Sentences with phrase «history of alternative spaces»

Artists themselves keep asking, as in a recent history of alternative spaces at Exit Art.

Exit Art set out a history of alternative spaces, and artists started to question whether they need dealers at all.

Not exact matches

It is an alternative history of the space age, written from a viewpoint looking back at the Earth.

Since the above postcard was made, we've added another Darkwater title, a sequel for Mr. Baines, another volume of Aquasynthesis, a Celtic alternative - history science adventure, a psychological space thriller, another epic fantasy, and the adventures of a time - travelling historian.

The exhibition incorporates a broad definition of the term «alternative space,» and includes significant publications and artist collectives to cover a broad arc of this history — bridging neighborhoods, decades and themes.

AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant alternative art spaces in the United States.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

Alternative Histories is a history of New York City alternative art spaces and projects sinceAlternative Histories is a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 1960s.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

The completed surveys are all available online, providing students, scholars, and the public with an entry point gain insight into the history, evolution, and practices of alternative and avant - garde organizational structures, art spaces, artists» groups, galleries, publications, and collectives nationwide.

Exit Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects sinceAlternative Histories, a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 1960s.

Following each biennial, we self - publish a 350 - page book that provides an overview of current performance practices in contemporary art using the structure of the biennial, as well as the history and geography of the participating artists and collaborating organizations, alternative spaces, and performance sites as a framework.

«Alternative Histories» documents that period through the fate of well over a hundred alternative art spaces and projects, although none ofAlternative Histories» documents that period through the fate of well over a hundred alternative art spaces and projects, although none ofalternative art spaces and projects, although none of their art.

Erin Sweeny shares the 20 - year history of PØST, an alternative art space in Los Angeles founded by artist and curator HK Zamani.

AS - AP is a multifaceted initiative devoted to identifying, documenting, preserving, and providing access to the archival history of alternative art spaces throughout the United States.

The space, an offshoot of the non-profit Museum of Everything, aims to «communicate an alternative history of art» and will channel all revenue raised back into its parent organisation's non-commercial activities.

Light Industry draws equal inspiration from the history of alternative art spaces in New York as well its storied tradition of cinematheques.

Bushwick has been compared to the 1980s East Village6 (validated by the New Museum's East Village USA, 2004, organized by Dan Cameron).7 Many of the exhibition spaces in Bushwick were in Exit Art's historical survey Alternative Histories (2010).8 Art spaces appeared in the East Village in the 1970s, long before the cultural explosion of the 1980s.

The continued mission of AS - AP at CCS Bard is to preserve, present, and protect the archival heritage of living and defunct, for - and not - for - profit alternative spaces in an effort to better understand contemporary art and the cultural and social history of the United States.

In Chicago in the early 1970s, we had our own third and best - known generation of alternative spaces (each city can claim its own artist - run history, probably with a fair share of boosterism thrown in), such as ARC, Artemisia (both were feminist galleries formed from West - East Bag, a nationwide network of women artists), and N.A.M.E., with the much - heralded Randolph Street Gallery opening in 1979.7 This is not to mention still - running artist - driven efforts such as the Hyde Park Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 1940.

Staged in K11 Art Foundation's pop - up venue, a space previously used to show future building projects that continue to change the urban landscape around Hong Kong, HACK SPACE forms an alternative hacker narrative, weaving moments from the history of western hacker activity with artworks that rethink space through unconventional methodologies of making and thinspace previously used to show future building projects that continue to change the urban landscape around Hong Kong, HACK SPACE forms an alternative hacker narrative, weaving moments from the history of western hacker activity with artworks that rethink space through unconventional methodologies of making and thinSPACE forms an alternative hacker narrative, weaving moments from the history of western hacker activity with artworks that rethink space through unconventional methodologies of making and thinspace through unconventional methodologies of making and thinking.

And this literal and metaphoric space seems to be the real subject of Thomas» work, which asks us not just to imagine an alternative art history filled with faces of color but also to envision the equitable creation of black masterpieces now and in years to come.

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

After completing A BA in Art History from the University of Vermont (2007) and an MA in Contemporary Art from the Sotheby's Institute of Art, London, (2012), Sanfilippo joined the not - for - profit alternative exhibition space Locust Projects in Miami to develop the organization's fundraising portfolio, public profile, infrastructure, and programs.

Stefan Kalmár, Executive Director / Curator, and Richard Birkett, Curator of Artists Space, a nonprofit art gallery and arts organization founded in New York by arts administrator Trudie Grace and critic Irving Sandler in 1972, share their insights into the history and current life of this alternative space that continues to set theSpace, a nonprofit art gallery and arts organization founded in New York by arts administrator Trudie Grace and critic Irving Sandler in 1972, share their insights into the history and current life of this alternative space that continues to set thespace that continues to set the bar.

Canada has a strong history of artist - run spaces; from Montreal to Vancouver, Winnipeg to Halifax, alternative spaces for displaying art are as Canadian as hockey.

Alternative spaces are often discussed within the canon of Chicago's exhibition history.

The alternative spaces have contributed these genres to art history and I think we can be very proud of that.

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville, KY