With these #KnowYourTruth graphics, we are celebrating the long
history of communities of color who have organized better school options for their kids, and are exposing the systematic racism that still exists in the public education system today.
Not exact matches
Standardized
history curriculum eschews our nation's multiethnic
history, concealing instances
of oppression and forsaking the achievements
of people and
communities of color.
Our nation's racial dialogue places APIs, no matter what their
history, in an uncomfortable no man's land between the white
community and other
communities of color.
«To me this means first acknowledging the work that
community educators, mostly in
communities of color, are doing to supplement the information our children receive about themselves, their
histories, and the worlds in which we exist through schools and classrooms,» says Torres Covarrubias, citing as an example the work
of her friend Patrisse Cullors - Brignac at Dignity and Power Now, an organization that helps people affected by the Prison Industrial Complex.
«To me this means first acknowledging the work that
community educators, mostly in
communities of color, are doing to supplement the information our children receive about themselves, their
histories, and the worlds in which we...
Jitu, who leads the national Journey for Justice Alliance, provided a searing
history of the systemic lack
of educational opportunities afforded to students
of color and, consequently, why
communities must take control
of the vital issues affecting their schools.
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For one, there is an institutional urgency to speak to a more diverse audience with painting that depicts the black
community, the Asian - American experience, the Latino face, to attract the various people who had been excluded from the museum by remaking the
history of figurative painting, this time with
color.
The landscapes look familiar enough from Western painting and Western narratives, for all their polar extremes — just as «Black Is the
Color of My True Love's Hair» is an American folk song, Kerry James Marshall has taken to the barber shop as the locus
of African American
community, and blackness has a dark place in America's
history.
115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years
of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats
of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats
of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing
History: Artists Create
Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «
Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.
Things Get Lost by Michaela Pilar Brown Identity Politics, Imagined
Histories, and Black Womanhood December 9, 2016 — January 28, 2017 Identity politics have taken on renewed importance the past few years with the polarizing presidential election and increased mainstream awareness
of institutionalized violence on
communities of color.
The trouble is, many
communities across this nation have a
history of systematically denying people
of color access to healthy environments and important decision - making processes, as well as important resources needed to combat environmental inequities.
Salary
history inquiries perpetuate a cycle
of pay inequity for statistically undervalued and underpaid
communities, including women and people
of color.