Not exact matches
Note to all the professors
of the
world who don't get Jesus»
truth, you seriously need to learn the
history of the brothers Esau and Jacob.
But the great boon
of Catholicism to the
world is that it can also stand outside the ebbs and flows
of history to see that human nature — the
truth in which love appears — remains unchanged from age to age.
And to say that Biblical teachings are invalid because there are other similar beliefs that have older known written sources invalidates the Biblical teachings also should take into consideration that for certain Biblical believers that all those
truths whether they are known to have been placed in the Bible first or known thus far to have been placed elsewhere that they believe that they all come via deity who at the beginning
of human
history on this
world dispensed those
truths to humanity and that to those who believe in the biblical teachings believe that through time they are more complete than those
of other ancient beliefs due to God restoring those
truths through revelations given to later prophets like say Moses and other later Old and New Testament prophets and apostles.
For the unshakeable
truth of all
of history is that «God so loved the
world, that he gave his only begotten Son, that whoever believes in him should not perish but have eternal life.»
The reader is encouraged to take that seriously, to weigh the statements in this book against research and observations on the knowable
world, and to consider them in relation to the thousands
of other religions from throughout
history that also profess with absolute certainty to be the one «
Truth.»
Scandalously to oversimplify his argument, it is, says Heidegger, the
history of this nihilistic impulse to reduce being to an object
of the intellect, subject to the will, that has brought us at last to the age
of technology, for which reality is just so many quanta
of power, the
world a representation
of consciousness, and the earth a mere reserve awaiting exploitation; technological mastery has become our highest ideal, and our only real model
of truth.
For it is the Church
of a
world which has increased the tempo
of its
history to a gigantic extent; it is the Church which is to bear credible testimony, before that
world, to God's
truth, mediate the grace
of God to that
world, be the sacrament
of salvation for that
world.
Joe from CT, Christianity is the biggest mess in this
world's
history... thousands
of denominations all believing they have THE
truth because they found it in the bible while all disagreeing with each other.
With that in mind, I generally discount all
of the science and knowledge that has been developed throughout human
history as being useful for living in the
world we understand, but not
truth by any means.
To James: «In
truth, as far as I've been able to tell, religion and faith have lead to more bloodshed than any other force in all
of human
history, and are currently responsible for an unwarranted amount
of pain and suffering in the
world».
There never was a time in
History that atheists exist, only in this present stage
of our intellectual developement that they deny His exisrence, but it can be easily explained that they are just part
of the dialectical process
of having to have two opposing arguments or forces to arrive to the
truth, The opposing forces today are the theists or religious believers
of all religions and the other are the atheists who denies religion, The reslultant
truth in the future will be Panthrotheism, the belief that we are all one with the whole universe with God, and that we Had all to unite to prepare for human survival that will subject us humans in the future.Aided by the the enlightend consevationist, environmentalists, humanists and all
of the concerned activists, we will develop a kind
of universal harmony and awareness that we are all guided towards love and concern for all
of our specie.The great concern
of the whole conscious and caring
world to the natural disaster in the Phillipines,, the most theist country now is a positive sign towards this religious direction.Panthrotheism means we will be One with God.
In
truth, as far as I've been able to tell, religion and faith have lead to more bloodshed than any other force in all
of human
history, and are currently responsible for an unwarranted amount
of pain and suffering in the
world.
In the constellation
of preparation, person, act, apprehension, and response in community — which was seen in the coming
of Christ and what that coming brought about — we have a microscopic picture
of what macroscopically is the
truth about the
world, both in the realm
of history and in the realm
of nature.
It means proclaiming the
truth of God through the
history of the
world and the dynamics
of the universe and sharing discernment within the silence
of God.
In the philosophy
of men like G.W.F. Hegel, Kierkegaard saw theories about stages
of human consciousness and progress in
world history that he thought could lead Christians away from reliance on Scripture as a source
of truth about human life.
This substantial unity
of man which is not a conjunction
of already existing things, but holds variety in unity as the realization and accomplishment
of one essence, is not only a defined
truth of faith, but is a fundamental presupposition
of the Christian understanding
of man, his
world and the
history of his redemption.
Pneumatology — My study
of inspiration led me to look deeper into the Spirit's role in the
world and throughout
history, especially as a revealer
of truth.
The basis
of the decision is a claim to special enlightenment (we shall not say «revelation») about the meaning and import
of liberty — special because the majority claims access to essential
truths about marriage, sex and liberty heretofore unavailable to all peoples in the entire
history of the
world.
All
of this can be presented to the
world once again as a seamless vision
of truth, understood all the more deeply and beautifully against the backdrop
of a modern understanding
of science and
history.
There is proof, as I've said there was a David, a Solomon, and a Cyrus the Great, all are in our
world history, (proof), and all are in this book
of remembrace, the OT, you guys are just in denial
of the
truth, and bitter.
be practical and think calmly The whole
world knows the
truth of Palestine Land
History and did not forget Hitler, because he screwed jews and Palestanian are suffering for it.
And whereas, it is the duty
of nations as as well as
of men, to owe their dependence upon the overruling power
of God, to confess their sins and transgressions, in humble sorrow, yet with assured hope that genuine repentance will lead to mercy and pardon; and to recognize the sublime
truth, announced in the Holy Scriptures and proven by all
history, that those nations only are blessed whose God is the Lord: And, in so much as we know that, by His divine law, nations, like individuals, are subjected to punishments and chastisements in this
world, may we not justly fear that the awful calamity
of civil war, which now desolates the land, may be but a punishment inflicted upon us for our presumptuous sins, to the needful end
of our national reformation as a whole People?
One
truth which Jesus revealed to the
world is that the violent murderer
of world history is not God, but the devil.
There's too much beauty in the
world to lose hope; too many people searching for something more than themselves; too many people who comfort the suffering; too many people who serve the poor; too many people who seek and teach the
truth; too much
history that witnesses, again and again, to the mercy
of God, incarnate in the course
of human affairs.
It will be increasingly incumbent upon the church in this increasingly pluralistic, multi-cultural, globalized
world to recall and reclaim its confessional
history if it is to be the «pillar and bulwark
of the
truth» in the future that it was in the past.
«We recognise that just as all
truth rests in the Word
of God, through whom all things were made and through Whom all thing will come to their completion, so too the construction
of a true human ecology can only be achieved in relationship to the Word -LSB-...] we can see and sense the echoing
of that eternally spoken Word in so much
of the created
world around us -LSB-... which Word is] expressed in all those actions and events which make up the
history of salvation -LSB-...] we recognise most centrally that this eternal Word
of God, in whom all things makes sense, finds flesh in the person
of Jesus
of Nazareth who then becomes its fullest expression and true presence in the
world -LSB-...] the centre
of true human ecology is the person
of Christ.»
The whole concept and execution
of the show felt harmless and innocent despite the odd stutter - step, like the show's American cousin The Dating Game One geek / nerd hybrid journeys through
history and the
world in an epic search for
truth, justice... and great pizza.
Set in an alternate future Ireland, but very much with the
history of the Troubles in mind, this is the
world's first
truth - and - reconciliation zombie movie.
he grasped the
truth of a terrifying
world in which one could not escape horror... the
world did not change, this violence had always existed and would never be eradicated, men would die under the boot and fists and horror
of other men until the end
of time, and all human
history was a
history of violence.
This is a book about a man struggling against the shame
of his past and trying to uncover lost
truths about his
world's
history.
This is why the love that is the heartbeat
of the Christian story — the Father's love for the Son and, through the Son, for the
world — is not simply a sentimental feeling or a distant, ethereal theological
truth, but has been signed and sealed by the most audacious act
of true power in the
history of the
world, the resurrection
of the Son from the dead.
But dark clouds are gathering over the future
of the
world that everyone thought would go on for ever... It's time for Bine and his friends to discover the
truth of the
history of the
world!
Set for release on Xbox 360 the open -
world prequel promises to reveal new
truths regarding the colonial
history of the series» foreboding planet E.D.N. III.
Not only did we get to influence the secret war as Ezio, but thanks to the «
Truth» puzzles, we were also given deeper glimpses into the secret
history of the
world.
Set for release on Xbox 360 the open -
world prequel promises to reveal new
truths regarding the colonial
history of the series» foreboding planet -LSB-...]
Set out for an adventure to discover the
truth of the
history of the
world.
Robert Rosenblum, professor
of art
history at New York University, declares, «You see, there is
truth and justice in the art
world — sometimes.»
It is through Courbet, the specific artist, the Harmonian demiurge, that all the figures partake
of the life
of this pictorial
world, and all are related to his direct experience; they are not traditional, juiceless abstractions like
Truth or Immortality, nor are they generalized platitudes like the Spirit
of Electricity or the Nike
of the Telegraph; it is, on the contrary, their concreteness which gives them credibility and conviction as tropes in a «real allegory,» as Courbet subtitled the work, and which, in addition, ties them indissolubly to a particular moment in
history.
In his Lectures on Aesthetics, Hegel says that in art, the unfolding
of truth and the revelations
of world history are interlinked.
And, in this way, it finds itself in near polar opposition to the approach
of Okwui Enwezor's «All the
World's Futures» two years ago, an urgent and politically loaded excavation
of colonial
history that unflinchingly, and sometimes unrelentingly, revealed the
truth about our fraught global order.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence
of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery
of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy
of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The
truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes
of Others, Gallery
of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night
of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical
World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection
of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002
History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute
of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum
of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
2013 Toot Toot Tootsie Goodbye, V1 Gallery, Copenhagen, DK 10th Anniversary Exhibition, Malaga Contemporary Art Center (CAC), ES Iconoclasm, Tate Britain, London, UK Island, Dairy Art Centre, London, UK Damage Control: Art & Destruction Since 1950, Hirshhorn Museum & Sculpture Garden, Washington D.C., US Théâtre du Mondem, la maison rouge, Paris, FR Viewing Room, All Visual Arts, London, UK Art under Attack:
Histories of British Iconoclasm, Tate Britain, London, UK Victoriana: The Art
of Revival, Guildhall Art Gallery, London, UK Capita Selecta, Groninger Museum, Groningen, NL Adventures
of Truth - Painting and Philosophy: A Narrative, Fondation Maeght, Saint - Paul - de - Vence, FR Art in the event
of the
world, Depoland, Dunkerque, FR Sculpture in the City, London, UK FULL HOUSE, Schönewald Fine Arts, Düsseldorf, DE
Shonibare's gods are upset that traditional order
of the
world has been turned upside down and that the transcendent
truths, on which the
history of mankind is based, are disappearing.
Britain has a long and valiant
history of defending and fighting for Freedom and
Truth — the ancient Druidic battle cry was «
Truth against the
world».