Similarly, I am indebted to Martha Rosler's Culture Class (Sternberg Press) for pointing out how
the history of abstract expressionism is intertwined with the history of transnational capital flows.
The history of abstract expressionism in America (1940 - 60) was one of assimilation of the devices and aesthetic criteria of European avant - garde art, and then a growing independence from them.
Chanzit hopes the show will help to integrate women into
the history of abstract expressionism, rather than kickstarting a flurry of similar shows: «The takeaway for me is to let our audiences know that there are more important works out there,» she says.
Completed in one sitting with no room for error, the process draws upon the gestural
history of abstract expressionism, splaying broad color fields into an all - over sea of pattern.
The early
history of abstract expressionism, with surrealism as a catalyst, was explored through works by Arshile Gorky, Robert Motherwell, Mark Rothko, and others.
We can even find
the history of abstract expressionism, starting from the rhythm of horizontal and vertical by Piet Mondrian, moving to enthusiasm for «all over» by Color Field painters, and finally more restricted shape by Frank Stella.
This show has everything you might want to see if you are interested in
the history of abstract expressionism... but I am not sure the curation lives up to the hype surrounding it.
Gottlieb was a vital force in
the history of abstract expressionism, articulating its aims and defining its contours.
A few decades ago,
the history of abstract expressionism seemed well established and its main exponents, including heavy - hitters like Willem de Kooning, Jackson Pollock, Robert Motherwell and Mark Rothko, all firmly identified.
I hope this is an exhibition that will spur more exhibitions and more attention to who may have been left out of mainstream
histories of abstract expressionism.»
Not exact matches
The albums
of art
history will forever remark on her sublime assimilation
of the School
of Paris and the New York School
of abstract expressionism.
By linking the Minimalist sculptures
of artists like Donald Judd to the Russian supremacist paintings
of Kasimir Malevich and readymades
of Duchamp, she extends the determinist
history that formalism relies on into sculpture and movements beyond
abstract expressionism.
Much
of his work relates to
abstract expressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social
histories of the time, such as the civil rights movement.
Above all, she left a
history of painting noted for its sublime assimilation
of the School
of Paris and the New York School
of abstract expressionism.
More broadly, this project offers a unique opportunity for the public to view a vital, missing element in our understanding
of abstract expressionism and a key period in America's cultural
history.
Schnabel's works frequently reference
history and art
history, and take on the scale, and in certain ways the appearance,
of abstract expressionism.
The museum's collection includes prominent holdings
of 19th - century landscape and still life, American impressionism, early modernism, geometric abstraction,
abstract expressionism, minimalism, and over 3,000 photographs spanning the
history of the medium.
Schnabel's work frequently references
history and art
history, and takes on the scale and appearance
of abstract expressionism.
Collapsing
History For my generation, the three great movements
of post-war painting —
abstract expressionism, minimalism and pop — are not so much antithetical to each other (i.e., movement / counter-movement, assertion / repudiation) as they are part
of a larger ongoing redefinition
of the form
of painting itself.
Tags: #womenofabex,
abstract expressionism, art
history Categories: Art and Artists, Art: Women
of Abstract Expressionism
Tags:
abstract expressionism, art
history, Judith Godwin Categories: Art and Artists, Art: Women
of Abstract Expressionism, People
Tags:
abstract expressionism, art
history, Mary Abbott Categories: Art and Artists, Art: Women
of Abstract Expressionism
Tuanus (2000) has the scale
of a
history painting, the painterly gestures, blobs, patches and scrapes
of impressionism,
expressionism and American
abstract expressionism and the graphic effects
of screenprinting and technicolour — a sumptuous surface that belies the work's apparent subject: a drugs raid in central Frankfurt.
This refusal to cohere to conventional notions
of abstract painting reflects the breadth
of Cain's influences — including
abstract expressionism, photography, the artist Ana Mendieta, and ceramics — and her desire to dismantle the male - dominated
history and traditions
of painting.
With unconventional materials, she uses
abstract expressionism, oftentimes to parallel classic work throughout art
history, with the adjustment
of the woman it captures.
Drawing upon the language
of abstract expressionism as well as pagan
history and folklore, British artist Jessica Warboys makes use
of the sea and its actions upon mineral pigments in the creation
of her large - scale work.
Angels, Demons, and Savages diverges from the conventional
history of American
abstract expressionism to unravel a more nuanced narrative infused with artistic friendship and creative dialogue.
(One
of Rockhill's examples is the still - unfolding
history of the Cold War politics
of abstract expressionism.)
After Hansa closed in 1959, Bellamy earned his place in
history as the founding director
of Green gallery, where his pioneering group shows fueled the explosion
of smaller movements that succeeded
abstract expressionism in the early 60s: pop, minimalism, conceptual art, op art.
You get the drift, and although movements and catch - all groupings have their say, America Is Hard to See is more concerned with tracing the troubled
history of a nation than retelling the copybook stories
of abstract expressionism, pop, minimalism and so on.
Referencing the
history of painting — especially action painting and
abstract expressionism — and drawing on feminism and performance art, Black proposes an expanded idea
of sculpture as primarily an intuitive and sensory encounter with pure materiality.
Seth challenges the gestural frame
of painting, referencing
abstract expressionism and its
history.
Tagged as:
abstract art,
abstract expressionism, art, art installation, art news, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, drawings, Lilliana Didovic, Main Line Art Center, mixed media art, Multimedia Art, oil paintings, paintings, Perceptions
of Reality and Dreams, Philadelphia, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia
history
This sweeping survey exhibition seeks to exhume from historical misappropriation non-objective painting as a movement
of European abstraction re-homed in the vertiginous violence
of WWII to the streets
of Manhattan and as a historical event in the
history of art whose legacy singularly influenced the rise
of abstract expressionism in the following generation.
In the
history of American painting,
abstract expressionism refers to an art movement that was established after World War II.
Tagged as:
abstract art,
abstract expressionism, Alex Mosoeanu, Alexander Shank, Alexander Trosko, art installation, art news, Caitlin Tschanz, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, Dooms Day, Doomsday, drawings, Early One Evening at the Rainbow Bar and Grille, Group Art Show at Plays and Players Art Gallery, Jason Justice, Jimmi Shrode, Katherine Roll, Matthew Vacante, mixed media art, Moore College
of Art, oil paintings, paintings, Philadelphia, Philadelphia art, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia artists, Philadelphia
history, Philadelphia photographer, Philadelphia photography, photographers, photography, Plays and Players Theater, Sara Cocchi, sculpture, Seamus Tyler, Works on Paper
Tagged as: 113th Annual Student Exhibition,
abstract art,
abstract expressionism, art, art installation, Bradford Carmichael, DoNArTNeWs, Master
of Fine Arts, mixed media art, PAFA, paintings, Pennsylvania Academy
of Fine Arts, Philadelphia, Philadelphia art, Philadelphia art shows, Philadelphia artists, Philadelphia
history
The Beauty Shop continues their
history of promoting exciting new artists; the current show by artist / illustrator / designer Niki Bombshell combines brutalist
abstract expressionism, naive primitivist drawings and bold drippy paintings.
Partly to
history — he's
of the difficult - to - place generation between
abstract expressionism and pop.
His unique style sampled aspects
of abstract expressionism informed by his education at Black Mountain College in North Carolina combined with European
history and myth as subject matter, inspired by his move to Italy midway through his career.
«gleam» deconstructs and reconstructs art
history, from 19th - century Romanticism through to heroic realism, modernist sculpture,
expressionism and
abstract expressionism, presenting us with glints
of the past as well as brilliant flashes
of light, a time
of transition and transformation.
With roots in graffiti and coming from a family with a deep art
history, Grassi carries the torch
of modern
abstract expressionism with a new narrative.