Tracing
the history of social movements in the Unites States and the Caribbean, «Bloodlines» presents a series of new works by Firelei Báez, inspired by lineages of black resistance.
Bloodlines Tracing
the history of social movements in the Unites States and the Caribbean, Bloodlines presents a series of new works by Firelei Báez inspired by lineages of black resistance.
I am reminded of the role of hate in
the history of social movements every year during the Walk for Life.
Not exact matches
Digital Gold is New York Times reporter Nathaniel Popper's
history of Bitcoin, the landmark digital money and financial technology that has spawned a global
social movement.
Almost forgotten in the last two decades
of his life and completely forgotten today except by students
of American religious
history, Ward was a nationally prominent radical in the early twentieth - century tradition
of Walter Rauschenbusch's
Social Gospel
movement.
Our task is to work hard, master the arguments (scientific, ethical, philosophical,
social), understand the
history of how we arrived here, defy the temptation to give up through boredom, build a coherent
movement of defiance, and thereby prepare if not ourselves, then at least the next generation, for the moment when the revolution collapses under the weight
of its own delusions and contradictions.
The ecumenical
movement articulated as
social middle axiom the idea
of free society, the idea
of responsible society, and the idea
of just, participatory, and sustainable society, and then the idea
of justice, peace and integrity
of creation throughout its recent
history.
It is therefore not wrong to interpret cosmos itself as a
movement from mechanical matter through organic life to the spiritual human selfhood, and to interpret human
history itself as the evolutionary or revolutionary enlargement
of the human selfhood and its spiritual self - determination and its
social and cosmic responsibility.
But the
history of the voting privilege in the twentieth century shows that it takes the combined power
of mass
movements, economic pressures, and the Federal Government with its military force to give even a relative assurance that this requirement
of justice will be realized.3 It seems, therefore, that when we move from the perspective
of love to concrete issues
of social strategy and political power, justice is accomplished by a confluence
of historical forces and humane considerations which indeed may be enforced by love, but which must have other sources.
The notion
of the people, i.e.Minjung, and
of small - scale
movements and initiatives which represent them, is from the Christian point
of view partly a socio - ecclesial vision in the sense
of a theological appraisal
of the church as
social reality in the larger body politic, and partly eschatology in the sense
of a vision
of the ends worked out within, and ends which extend beyond, human
history.
The experiment with strategies
of social change through nonviolent action is an important
movement in the modern
history of love.
From the
history of the Pulaya conversion
movement in Travancore, what emerges uppermost is the development
of social consciousness
of a community in the various stages and changes
of society in transition.
If those
of us who are evangelicals did that with an unconditional readiness to change whatever did not correspond with the scriptural revelation
of God's special concern for the poor and oppressed, we would unleash a new
movement of biblical
social concern that would change the course
of modern
history.
Much
of the
history of the World Council
of Churches and the ecumenical
movement that led to its formation has been concerned with
social and political thought.
The congregation is a distinctive
social form that the worship
of God has assumed in the
history of the Christian
movement.
Currently the most influential version,
of course, is associated with
movements shaped by liberation theologies: We come to understand God as we are a part
of a community that is united by a common
history of oppression and struggles for liberation by radically changing the arrangements
of economic and
social power that have made the oppression systemic in our society.
Drawing on
history, theology, and the
social sciences, Senn demonstrates that the working assumptions
of the church growth
movement and its forms
of worship have their roots in European pietism and rationalism
of two hundred years ago.
The phrase «community mental health
movement» describes an exciting
social revolution which is occurring in this period
of history.
Our understandable human impatience for meaningful fulfillment has led us time and again to imagine that a particular conception
of social order is the ultimate stage in
history's
movement.
Each
of the three cities have a proud humanist
history, Manchester being associated with Robert Owen, the eighteenth century
social reformer and founder
of the co-operative
movement; Alan Turing, mathematician and founder
of computer science; Professor John Harris, philosopher and bio-ethicist; and Professor Brian Cox, physicist, TV presenter and former pop - star.
Fernand said that Columbine students did not have the benefit
of social media that now fuels the youthful protest
movement, which Sen. Kirsten Gillibrand, D - NY, called «the most successful protest in the
history of America.»
The
movement is fueled by new technologies such as mapping apps and GPS - enabled smart phones, other handheld GPS devices, Google maps and OpenStreetMap, an open - source online map with a
history of involvement in
social justice.
Social movements» lack
of intersectionality isn't new — racism is threaded throughout
history, and less than a year ago, we were having these same conversations about the Women's March.
Cultivate a strong knowledge base
of history, government, and
social movements — both prominent and less successful.
The answer lies in the lessons
of other
social movements throughout
history.
Facing
History and Ourselves and The Allstate Foundation, in partnership with The City
of Boston and ArtsEmerson, is excited to present a Community Conversation featuring Bryan Stevenson on Wednesday, December 9 at Emerson College from 6 to 7:30 p.m. Stevenson is one
of the country's most inspired thinkers and
social justice advocates, and a leader in the
movement to fight mass incarceration.
A high school
history teacher centers a study
of social movements on the fight over the Mexican American Studies program in Tucson.
After providing the political and cultural contexts for the rise
of the testing accountability
movement in the 1960s that culminated almost forty years later in No Child Left Behind and Race to the Top, this book then moves on to provide a policy
history and
social policy analysis
of value - added testing in Tennessee that is framed around questions
of power relations, winners, and losers.
A Brookline native, she attended the town's public schools from kindergarten through high school and returned as a high school
Social Studies teacher after earning a PhD in American Studies at Brown University and teaching Women's Studies, Science in Society, and the
history of political
movements at the college level.
WIHS teach Colleen Whalen explained how Facing
History's curriculum works at her school «It encourages discussion on the social construct of race and history of civil rights movements and helps students draw parallels to the modern day and the Native American experience.
History's curriculum works at her school «It encourages discussion on the
social construct
of race and
history of civil rights movements and helps students draw parallels to the modern day and the Native American experience.
history of civil rights
movements and helps students draw parallels to the modern day and the Native American experience.»
If you've written fiction or a memoir, consider what aspects
of your book might lend themselves to lectures: local
history, politics,
social movements, etc..
Through assiduous research (the endnotes comprise almost a third
of the book and are often very interesting reading), Lepore unravels a hidden
history, and in so doing links her subjects» lives to some
of the most important
social movements of the era.
Genre:
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History of Books,
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The jerseys serve to bring awareness to the National Civil Rights Museum at the Lorraine Motel and will hopefully be the driving force to bring a more profound understanding
of the
history of the
social justice
movement that characterized Dr. Martin Luther King Jr..
While the recent upsurge
of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional — personal, psychological and subjective — centered, like the other radical
movements to which it is related, on the present and its immediate needs, rather than on historical analysis
of the basic intellectual issues which the feminist attack on the status quo automatically raises.1 Like any revolution, however, the feminist one ultimately must come to grips with the intellectual and ideological basis
of the various intellectual or scholarly disciplines —
history, philosophy, sociology, psychology, etc. — in the same way that it questions the ideologies
of present
social institutions.
The Gallery's curated exhibition
History, Painting connects three painters whose work reflects three distinct
movements in American
social activism over a period
of three decades.
Indeed, the
social histories and identity politics explored in work made during the Civil Rights, Black Power, and Black Arts
Movements is being investigated by a new generation
of scholars and curators, bringing attention to overlooked artists central to the era, AfriCOBRA artists in particular.
Much
of his work relates to abstract expressionism and minimalist painting, remixing formal characteristics to highlight the cultural and
social histories of the time, such as the civil rights
movement.
Surrealism USa, the catalogue to the exhibition
of the same name at the National Academy
of Design, traces the
history of this
movement in the United States from the 1930s to the 1950s by examining its manifestations throughout the country — from
Social Surrealism and California Post-Surrealism to Magic Realism and the beginning
of Abstract Expressionism.
This exhibition and event series invited contemporary artists to respond to archival materials and poetry relating to the
history of white southerners who migrated to northern cities in the 1960s and 70s and organized cross-racial
social movements, while addressing historical and contemporary questions
of equity, justice, and race relations.
But unless we are parts
of these things — such as
social bodies or
movements — or use those words in a historically specific way, we can not pretend that we have the authority to speak in their names, in the case
of things, nor can we deny their intrinsic
history, in the case
of words.
Often referencing political and artistic
history, including
social resistance
movements and Dada, Minimalism, and Conceptualism, Pendleton siphons historical and aesthetic content from texts and visual culture to critically examine the resonance
of ideas from varied cultural and
social perspectives.
Ligon's paintings and sculptures examine cultural and
social identity through found sources — literature, Afrocentric coloring books, photographs — to reveal the ways in which the
history of slavery, the civil rights
movement, and sexual politics inform our understanding
of American society.
The King
of Arms Art Ball is a
social practice piece in which Newsome stages a vogue ball where all the categories are based on an artist's work or a particular
movement within art
history.
Her experience with transnational and intergenerational artists» projects with Simone Leigh and Black Women Artists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication
of visual pleasure,
social movements, and expanding cultural
histories.
A contemporary artist hailing from Los Angeles, Arceneaux often finds inspiration in
history, science fiction,
social movements, philosophy, and architecture, for the creation
of his immersive installations that artfully synthesize diverse media like video, sculpture, and painting.
In addition to an art historical overview, American
history, political and
social movements are also illuminated by means
of video and music fragments in the exhibition space.
To contextualize our work, we will examine the emergence
of Realism in the nineteenth century; survey different realist
movements from art
history, including naturalism and
social realism; and analyze how, over time, painters have adopted realist conventions to their own ends.
Himid was one
of the pioneers
of the Black Art
movement in the 1980's which offered a forum for black artists exploring the
social and political issues surrounding black
history and identity.