Not exact matches
Here we see John Paul's sense of the importance of culture
as the interpretive key to
history and the exposure of what Weigel calls the Jacobin and Marxist fallacies» the
illusions that
history is driven by a quest for power and that
history is the «exhaust fumes of impersonal economic forces.»
And just
as families select artifacts that suggest past happiness in order to soften the blows inflicted by actions of family members in less happy times, congregational
histories can create
illusions: authors might relate in two sentences the experience of an unhappy pastorate that led to two decades of misery — and distort the whole story by dwelling on the beauty of the old sanctuary, hence suggesting general happiness.
A Christian view of time and
history which preserves the truth and rejects the
illusion in man's vision of
history can organize and release human energies today
as it did in the days of St. Augustine, and
as it did in the bright days of the nineteenth century when the prospect of a reborn society on earth seemed to light the way.
This stance puts me in opposition to those humanists who regard religion
as an
illusion, who seek to negate the divine reality
as the necessary precondition for affirming the humanist gospel of human freedom, and who interpret the
history of religion
as only an instrument of oppression and dehumanization.
Just
as the time - process is a reality and not an
illusion, just
as historicity (Geschichtlichkeit), (We still do not know how far the idea of historicity, when rightly understood, is part of our common involvement in
history.
In the exhibition's catalogue Bernice Rose states: «Chamberlain's is a radical step in this [modernism's]
history: the translation of de Kooning's inherently sculptural continued... brushstroke from a soft material used for the creation of visual
illusions and illusionary spaces into a hard, thin, and three - dimensional substance that could be considered
as a support for those
illusions.»
These images utilise diagnostic lenses and contrast dyes to reveal erased and unknown
histories, and toggle the lines between presence and absence,
as well
as distortion and
illusion.
And naturally the means of
illusion,
as well
as the idea of a commentary on
illusion, belong to a critical
history of art.
In this new
history, decoration, humor, femininity and masculinity, the everyday, sensual pleasure, artifice and
illusion, and authorial control took center stage,
as artists from the 1950s through the present explore the personal, social, and political meanings of sheer, gorgeous materiality.
In this new
history, decoration, humor, femininity and masculinity, the everyday, sensual pleasure, artifice and
illusion, and authorial control take center stage,
as artists from the 1950s through the present explore the personal, social, and political meanings of sheer, gorgeous materiality.
Regarded
as an environmental storyteller, he creates small Maine landscapes that are
as much an allusion
as illusion, referring to natural and human
history in oblique ways.
Lee exposes «maleness»
as complex and not necessarily inherent; the alpha male an amalgam of personal
history and strategy; an essential
illusion, a form of adaptation to our cultural environment.
Using everything from smoke and steel wool, to glass and chemicals, Quinlan manipulates her negatives, and subject matter, exploring feminist
history, visual
illusion and the photograph
as object.
Kim's unique way of story - telling plunges visitors into a fantastical world of optical
illusions and doubling of imagery that draws on a rich
history of performance and film,
as he collects and collages encounters, sounds, sculptures and images from his changing homes of Seoul, Amsterdam and New York.
Good
history makes clear the complexity of events, breaks down the
illusion of coherent «sides» such
as science vs. anti-science, and a clear sequence of causally - related events (such
as tobacco denial becoming climate skepticism).
I can envision a future college
history / philosophy of science course with Mann's book and «The Hockey Stick
Illusion»
as prime texts.
However, I nixed that in favor of my second favorite passage: Ely's conclusion (also edited) where he promises that» [U.S. Dollars and Venezuelan Bolivars] and the like will quickly fade into financial
history, just
as tulipmania [and the German mark, the Argentinian peso and the Zimbabwean dollar] did, serving solely to remind future generations of the folly of gambling on
illusions of value [like fiat currency].»