Sentences with phrase «history of acrylic paint»

Not exact matches

With a clearly written text and appealing acrylic paintings, this unusual picture book shows how the muddling of fact, memory, and legend can result in popular history.

Mindiashvili's paintings — rigorously rendered in several layers of acrylic paint and gel medium — mimic vintage, pixelated photography and question our perception of the» taught» history...

Of course, as a black artist painting in acrylic, Whitten was always conscious of colour's social resonance, maintained that his lived history necessarily emerged in the texture of his worOf course, as a black artist painting in acrylic, Whitten was always conscious of colour's social resonance, maintained that his lived history necessarily emerged in the texture of his worof colour's social resonance, maintained that his lived history necessarily emerged in the texture of his worof his work.

On the Concept of History 2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 025

Mindiashvili's paintings — rigorously rendered in several layers of acrylic paint and gel medium — mimic vintage, pixelated photography and question our perception of the» taught» history and limitations imposed by society and culture.

However, the layering of images in my recent paintings, the layering of past histories intertwined with personal histories, becomes my own mythology» - Rita Ackermann, December 1997 New works by Rita Ackermann, ballpoint pen, acrylic and pastel paintings on canvas, will be on display from January 8 — February 7, 1998

Mindiashvili's paintings — rigorously rendered in several layers of acrylic paint and gel medium — mimic vintage, pixelated photography and questions our perception of the past and «taught» history.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Borrowing from the logic of medieval tapestries hung as symbols of authority, Wheat allows acrylic paint to ooze through fine wire mesh causing figures to emerge and dance upon lush, fiber - like surfaces that coalesce into heroic history paintings.

Consisting of large scale hand - pulled silkscreen and acrylic paintings on canvas, LA - based artist, Knowledge Bennett's latest show at Joseph Gross Gallery explores the African diaspora, critiquing the treatment of the Black American Community by the American government throughout history.