Sentences with phrase «history creative artists»

Not exact matches

Just as when I speak, I draw from the whole background of English, and my prior understanding of English forms, so the creative artist can draw upon the artistic organs with which the cultural history and his own training have endowed him.

A neighborhood with a long history of artistic production, we always love the chance to chat with artists and get a look at their creative process!

Sundance Institute has a rich history of collaboration with technology companies that provide the resources and tools that are essential to artists and their creative processes.

Super Mario Galaxy and Super Mario Galaxy 2 were some of the best games on the original Wii, and some of the best Mario games ever — heck, they were some of the best platform games in history, showing just how creative and imaginative the artists at Nintendo are.

Join special guest Takeshi Obata along with his editor, Koji Yoshida, for an insightful conversation about Obata's beginnings as an artist, his extensive history working in the manga industry, and the creative process behind his works.

Especially if they don't have that much of a history within the traditional comics market, but are talented artists with their own not considered commercial creative voice.

Crichton is the only creative artist in history to have works simultaneously chart at No. 1 in U.S. television, film and books sales.

Holding the largest hotel collection of Victorian art, The Pfister Hotel lends a passionate ambiance that celebrates art, culture, and history through its unique creative programs, including The Pfister Narrator and Artist in Residence.

History shows that Artists have always been the first on the scene to move to an affordable area and cause the revitalization of an area because people always follow the creative, inspiring, intellectual environment that Artists create.

Through this work, the CALL Artist can gain a greater understanding of their creative development, feel empowered to own their history as an artist, and be encouraged to incorporate it into their estateArtist can gain a greater understanding of their creative development, feel empowered to own their history as an artist, and be encouraged to incorporate it into their estateartist, and be encouraged to incorporate it into their estate plan.

VMFA is committed to supporting professional artists as well as art and art history students who demonstrate exceptional creative ability in their chosen discipline and, as such, has awarded nearly $ 5.5 million in Fellowships to Virginians.

During the tour, students learn the history of Artspace, about the exhibiting artists and their work, and interact with studio artists to expand their understanding of the creative process.

Director & Chief Curator of High Line Art, and produced by Friends of the High Line, High Line Art invites artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape.

Dominique Lévy gallery is presenting Local History, a transatlantic exhibition that presents the moment of creative intersection between three distinct post-war artists.

As artists developed their creative visions in the postwar period, printed formats, with their inherent properties of reproduction, seriality, and multiplicity, were crucial vehicles for articulating and disseminating their practices, yielding an especially rich moment in the history of twentieth - century art.

Using its own extensive history as a resource, the organization identifies, supports, and presents emerging and under - recognized artists who are making significant contributions to their respective fields, and it serves as a safe space for more established artists to take unusual creative risks.

Continuing our year long focus on Black Speculative Art, the Creative Currents Artist Collaborative Summer Artist Residency allows literary, visual, performance, dance and music artists 2 weeks in conversation with their creative muse and each other as we explore the Black Speculative Arts amongst the backdrop of historic Portobelo, Panama - a place full of the magical realism that is our shared Afro - Diasporic Creative Currents Artist Collaborative Summer Artist Residency allows literary, visual, performance, dance and music artists 2 weeks in conversation with their creative muse and each other as we explore the Black Speculative Arts amongst the backdrop of historic Portobelo, Panama - a place full of the magical realism that is our shared Afro - Diasporic creative muse and each other as we explore the Black Speculative Arts amongst the backdrop of historic Portobelo, Panama - a place full of the magical realism that is our shared Afro - Diasporic history.

An advisory board, including Rush Arts founder Danny Simmons, artists Hank Willis Thomas and Dread Scott, and curator Leslie Guy of Chicago's DuSable Museum of African American History, along with creative workshops and discussions with the Olney community will inform the selection process for the artists in residence.

Using its own extensive history as a resource, the organization identifies, supports, and presents emerging and under - recognized artists who are making significant contributions to their respective fields as well as serves as a safe space for more established artists to take unusual creative risks.

This document of artists, art - dealers and actresses, a who's who of the golden age of creative high society in New York, similarly uncovers Binion's personal history as a disregarded black artist in an overwhelmingly white majority.

High Line Art invites artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape.

Accompanied by an illustrious publication featuring texts by Als and Jeremy Lewison, the exhibition chronicles an artist's personal and creative journey over the decades, while chronicling complex social and political narratives embedded in American history.

Sat + Sun, Jul 15 + 16 @ Various locations throughout the Au Sable River Valley Free 3rd Annual Au Sable River Valley Studio Tour Building upon the enthusiasm and history of the former Jay Studio Tour of the 1990s and 2000s, The Au Sable River Valley Studio Tour returns for its third year including over thirty artist studios and art spaces featuring a wide range of creative artists living and working in the townships of the Au Sable River Valley including Keene Valley, Keene, Upper Jay, Jay, Wilmington and Au Sable Forks.

Mr. Collins» creative lo - fi sculptures — which cleverly reference the history of painting — have since turned to other materials, most notably thrift store paintings, and now the artist is turning his attention to the varied aesthetics of above - ground swimming pools.

In recent years, most of her paintings have been created in the colonial city of San Miguel de Allende, Mexico, a city known for its history as a «creative home» for artists from all over the world.

This adobe brick - building workshop will be led by artist Rafa Esparza, and will give students from our community the opportunity to engage in a creative process steeped in regional history.

That intergenerational history is a story of mutual aid and care, of artistic inspiration — the power for a young artist of seeing another black person as a creative producer.

Ryan McGinness: Studio Visit will explore this contemporary artist's creative process for his 2009 painting Art History Is Not Linear (VMFA).

Pelican Bomb's creative thematic exhibitions and large - scale public projects feature international artists while exploring the intersection of New Orleans» social histories and contemporary art.

Nora Lawrence, Storm King's Curator and organizer of the exhibition, adds, «Outlooks projects, in deeply creative ways, have often focused on the history and development of Storm King's physical site as artists turn to Storm King for inspiration.

Interns are invited to attend, free of charge, two summer workshops in creative writing and / or visual arts — an excellent opportunity to learn from nationally renowned faculty, engage with other writers and artists and become part of Provincetown's history as the nation's oldest continuously operating art colony.

Awarded the 5th annual Middlebrook Prize for Young Canadian Curators, Yasmin Nurming - Por's exhibition My curiosities are not your curios examines the idea of collections and their institutional and colonial histories through the work of contemporary artists for whom the act of collecting is both a creative and critical practice.

This exhibition reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

By pushing the boundaries of the technique and employing their imagination, artists have turned it into one of the most versatile creative methods ever, which is why it holds an important spot in art history.

With a focus on work made by artists born after 1968, in addition to several early pioneers who were active internationally in the 1960s and 70s, Under the Same Sun at the SLG examines a diversity of creative responses by artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

Solidary & Solitary ties together artists like Norman Lewis and Mark Bradford in an intergenerational history and presents a story of mutual aid and care, of artistic inspiration — the power for a young artist of seeing another black person as a creative producer.

Join Art21 on Tuesday, May 1 for our first - ever gala event celebrating Art21's history of excellence in exploring the voices and creative practices of the greatest artists of our time.

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

In the courtyard of the Royal Academy (an ideal place to begin your trail) there will be a series of site specific works by emerging artists that are surrounded by creative workshops hosted by the Bedroom Artists» Collective and the RA's Artistic Director Tim Marlow, and a performance of «Art History Songs» by the comedian Harriet artists that are surrounded by creative workshops hosted by the Bedroom Artists» Collective and the RA's Artistic Director Tim Marlow, and a performance of «Art History Songs» by the comedian Harriet Artists» Collective and the RA's Artistic Director Tim Marlow, and a performance of «Art History Songs» by the comedian Harriet Braine.

From the museum: «Ryan McGinness: Studio Visit will explore this contemporary artist's creative process for his 2009 painting Art History Is Not Linear (VMFA).

Coinciding with London Fashion Week 2018, Superflat Master Japanese artist Takashi Murakami is partnering with American Creative Designer Virgil Abloh and presenting a series of collaborative works «Future History» at the Gagosian Gallery in London.

Under the creative direction of motiroti's Dan Saul, the artists were commissioned to create new work that responds to London's history as well as to objects from the Museum's collection.

From Francis Bacon's famously disheveled creative hive to Constantin Brancusi's workspace, which featured his own handmade furniture, the studios of history's most famous artists provide a trove of insight into their practices and personas.

I don't mean the history of reputations and publicity and shocks to the solar plexus, but the history in which we can trace an artist's thinking as he attempts to comprehend both the artistic past and the art of his own contemporaries for whatever may be usable in extending the range of his creative endeavors.

Featuring works by Edson Chagas, Mimi Cherono Ng» ok, Andrew Esiebo, Em» kal Eyongakpa, François - Xavier Gbré, Simon Gush, Délio Jasse, Lebohang Kganye, Sabelo Mlangeni, Mame - Diarra Niang, Dawit L. Petros, Zina Saro - Wiwa, Thabiso Sekgala, and Michael Tsegaye, «Recent Histories» looks at the creative approaches taken by the artists, as well as studying the sites and collective platforms that enable their practices.

This groundbreaking exhibition broadly surveys a key chapter in art history in which an international group of female artists overcame gender - based restrictions to make remarkable creative strides.

Included in this handsome volume is an intimate interview with the artist and an excerpt from History of the Universe, Bartlett's first novel, giving further insight into the thought processes of this uniquely creative artist.

An artist who was forced to combat critics and their verbal assaults throughout her lengthy career, Kara Walker is a contemporary American visual artist known for her courageous creative investigations of race, stereotypes, gender, unequalness and identity throughout her nation's history.

The deep and remarkable history it explores serves as a foundation for the thriving creative community of artists living and working here today,» remarks Hammer director Ann Philbin.

ABC No Rio American Museum of Natural History Anthology Film Archives apexart The Architect's Newspaper Art Science Research Laboratory Artists Space Asia Society Buckminster Fuller Institute Center for Book Arts Creative Time Democracy Now!