Sentences with phrase «histories of contemporary art museums»

The great paradox of Hong Kong is that it has no history of contemporary art museums, so much so that some gallerists at Art Basel Hong Kong credit their need for «Please Do Not Touch» signs and stanchions inside their... Read More

Not exact matches

In sharp contrast to the rich history and long - honored traditions, visitors to Kanazawa can also enjoy one of Japan's leading - edge contemporary art at 21st Century Museum of Contemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryucontemporary art at 21st Century Museum of Contemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryue Nishizaart at 21st Century Museum of Contemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and RyuContemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryue NishizaArt designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryue Nishizawa.

Currently, the funders for the program are the 11 Museums In the Park (Adler Planetarium, The Art Institute of Chicago, Chicago History Museum, DuSable Museum of African American History, The Field Museum, Museum of Contemporary Art, Museum of Science and Industry, National Museum of Mexican Art, National Museum of Puerto Rican Arts and Culture, The Peggy Notebaert Nature Museum, John G. Shedd Aquarium).

At 2:30 p.m., Hochul marks Black History Month with a visit to the Museum of Contemporary African Diasporan Arts with elected officials, 80 Hanson Pl., Brooklyn.

Some of the best museums that you need to check out are the Chicago History Museum, the DuSable Museum of African American History, the Museum of Contemporary Art, the Art Institute of Chicago, the Field Museum, and the Peggy Notebaert Nature Museum.

After founding the Tumblr Black Contemporary Art and the Twitter and Instagram accounts Museum Mammy, the Metropolitan Museum of Art's social media manager works to bring new voices and audiences into the art history establishmeArt and the Twitter and Instagram accounts Museum Mammy, the Metropolitan Museum of Art's social media manager works to bring new voices and audiences into the art history establishmeArt's social media manager works to bring new voices and audiences into the art history establishmeart history establishment.

Boutique shopping and trendy cafes abound in colorful Little Italy; outdoor recreation, public art and nautical history fills downtown's waterfront, and the region's rich arts and culture is on display in the San Diego Museum of Contemporary Aart and nautical history fills downtown's waterfront, and the region's rich arts and culture is on display in the San Diego Museum of Contemporary ArtArt.

You could also take the kids on a cruise in the Dubai Creek, or visit one of the fascinating museums - you'll find everything from beautifully restored historic houses dedicated to the city's long history as well as exciting galleries featuring contemporary art and design.

The Museum of Contemporary Art (MOCA) Jacksonville, the Cummer Museum of Art & Gardens and the Museum of Science & History (MOSH) all offer daily adult admission for $ 10 or less and offer special free admission days.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

Catharina Manchanda, the museum's curator of modern and contemporary art, said she began thinking about the ideas of history and representation in art during the Obama administration.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Notable group exhibitions and screenings include El Hotel Electrico, MUHKA, Antwerp (2014); Une Brève histoire des lignes, Centre Pompidou - Metz, Metz (2012); Unwrapping History: Films from the Collection, Walker Art Center, Minneapolis (2012); and Ghosts in the Machine, the New Museum of Contemporary Art, New York (2012).

«Whispering Bayou» @ Contemporary Art Museum Houston Houston, Texas An immersive, multimedia installation, «Whispering Bayou,» uses sounds, voices and images to capture the rich diversity and history of Houston and its citizens.

Spanning a range of media, the acquisitions complement the BMA's holdings of contemporary art, from mid-20th-century American abstraction to the art of today, and demonstrate the museum's commitment to expanding the narrative of art history through the representation of diverse artists.

«A Point of View: Selected Gifts from the Laurence A. Rickels Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 13 — March 11 2012 «Blues for Smoke,» Museum of Contemporary Art, Los Angeles, October 21 — January 7, 2013; traveled to the Whitney Museum of American Art, New York, NY, February 7 — April 28, 2013, and Wexner Center for the Arts, Columbus, OH, September 21 — January 5, 2014 «Group Face,» Paradise Garage, Venice, CA, September 22 — October 24, 2012 «DECADE: Contemporary Collecting 2002 - 2012,» Albright - Knox Art Gallery, Buffalo, NY, August 21, 2012 - January 3, 2013 «Prima Materia,» Gladstone Gallery, Brussels, Belgium, March 30 — April 28, 2012 «Intimate Immensity: The Susan and Larry Marx Collection,» Hammer Museum, Los Angeles, CA, February 14 — May 6, 2012 2011»... there is a crack in everything,» Michael Janssen, Berlin, Germany, November 12 - December 20, 2011 «Under Destruction,» Swiss Institute, New York, NY, March 15 — May 28, 2011 «Paul Clay,» Studio 94 Bowery, New York, NY, June 23 — July 30, 2011 «De-Building,» Christchurch Art Gallery Te Puna O Waiwhetu, Christchurch, New Zealand, February 5 - 22 2010 «The Artist's Museum,» Museum of Contemporary Art Los Angeles, Los Angeles, CA, October 31, 2010 - January 31, 2011 «Under Destruction,» Museum Tinguely, Basel, Switzerland, October 15, 2010 — January 23, 2011; traveled to the Swiss Institute, New York, NY, April 6 — May 8, 2011 «The Jewel Thief,» Tang Museum at Skidmore College, Saratoga Springs, NY, October 9, 2010 — February 27, 2011; catalogue «Immaterial,» Ballroom Marfa, Marfa, TX, October 1 — February 20, 2011 «The Artist's Museum,» Museum of Contemporary Art, Los Angeles, September 19 — January 31, 2011 «Selections from the Hammer Contemporary Collection,» Hammer Museum, Los Angeles, July 3 - January 30, 2011 «Collecting Biennials,» Whitney Museum, New York, January 16 - November 28, 2010 2009 «Collection: MOCA's First Thirty Years,» Museum of Contemporary Art, Los Angeles, CA, November 15, 2009 - July 12, 2010 «Collecting History, Highlighting Recent Acquisitions,» Museum of Contemporary Art, Los Angeles, CA, July 12 — October 19, 2009 «Abstractionists Unite!»

Nor, conversely, do they turn on traditional justifications or contemporary critiques of the museum and art history.

Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013).

Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, Cambridge, MA (2012).

As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

His years - long mantra, that in order to push the Western canon of art history in a more diverse and representational direction images of black people and the black experience should hang in museums alongside the so - called «masters,» dovetailed with a promising moment for a select group of African American modern and contemporary artists.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

Moderated by Julia Robinson, associate professor of Art History, NYU, with speakers Claire Bishop, professor of Contemporary Art, The Graduate Center, CUNY; Sabine Breitwieser, director, Museum der Moderne Salzburg; Branden W. Joseph, Frank Gallipoli Professor of Modern and Contemporary Art, Columbia University; and Midori Yoshimoto, professor of Art History and gallery director, New Jersey City -LSB-...]

An exhibition of Contemporary Sculpture, Carl Solway Gallery, Cincinnati, USA Discussions dans le Boudoir, Musée Magnin, Dijon, France Konkretismus: Material / sprache und abstraktion seit 1955, Baden - Württembergisch Bank Vorstand, Stuttgart, Germany A Piece of History, Charles Cowles Gallery, New York, USA Minimal to the Max: The Brownstone Collection, Tampa Museum of Art, Tampa, Florida, USA Le noir est une couleur, Fondation Maeght, Saint - Paul - de-Vence, France Faster!Bigger!Better!

Group exhibitions include the Institute of Contemporary Art, Boston (2012), Museum of Contemporary Art, Chicago (2009), Chicago Cultural Centre (2008) and Tokoname Museum of Ceramic History, Japan (2005).

Drawn entirely from the permanent collection and spanning the nine collecting areas of Phoenix Art Museum - American, Asian, Contemporary, European, Fashion, Latin American, Modern, Photography, and Western American - these works reveal the loosely defined typology of portraiture, and provide a broad dialogue of art history, perception, and popular cultuArt Museum - American, Asian, Contemporary, European, Fashion, Latin American, Modern, Photography, and Western American - these works reveal the loosely defined typology of portraiture, and provide a broad dialogue of art history, perception, and popular cultuart history, perception, and popular culture.

In addition to overseeing the museum's acquisitions of modern and contemporary art, is other projects included solo exhibitions of work by Cathy Wilkes, Ragnar Kjartansson, and James Lee Byars, and the group shows Reanimation, Ordinary Madness, and Natural History.

Rosner's exhibition history includes group and solo shows at The Newcomb Art Museum of Tulane (New Orleans, LA), The Aldrich Contemporary Art Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt Museum of Tulane (New Orleans, LA), The Aldrich Contemporary Art Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas Contemporaart fairs including PULSE and Texas Contemporary.

Liu Wei's exhibition history includes solo shows at the PLATEAU, Samsung Museum of Art, Seoul (2016); Ullens Center for Contemporary Art, Beijing (2015); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (2014); and Minsheng Art Museum, Shanghai (2011).

Called «the museum's greatest example of the synthesis of art and history» by the New Yorker it also looks as fresh, lively, and contemporary as any painting you're likely to find in a gallery today.

Balkans, Caucasus, contemporary art, culture, exhibition, history, Istanbul Modern, Istanbul Museum of Modern Art, Middle East, migration, mobility, narratives, nomadism, politics, storytelling, transmission, travel, visual cultart, culture, exhibition, history, Istanbul Modern, Istanbul Museum of Modern Art, Middle East, migration, mobility, narratives, nomadism, politics, storytelling, transmission, travel, visual cultArt, Middle East, migration, mobility, narratives, nomadism, politics, storytelling, transmission, travel, visual culture

Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vmuseum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, VMuseum, Vienna.

Curated by artist Michelle Grabner, Anthony Elms, associate curator at the Institute of Contemporary Art in Philadelphia, and Stuart Comer, curator of media and performance art at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floArt in Philadelphia, and Stuart Comer, curator of media and performance art at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floart at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floArt, this is the first time in the Biennial's history that each curator has been given their own floor.

The Museum is home to one of the finest collections of modern and contemporary art in the United States and has an astonishing exhibition history, having played host to artists such as Karla Black, Matt Mullican, Cady Noland, Bridget Riley and Robert Rauschenberg.

Keith was chosen from among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Rooart history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael RooArt, Michael Rooks.

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

A Universal History of Infamy is presented as part of the Getty - led Pacific Standard Time: LA / LA initiative, and curated by Rita Gonzalez, curator and acting department head of contemporary art at LACMA; José Luis Blondet, curator of special initiatives at LACMA; and Pilar Tompkins Rivas, director of the Vincent Price Art Museart at LACMA; José Luis Blondet, curator of special initiatives at LACMA; and Pilar Tompkins Rivas, director of the Vincent Price Art MuseArt Museum.

2015 The 56th International Art Exhibition - All the Worlds Future's, Venice Art Biennale Go East, Art Gallery of New South Wales, Sydney 2014 Taiping Tianguo: A History of Possible Encounters, e-flux, New York State of Emergency, Davidson College, Belk Visual Arts Center, Davidson, USA Beyond and Between, Leeum Samsung Museum of Art, Seoul, South Korea Beyond Stuff, Mizuma Gallery, Singapore The 14th International Architecture Exhibition - Fundamentals, Venice Architecture Biennale Unscrolled: Reframing Tradition in Chinese Contemporary Art, Vancouver, Canada

1971 6th Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, USA Words and Image, Pinnar Gallery, Tokyo, Japan Chronicle of Post-War Art, The Museum of Modern Art Kamakura & Hayama, Japan Tokyo Gallery Exhibition 1971, Tokyo Gallery, Tokyo ／ Pinnar Gallery, Tokyo ／ Saikodo Gallery, Tokyo, Japan The 10th Contemporary Art Exhibition of Japan: Humans and Nature, Tokyo Metropolitan Art Museum, Japan Kyoto Municipal Museum of Art, Japan Aichi Cultural Hall, Japan Miyazaki Prefectural Museum of Nature and History, Japan Sasebo Central Citizens Hall, Nagasaki, Japan Fukuoka Prefectural Culture Hall, Japan Beaupin Exhibition, Pinnar Gallery, Tokyo, Japan The 1st Anniversary Exhibition & 100th Anniversary of Mainichi Shimbun, Today's 100 People, Hyogo Prefectural Museum of Art, Japan Contemporary Japanese Prints, Yokohama Civic Art Gallery, Kanagawa, Japan Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, February 20 － March 21 The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA

The Guerrilla Girls said, «With this project, we wanted to pose the question «Are museums today presenting a diverse history of contemporary art or the history of money and power?»

She also secured one of the largest gifts in the museum's history, a major collection of postwar modern art and a $ 1 million leadership gift that formed the basis of a campaign for an additional gallery dedicated to modern and contemporary art.

In June, Frazier gave a TED Talk, «A Visual History of Inequality in Industrial America» and later in the summer participated in the Biennial of the Americas at the Museum of Contemporary Art Denver.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

Senior Curator, American Indian Cultural Center & Museum, OKC, OK Rachel Cook, Artistic Director, On the Boards, Seattle, WA Rebecca Hart, Curator of Modern and Contemporary Art, Denver Art Museum, Denver, CO Orit Gat, Editor for art - agenda, London and NYC, NY Lauren Haynes, Curator of Contemporary Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.Art, Denver Art Museum, Denver, CO Orit Gat, Editor for art - agenda, London and NYC, NY Lauren Haynes, Curator of Contemporary Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.Art Museum, Denver, CO Orit Gat, Editor for art - agenda, London and NYC, NY Lauren Haynes, Curator of Contemporary Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.art - agenda, London and NYC, NY Lauren Haynes, Curator of Contemporary Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.D..

NCA Gallery G.R. N'Namdi Gallery North End Studios Pewabic Pottery The Pioneer Building J Rainey Gallery Re: View Gallery Contemporary Fine Art Russell Industrial Center Cave Gallery Detroit Center for Contemporary Photography Funhouse Gallery Michigan Hot Glass Motor City Movie House & Studios org Contemporary Russell Gallery The Scarab Club Sherwood Forest Art StArt Gallery Studio Couture Detroit Sherry Washington Gallery Whitdel Arts work • detroit Charles H. Wright Museum of African American History

He has exhibited at venues such as the Tate Gallery, the British Museum of Natural History, the Oceanographic Museum of Monaco, Museum of Modern Art, Miami Art Museum, and the Aldrich Contemporary Art Museum.

«As we look ahead to an exciting new chapter in MOCA's history, Alex provides the curatorial vision and administrative leadership necessary to strengthen the museum's standing as a leading voice in the local and international contemporary art communities,» said Dr. Kira Flanzraich, Chairman of the Board of Trustees.