove the 300,000 Christians converts and priests from their country.

Obviously, by introducing his work in this way Luke means it to be taken as an historical work.

Here the «contemporized» tradition («Show me your faith apart from your works, and I by my works will show you my faith»; 1:18) appears diametrically opposed to the earlier Pauline formulation unless one takes into account the changed historical context; then differences still remain but they can be viewed as compatible.

Not only are graduate theological schools producing more theses and dissertations on Wesleyan subjects, but Methodist periodicals (Quarterly Review, Methodist History, Proceedings of the Wesley Historical Society) are increasingly printing their articles, and new publishing enterprises are emerging to take up their longer monographic works (among these are Zondervan's Francis Asbury Press imprint, Abingdon's Kingswood Books imprint, and Asbury Theological Seminary's new series in Pietist and Wesleyan Studies) These scholars are quite likely to be found in the Wesley Studies Working Group of the American Academy of Religion.

Gray's own attempt to call attention to the historical priority of evolutionary cosmologies is motivated, however, by a quite different concern (with which I take strong exception), expressed in an unpublished paper: «the particular influence of evolutionary theories on Whitehead's work has been overlooked» (EEWP 1, 28).

The final chapter, on the «question of the historical Jesus», has been added because the current intensive discussion of this question makes it necessary that any man attempting historical research on Jesus should be prepared to take a stance with regard to the significance he would attribute to the results of that work.

Take just one example from the historical work of Eberhard Busch, who was Barth's last assistant in Basel and now holds the same chair Barth once occupied at the University of Göttingen.

If we take an historical view of love's work in the world we know that work is manifested in the brokenness of existence.

I understand them very well, I just don't believe them to be completely factual and to be a work of historical fiction interlaced with magic, miracles and mumbo jumbo that the people of that time would have taken as fact but were merely unexplained phenomenon.

Her work includes analysis of pond sediments, soils, and more collecting to document plant diversity... We're also hoping to cast a broader net across Providence with an analysis of historical specimens of Plantago [plantain] in an attempt to match terrestrial trends in heavy metal concentration with measurements taken from nearby marine sediments in Narragansett Bay [south of Providence].»

Carbon dioxide emitted at the start of the industrial revolution is still warming the atmosphere today, which is why scientists take into account historical emissions as well as present day ones to work out a country's contribution to climate change.

Discover the historical buildings and those men, women and children who worked in them over a 950 year period as you get to take a step back in time to learn more about what life was like in rural West Sussex.

India takes giant step to manned space mission The successful launch of India's first rocket equipped with an astronaut module brings it closer The Collection in Context presents the Asia Society's collection of nearly three hundred works of art in their historical and cultural context.

What made the first film work as well as it did was the way Hirst took and reworked historical facts to suit the rise (or decline, depending on your point of view) of an innocent, love - hungry young woman into a cold, sometimes cruel statue of a queen.

But both directors also take poetic license in creating a universe of their own, giving us at once a compelling historiographic account, a pure work of auteurist vision, and a playful historical recreation, with touches of bizarre humour and an ineffable absurdist spirit interspersed throughout.

takes us back to many different genres of filmmaking from the 1940s, including historical epics, war films, musicals — tap dancing Frank Sinatra musicals and Esther Williams musicals with vibrant colors, rich black and whites — all the while allowing Deakins to do what he always does with any movie he's working on whether it's the shittiest film you've ever seen or the best — making it 100 % better just by having shot it.

Framing the unfinished work as a radical narration about race in America, Peck matches Baldwin's lyrical rhetoric with rich archival footage of the Civil Rights and Black Power movements, and connects these historical struggles for justice and equality to the present - day movements that have taken shape in response to the killings of young African - American men including Trayvon Martin, Tamir Rice, Mike Brown, and Amir Brooks.

Researching Egyptian pharaohs is genuinely dangerous work that takes archaeologists to unforgiving desert climates and treacherous tombs, and pits them against thieves who want to get their own hands on historical treasures for

We worked with SCALE to take the Common Core State Standards, the Next Generation Science Standards, the Historical Thinking Standards, and other frameworks of cognitive skill development to create a comprehensive, developmentally tiered measure of the thinking skills required for college readiness.

The tour takes in the exteriors of the main buildings and focuses on key historical information, leaving pupils with a clear overview of the work at Bletchley Park.

«It will take 5 to 10 years of hard work to figure out» how to use software to teach students to analyze a poem or understand a historical event.

I finally sold my historical mystery series to a traditional house and it took over twenty years of hard work to do it.

A series of trips (to conventions and visits with my daughter and grandsons), the constant work it seems to take to keep my body moving at my age, a demanding schedule of lunches and tea dates with friends, a number of other authors» manuscripts I had the honor to beta read, and the unexpected discovery that my short sequel had turned into two full - length books, meant that here I am, not six months, but a year later, finally, starting to work on my next historical mystery.

I attempted to explain why the exercise was bogus from a publishing standpoint, and also pointed out that it was bogus because it is difficult to take her work out of its historical context.

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Then We Take Berlin by John Lawton The first in a gripping new historical thriller series following Joe Wilderness, an East End Londoner turned spy, working in the rubble of post-war Berlin.

A take - out number that has an 80 percent chance of working out (according to the historical data) is safe enough to fairly be referred to as «safe,» in my view.

I would like to see hundreds of personal finance blogs begin taking an independent look at what works in investing, to become a bit more skeptical of the claims of The Stock Selling Industry and to become open to the idea of looking at the historical stock - return data to see what has always worked in the past and what has never worked in the past.

Adjacent to Townsend is Cades Cove, an eleven - mile driving loop that takes you back in time to a working grist mill and other historical buildings.

This is where Fire Emblem Warrior «s long - term enjoyment is found — take the skills you learned in the campaign and work toward completing historical wars in the Fire Emblem franchise.

Brodsky's style channels the heightened realism of 19th century landscape painters; whereas the historical paintings were created on enormous canvases that echoed the vast American landscape, Brodsky's contemporary take condenses the visual impact into a token - sized work that fits in the palm of a hand.

These new works take historical paintings and Internet culture as their point of departure and utilize paint and digitally manipulated printed images to create hybridized portraits suffused with cultural and societal critiques.

The presentation of their work revolves around art itself and its history, both ancient and modern, and they take quite disparate approaches to historical points of departure.

Painted from historical photographs taken from old magazines, family albums and the propagandist publications distributed by the government during the Cultural Revolution, At a time of immense and rapid socio - economic change in China, these works look back at its past, marking a fragile line with delicate layers of ash between individual memory and official historical record.

If the phrase «research - based practice» makes you squirm, S&T's take should be a potent antidote, since they bring consequential ideas — such as the conflict of democratic Western values with their bloody historical deployment in the region — to life through irresistibly engaging work.

In the last Whitney Biennial a significant percentage of the works on view took as their subjects actual historical episodes or addressed earlier moments in the history of art.

This exhibition takes Nevelson as a point of inspiration and further explores the visual and historical connections between her wooden sculpture Untitled (ca. 1976 — 78) and other works from the Kemper Museum Permanent Collection.

Presaging Paul McCarthy and Mike Kelley and exerting noticeable influence on artists such as Barry McGee and Ed Templeton, Saul's oeuvre is long overdue for deeper examination and this comprehensive publication provides the first complete overview of his work over the past five decades — from his epic historical canvases to his homage to Thomas Hart Benton, his lampoons of art world sacred cows and works evidencing his particular take on the existential dilemmas of the aging American male.

Zack Dougherty delivers a humorous take on art - historical ghosts and their contemporaries with his work Dynamic Frame (2013).

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

This exhibition will take a socio - historical approach, examining Peláez's work in the context of the changing material culture and urban landscape of Havana during the first half of the 20th century.

Her drawings, objects, and installations conflate references to nature and culture, each work embodying a single instance of their collision, taking inspiration from the artist's personal experience, cultural memory, or historical events.

These new works take historical paintings and internet culture as their point of departure and utilize paint and digitally manipulated printed images to create... Read More

This symbol appeared in most of the large works and reminded viewers not to take the art - historical references too seriously.

«All my work, no matter what appearance it might take, whether it's my Hennessy videos or the Coogi pieces, always has an element of historical trauma.»

On an even deeper level, the work also takes on a horrific historical identity of a time when black men and women were stripped of their humanity and often had to run for their lives.