This is where Ron Howard's
history of action films, such as Willow or In the Heart of the Sea comes into play, especially during a kick - ass train heist, which reminded me of action films such as Raiders of the Lost Ark or Skyfall.
Not exact matches
Dinosaur
action has, however, a special place in the
history of the fang
film.
Whatever caused all the production angst on this
film I don't know, but you never get the feeling that Forster loses control
of the images, and «World War Z» contains several
of the most effective big - canvas
action sequences in recent
history.
Worse, barely any
of the exposition in the
film's dreary first half hour affects the rest
of the movie; one throwaway line creates a late - movie
action beat, but it's not even played as the triumph over personal
history that it could have been.
The
film is very good, great
history, very interesting and engaging, special effects and spectacular
action scenes, as well as having one
of the classic scenes
of cinema.
However, for all lovers
of Bruce Lee, kung fu flicks, and revivalists
of Seventies cool, it's a quintessential
film, indispensable in its genre and firmly implanted forever in
film history as the one that set the mold, even if future endeavors would top it in terms
of breathtaking
action, daring stunts, and more substantial stories.
It's there that the
film's ultraviolent battles take place, and while
history buffs and medieval
action fans will kvetch about anachronistic details
of weaponry, fighting techniques and liberties taken with established facts, the selling point
of «Ironclad» is its violence.
Alas, my heart sank when I realized that the
film I was about to see was not a remake
of the 1995 forgotten Cindy Crawford - William Baldwin classic but a in fact change
of pace low - key political drama from the go to high concept
action film - maker
of the past decade, Doug Liman (The Bourne Identity, Mr & Mrs Smith) focusing on the Plame Affair, one
of the key scandals in recent American political
history.
The early 1970s to the late 1980s was a unique moment in Australian cinema
history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry
of exploitation
films — sex comedies, horror movies and
action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.
I should point out that one
of my main criticisms
of that
film comes from his choice to make his high school football games too
action - oriented to believe, showing feats from amateur teenage players that would rival the most exciting plays in NFL
history.
Twenty years ago, Super Mario Bros. made the leap from the NES to live -
action theatrical
films, in the process creating an unforgettable piece
of cinematic
history.
Liles plays the middle head, while Alan Maxson is the right head and Richard Dorton is the left head in the epic
action - adventure
film that pits Godzilla against some
of the biggest monsters in pop culture
history; additional mo - cap actors contribute to the body movement
of the creature.
The Black Hole is a significant
film in the
history of Disney's live
action works.
The movie is one
of the funnier and more enjoyable live -
action family
films in recent Disney
history.
Now after an even longer musical
history of handling
action films and trailer soundtracks form «Full Contact» to «Dishonored 2,» composer John R. Graham impressively carries on the saga's epic musical tradition with «Kingsglaive,» matching its astonishing mo - cap visuals with a score that captures both the characters» emotional stakes as well as the furiously drumming symphonic fury
of its hellzapoppin mash - up
of steampunk, sword and sorcery and giant monsters.
The
film delves further into her
history and the repercussions
of her
actions in the first
film.
Yet, for a silly story aimed at children, the
film (which mixes live
action and computer animation) does offer positive messages about teamwork, cooperation, and taking control
of one's life — with an ample helping
of history appreciation on the side.
Embark on the ultimate
action adventure that spans continents and explores ancient
history with The Mummy Ultimate Trilogy including
films The Mummy, The Mummy Returns and The Mummy: Tomb
of the Dragon Emperor.
However, for me Ben - Hur is the greatest movie
of all - time - it weaves Drama,
History, Faith,
Action, Adventure, and Spectacle into a tight knot that no other
film has done.
7:00 am — TCM — Kiss Me Deadly Fairly iconic noir
film, with hard - boiled
action, nuclear paranoia, and one
of the more memorable non-Hitchcock McGuffins in movie
history.
An emblematic screwball comedy, the
film was a jumping - off point to dissect the genre commonly referred to as the «Chick Flick»; charting some
of its
history, analysing its place in our modern world
of female
action stars, and questioning the generally held belief that the style has outplayed its usefulness.
See over two hours
of previously unavailable trailers for some
of the most ridiculous
films in
history: thrill to the
action of BLACK FIST, IRON MASTER, and KILL!
Precious Images, made for the Directors Guild
of America, won an Academy Award for Best Live
Action Short and has become the most widely shown short in
film history.
As a wuxia
film (a particular type
of fantastical drama /
action film involving Chinese martial artists and set in deep
history), its loveliest resonances are found its finely executed martial arts sequences, costuming and period setting, as well as the still charisma
of Shu Qi's performance.
The Buzz: The
film's unique look — it was shot using a combination
of live
action and CGI backgrounds — and epic violence should help attract ticketbuyers without
history degrees.
While he may be a joke among some in the industry,
action movie auteur Izu Ojukwu cites Ejiro as a model for success but has greater ambitions for himself: he embarks on the most expensive and ambitious
film in Nigerian
film history in the course
of this profile, a project so big that it almost ruins him.
The upcoming feature
film «Godzilla: King
of the Monsters,» an epic
action adventure that pits Godzilla against some
of the most popular monsters in pop culture
history, will star Sally Hawkins, Millie Bobby Brown, Vera Farmiga, and Kyle Chandler.
With so many big - budget
action movies flopping at the box office this past summer, it's crazy to think that a quaint genre
film like «A
History of Violence» would handle its
action sequences with the most panache.
There's an element
of «seeing it to believe it» built into the presentation: Expectations based on the
history of a mostly direct - to - video franchise, an aging
action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility
of the
film itself that you can hardly blame the first wave
of audiences for feeling wowed by the shock.
The plans are agreeably complicated and the
action sequences busy (if not actually exciting), but the
film becomes a tease for the concluding mini-Cooper chase, which, if you've seen the original Michael Caine The Italian Job, is in the rarefied air
of one
of the best car chases in movie
history.
4:15 am (11th)-- TCM — Kiss Me Deadly Fairly iconic noir
film, with hard - boiled
action, nuclear paranoia, and one
of the more memorable non-Hitchcock McGuffins in movie
history.
They got together to create a full - on live -
action fan
film based on «The
History of Trunks,» which has Gohan and Trunks doing their... Read more»
While the
action moves from imperialist adventures in far flung lands to domestic conflicts over race and class, there is a constant sense
of history being written, drawn, and
filmed as it unfolds.
The original game led to one
of the most successful video game
film adaptations in
history, with the 2013 reboot inspiring a new blockbuster
film that embodies the game's signature survival
action style.
From what we have seen
of this new footage, it looks as though the
film will uphold the qualities that have made the Assassin's Creed franchise special, such as the intense
action sequences, the unique storytelling, and
of course the complex
history as Demond Miles grapples with his assassin lineage by way
of the Animus.
After studying art
history and sculpture she continued to work with the medium
of sculpture while exploring performative
actions with the body in relation to
film, video, and space in the late 1960s.
As with other
films of Jankowski's, such as Casting Jesus
of 2011, the live, performative elements
of Heavy Weight
History have been documented in the style
of scripted reality television, or specifically in this case as a convincing piece
of outside broadcast coverage
of a competitive sport, with a well - known Polish commentator on hand to describe the
action.
In
filming the photographer in
action in 3D, Fast deploys the technology as a metaphor for the thickness and complexity
of reality that offers an astute and critically dimensional portrait
of Sander in
history.