Sentences with phrase «hold big bottles»

Now if you've got a baby that's got a very big appetite, you'll have to weigh whether your baby is strong enough to hold a bigger bottle, or whether you want to use a smaller bottle and just keep refilling it.
At the rear, there is a bottle holder in the centre, which is too small to hold a big bottle.

Not exact matches

Convenience chain 7 - Eleven introduced the Big Gulp, containing 32 ounces of refreshment, way back in 1980; the 64 - ounce Double Big Gulp — large enough to hold five bottles worth of beer — came eight years later.
But people were still way, way more excited to drink out of magnums — the big bottles that hold 1.5 liters of wine — than they had ever been about the two or three regular - sized bottles I had brought to the same soirees time and time again.
These big bottles hold brews that are often strongly flavored and just plain stronger than their lower - alcohol 12 - ounce siblings.
This is a pretty big step for us... we've already made the switch to cloth diapers, dryer balls, cloth grocery bags, etc... but kept holding on to our disposable water bottles!
Seriously, thanks for making a bag that's big enough to hold all of my kids» lunches, snacks, water bottles and juice boxes... And keeping the food flat!!!»
For this bigger baby bottle, holding it is easier even for your baby because of its ergonomic body design.
it's the tardis of the steriliser world — it looks seductively small, but is actually nice and big on the inside, holding six bottles and accessories too!
Our kids stainless water bottles hold enough to quench a big kid's thirst and come in sophisticated solid colors.
Grab a big blanket and swaddle, bounce and shhhhhh, put a paci in or hold an empty bottle.
It is deep enough to hold my big water bottle.
What's more is that Dr. Brown can hold up large baby bottles for the big kids!
I decided to add a scarf, a blazer and a satchel (Cole Haan here) big enough to fill throughout the day with goodies or to hold the water bottle, the toy, the crayons, the Legos... I could go on and on.
Their journey is doomed by a cascading series of events, big and small, that coalesce into a disaster: Russian guide Anatoli Boukreev doesn't used bottled oxygen and doesn't believe in packing it either; the Sherpas are alarmingly competitive; Fischer pushes himself to absurd extremes; Rob holds too close to his well - meaning but ultimately fatal promise to get each of his clients to the top.
Like some of its rivals there are no rear vents to deliver climate controlled air to the back, but it's good to see the door pockets are big enough to hold a large drink bottle.
-- The cup holders were too small to hold anything but a small aluminum can, which was annoying when buying a bigger bottle of soda or a large coffee from anywhere.
Storage space is good, with big door pockets that can hold a large bottle of water, two cup - holders and plenty of other little cubbyholes dotted around the interior — although the glovebox is tiny.
The door pockets are also large enough to hold a big water bottle and more, and there's a handy pocket for your cell phone or other flat items underneath the infotainment screen area.
The changes are more generous inside, where all models do away with a CD player but score larger front door pockets (finally big enough to hold bottles), USB inputs relocated more conveniently at the front of the centre console and a classier new multifunction steering wheel from the new CX - 9.
The hole should be big enough that formula will slowly drip out if the bottle is held upside - down and gently squeezed.
You know that you have made the nipple opening just big enough if, when the bottle is held upside - down, formula drips slowly from it.
You are dumped into an open world where you ride your horse to different dungeons, there is «Z targeting» in the combat, «bottles» that hold health, a hookshot - like gadget, a boomerang type gadget, big boss keys to take you to a big red skull room on the map, boss fights that require the use of equipment gained in their respective dungeon, heart containers at the end of dungeons, you need to collect several pieces of a world saving item, you even fight a shadow version of yourself.
2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December Kennedy, Maev, Message in a big bottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, FebBottle, The Telegraph, 1 December Kennedy, Maev, Message in a big bottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, Febbottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.
2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December 2011 Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December 2011 Kennedy, Maev, Message in a big bottle — appeal to save fourth plinth HMS Victory, The Guardian, 30 November 2011 Jury, Louise, Setting Sail Again, London Evening Standard, 30 November 2011 Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 2011 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 2011 Olurin, Titilayo, A Revolution in the Studio, next, 1 May 2011 Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May 2011 Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April 2011 Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 — 3 April, p. 52 2011 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March 2011 Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March 2011 Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 2011 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 2011 Alvarado, Esther, Un ano de exposiciones, Madrid Press, FebBottle, The Telegraph, 1 December 2011 Kennedy, Maev, Message in a big bottle — appeal to save fourth plinth HMS Victory, The Guardian, 30 November 2011 Jury, Louise, Setting Sail Again, London Evening Standard, 30 November 2011 Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 2011 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 2011 Olurin, Titilayo, A Revolution in the Studio, next, 1 May 2011 Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May 2011 Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April 2011 Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 — 3 April, p. 52 2011 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March 2011 Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March 2011 Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 2011 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 2011 Alvarado, Esther, Un ano de exposiciones, Madrid Press, Febbottle — appeal to save fourth plinth HMS Victory, The Guardian, 30 November 2011 Jury, Louise, Setting Sail Again, London Evening Standard, 30 November 2011 Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 2011 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 2011 Olurin, Titilayo, A Revolution in the Studio, next, 1 May 2011 Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May 2011 Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April 2011 Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 — 3 April, p. 52 2011 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March 2011 Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March 2011 Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 2011 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 2011 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.
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