Sentences with phrase «history than the artist»

Despite these superficial resemblances, the works in this show reflect less about art history than the artist's own triangulation of space and color.

Not exact matches

In putting together a sidebar for that story about the most important FPS games in the history of the medium, I noticed a fascinating trend that seems to say something poignant about the times we're living in: brand has become a stronger selling feature than the artist, at least in games.

The iHeartRadio app, which reached its first 20 million registered users faster than any digital service in Internet history, delivers everything listeners want in an all - in - one platform: Instant access to more than 1,500 radio stations from across the country, user - created Custom Stations inspired by a favorite artist or song, thousands of curated digital stations «Perfect For» any mood or activity, and the new Shows & Personalities feature giving users access to the best on - demand news, talk and entertainment content available today.

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Less than a year after the Albright - Knox Art Gallery in Buffalo received the largest single financial donation in its history, officials announced that it has now received its largest single donation of art: The vast and lucrative estate of pop artist and local favorite Marisol, who died last April.

One of the most prolific film artists in Hollywood history, the German - born art director Hans Dreier worked on more than five hundred films from 1919 to 1951, amassing twenty - three Academy Award nominations and three Oscars.

Synopsis: This is the true story of Frida Kahlo (Salma Hayek) and her husband Diego Rivera (Alfred Molina), the larger - than - life painters who became the most acclaimed artists in Mexican history, and whose tempestuous love affair, landmark journeys to America, and outrageous personalities made them legendary.

Centering on a family of four with a history of mental illness and mysterious rituals, the movie's increasingly unhinged mayhem is grounded by Collette's tour - de-force performance, in the role of a visual artist (and less - than - perfect mother) whose work consists of miniature dollhouses that plumb her own nightmarish autobiography.

He is a moralist, seeking in history for a moral pattern, and yet an artist, but one who never allows his story to be other than true to the formula he discovers.

For those who consider felines the most fascinating quadripeds on the planet, Desmond Morris» Catworld is an exhaustive encyclopedic guide to just about everything you ever wanted to know - and then some.Among the more than 1,000 entries in this captivating photo - and illustration - packed volume, Morris lists some notable ailurophiles - uh, cat lovers - through history: authors Emily Bronte, Jean Cocteau, Colette and Ernest Hemingway, who owned 30; artists Paul Klee, Henri Matisse and Pablo Picasso; presidents Abraham Lincoln, Teddy Roosevelt and John F. Kennedy; and composers Frederic Chopin, Maurice Ravel and - natch - Andrew Lloyd Webber.

Regardless of your opinion of Michael Jackson, no one can deny that he was an outstanding musician who has made more recognizable songs than any artist in history.

With these paintings, the skeleton of the stories the Bostwana - born, New York — based artist presents are more important than his characters — Mokgosi is getting at something deeper than just tales about history.

The feminist's first reaction is to swallow the bait, hook, line and sinker, and to attempt to answer the question as it is put: i.e., to dig up examples of worthy or insufficiently appreciated women artists throughout history; to rehabilitate rather modest, if interesting and productive careers; to «re-discover» forgotten flower - painters or David - followers and make out a case for them; to demonstrate that Berthe Morisot was really less dependent on Manet than one had been led to think — in other words, to engage in the normal activity of the specialist scholar who makes a case for the importance of his very own neglected or minor master.

In an open letter published this week by the Guardian, more than 100 artists based in the United Kingdom spoke out against the new English baccalaureate, a government - mandated set of courses — including science, math, foreign languages, and history — that now excludes the arts.

With some notable exceptions (like Warhol and Courbet, who churned out work like machines), the most fascinating and important artists in history exemplify this approach by remaining true to what drove them to create, rather than caving to external responses.

The canonical queer artists — the ones who are taught in undergraduate art - history surveys — mostly came out of the late»80s, but more than two decades have passed since then.

The existence of a tiny band of successful, if not great, women artists throughout history does nothing to gainsay this fact, any more than does the existence of a few superstars or token achievers among the members of any minority groups.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art world.

Russian artists such as Kazimir Malevich, El Lissitzky, and especially Alexander Rodchenko emerge as much more influential and interesting in this storyline than they do in standard modern art histories, in which they're often more mourned as political victims than celebrated as art theorists.

Even his exhibition techniques, including his pioneering development of the free - hanging canvas, supported by tensile steel cables, seems more embedded in the broader annals of art history than in the practice of one artist.

Bringing together some 250 works in a range of media, the exhibition includes more than 80 schooled and unschooled artists and argues for a more diverse and inclusive representation in cultural institutions and cultural history.

Take some artists a bit less official than Krasner or Pollock, as if to let a space in history around them speak.

With a career extended across more than half a century, Stella both holds an important place in the history of American art and maintains contemporary relevance as his work continues to influence younger generations of artists.

The Italian Embassy in Washington, D.C., is featuring the work of several Pratt - affiliated artists and faculty this fall — Lisa A. Banner, Adjunct Associate Professor in the History of Art and Design; alumna Kikki Ghezzi (B.F.A. Painting / Drawing» 11); and Italian artist Licio Isolani, who served as a professor at Pratt for more than 50 years.

Nothing is deeper than the skin, London - based multidisciplinary artist Shirazeh Houshiary's current exhibition at the Lisson Gallery in New York, combines aesthetics and the history of art, physics and poetry as a way to express her recurrent theme of a universe in flux, in disintegration.

Throughout his tenure at SUNY, he lobbied to remain in the Visual Arts department (with the artists) rather than be transferred to the Humanities» Art History Department as the university wanted.

For more than fifty years, the American multidisciplinary artist David Hammons has astounded and enlightened audiences with his diverse, incisive, and conceptually brilliant artworks, many of which have since become icons of contemporary art history and lodestones for younger artists like Hank Willis Thomas and Rashid Johnson who continue to explore race in their work.

Beautifully written, intelligent essays with more insight than your typical art history monograph on a single artist.

As a result, the show was one of the most criticized in history and for one primary reason: the artists were said to engage in a simplistic «politics of identity» rather than making identity political.

He here shares his solid piece of advice for young artists, who should learn from the history of art rather than dismiss it as something outdated.

Haute Photographie is a new photography fair centered around a group exhibition of more than 65 artists from 12 international galleries, featuring works by the grand masters from the history of...

Advertising and television quickly emerged as rich new mediums for expression and artworks themselves were transformed into branded products while the artists standing behind them were viewed as celebrities much more alike today's famous personas than what traditional artists were viewed throughout history.

Because it features more than 80 works from important private collections, including the artist's own, this monograph provides a unique contextualization of the artist's incredibly influential career, which, spanning more than 40 years, mirrors not only the history of postwar Germany, but also the medium of painting.

Black artists face more than a few problems, only starting with a history shaped by others.

This important book traces the longer, subtler history of the development of modernism in relation to American artists than is typically described in art history.

The more than 50 artists included in the exhibition have culled from the canon of art history, mined mass media, and scoured streets and screens to appropriate images and practices from commerce, science, politics, sports, religion, and technology, to illuminate recent shifts in how culture is being created and consumed.

The artist has referred to the spectacle of the more than six - hundred vertebrate skeletons at Paris's National Museum of Natural History as an inspiration, and the comparison is telling.

Throughout the history of art there has been an interrelationship, if not a tension, between so - called «fine» art and craft, as artists sought for centuries to reach a higher social status than that of simple craftsman.

For more than three decades, the artist, curator and a member of the 1980s Black Arts Movement, Lubaina Himid, has uncovered hidden histories and exposed the invisibility of Black artists by celebrating their cultural contribution.

Perhaps more than ever before in history, politics is life and there is no other artist who previews and records that life as perceptively and unflinchingly as Warhol.

Suddenly artists long lost to history are being celebrated as seminal figures — which is maybe more true in some cases than others, but I'll let the art historians sort that through.

During the artist's exhibition, Chihuly in the Light of Jerusalem 2000, more than one million visitors saw his installations within the Tower of David Museum of the History of Jerusalem.

This commitment to artists» empowerment extends to an exhibition she is curating, Better Than Ever, in the 2008/09 season, mapping the history of women artists in cooperative galleries over the last forty years.

Rather than being dedicated to a single artist's legacy, Tate St Ives aims to present and reframe the history of a whole artists» colony, which began in the town in the 1880s, had international significance for several decades from the late 1930s, and remains vital today.

More than 100 exemplary works on paper including photographs, and paintings by 27 artists provide an informative overview of the development of German art — and thus also of the history of the country — from the 1960s up to the present day.

Born in 1957, Pula came later than most to art — she has been painting for just ten years — and she is the first Indigenous artist to win the prestigious Waterhouse Natural History Art Prize in South Australia.

The addition of bronze to de Jong's sculptural language represents an engagement with mortality, monumentality and world history that is more nuanced and less visceral than the use of modern synthetic compounds that defined the first 15 years of the artist's practice.

For an artist of her stature, there is far more cachet in appearing in Documenta or Performa than in an exhibition devoted to African American art history.

The artists gathered in the exhibition, catalog and related screenings suggest that we consider contemporaneity as a networked model and method for perceiving time rather than a bounded period in history.