Sentences with phrase «hold such exhibitions»

The exhibition setting was the Capital Normal University Art Museum, because there were few places where you could hold such exhibitions then.

Not exact matches

The two - day exhibition, which is being held on September 16 and 17, will feature over 170 exhibitors including major names such as Leo Luxe, Fleet Luxury, HH Deluxe Packaging, and Schur Star Systems.
The event, organised by the American drinks publishing, marketing and B2B networking platform, the Beverage Trade Network, has previously being held in the US, but such is the importance of bulk wine and spirits not just in the UK but in Central and Eastern Europe that it is to host its 2018 conference and exhibition at the Royal Horticultural Halls in London.
Recently, at Party Conference up in Birmingham, we held an event (which is reported in full here) as well as manning an exhibition stall both of which were successful in terms of explaining our message to a wider audience and in gauging the mood towards organisations such as CFoP.
We hold exhibitions of student artwork both in school and with partners such as the Ancient House Museum of Thetford Life.
Sanctioning is one of the first steps toward being approved to hold AKC dog shows and obedience trials, a long - range goal of the club.Sproul and other club officers say they are making a determined effort to continue the programs that Seminole has initiated.The Seminole club has initiated such programs as annual purebred dog exhibitions demonstrating important aspects of owning, raising and training dogs; health seminars that bring in experts to discuss topics that have included hereditary eye defects, skin disorders and behavioral studies; and matches offering ring conditions to provide experience for handlers and dogs.
Alice Collette, Executive Director of the Heritage Society, expounds on the history of Houston and the exhibitions the Heritage Society holds to shine light on less known facts of the city's history, such as their LGBT community.
It doesn't end there, the exhibition also walks through the world of consoles from the first console to ever be released, «The Brown Box» (1968) to hand held consoles such as the original Nintendo Gameboy (1989).
Through his early friendship with Allan Kaprow, Claes Oldenburg, George Segal, Robert Whitman, and Lucas Samaras, among others, Dine became involved with the events and exhibitions being held at such anti-establishment galleries as the Judson and Reuben, in lower Manhattan.
A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».
She first received public recognition in New York when her richly - colored canvases holding single shapes were prominently featured in the New Image Painting exhibition at the Whitney Museum in 1968 with works by artists such as Susan Rothenberg and Joe Zucker.
The Arts Council memorial exhibition that opened a year later — largely due to the efforts of the artist's widow, Lilian Holt, Joanna Drew of the Arts Council and the critic Andrew Forge — commenced the reappraisal of Bomberg's work, although the show was an uneven account of his career, entirely omitting the monumental early works such as In the Hold and The Mud Bath.
Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.
Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.
The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.
His work has featured at major international events such as Art Basel 2010 and he has held numerous solo exhibitions in South Africa.
Recent solo exhibitions of his work have been held at Gemeentemuseum, Den Haag; the BALTIC Centre for Contemporary Art, Gateshead; Limoncello Gallery, London; and Mary Mary, Glasgow; his work has also been included in recent group exhibitions such as the British Art Show 8 at Leeds City Art Gallery, Leeds and group shows at TATE St. Ives, Saint Ives and Fondation d'Enterprise Galeries Lafayette, Paris.
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
Noguchi's solo exhibition «Light Reaching the Future» held at the IZU PHOTO MUSEUM in 2011, in which she juxtaposed such photographic works with silkscreen works had served to further deepen her consideration both towards light and to photography (the film camera), by means of methodically deconstructing and inspecting the compositional elements of the photograph.
As is evident throughout his ambitious MASS MoCA exhibition, Da Corte has long been interested in sets and stages — be it a television set, music video, opera or cartoon, or more invisible kinds of stages and special effects, such as the cardboard shelf holding a stack of AXE body wash in the corner store.
Many museums and galleries have held solo exhibitions of his work, such as the UCLA Hammer Museum in Los Angeles and Deitch Projects and Mitchell - Innes & Nash Gallery in New York.
Recent solo exhibitions of his work have been held in institutions such as the Museo di Capodimonte in Naples, Italy, and the Musee d' Art Moderne de la Ville de Paris in 2009.
Subtitled Written in Light, this exhibition of the museum's holdings features works from the birth of photography until 1930, interspersed with contemporary work such as Hunter's Vale of Rest, which examines the post-industrial urban landscape at the turn of the millennium.
However, Fine's achievement and that of other women of her time are now being given serious attention, such as in the June — September 2016 exhibition, Women of Abstract Expressionism, held at the Denver Art Museum.
Historians discuss other nonofficial exhibitions instead, such as the Stars Group outdoor exhibition, or the first No Name Art Group exhibition, both also held in Beijing in 1979.
She has held major solo exhibitions in renowned international museums — such as the Tate, Serpentine, Guggenheim Bilbao, Whitney Museum of American Art.
Organized by the Brooklyn Museum and the Museum of Fine Arts, Boston, the exhibition unites, for the first time, their holdings of his watercolor paintings — the two most significant such collections.
This year's Italian Futurism show at the Guggenheim Museum in New York was the first such comprehensive exhibition ever held in the United States; previous shows have avoided dealing with Futurist works created during the l930s.
One might think that such an exhibition would reaffirm the overwhelming fear of what various futures might hold, but flashes of poignant humour remind us that our reactions are still our own, despite the warnings that surveillance is the biggest tool for oppression.
The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.
The Wilson sisters have had held exhibitions in the UK and internationally in places such as Kazakhstan, the USA, Canada, Japan and all over Europe.
Shikeith's public programs and group and solo exhibitions have been held at national and international venues such as the MAK Gallery in London; the Wright Museum of African American History in Detroit; MoMA, the Aperture Foundation, and the Vera List Center in New York City; Pittsburgh's Kelly - Strayhorn Theatre; Massachusetts Institute of Technology (MIT); Morehouse College in Atlanta; the Seattle Art Museum; and the Wrocław Contemporary Museum in Poland, among others.
Her recent solo exhibition, Gut Love, held at the University City Science Center's Esther Klein Gallery in Philadelphia, investigates gut microbiota, the human immune system, and procedures such as Fecal Matter Transplant.
Over the years he has held several solo exhibitions, most recently, his solo shows such as Extreme Makeover and Derek Boshier: Works on Paper, have been held in New York, London and San Francisco.
The Sidney Janis Gallery held the New Realists exhibition in November 1962, which included works by the American artists Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Enrico Baj, Christo, Yves Klein, Tano Festa, Mimmo Rotella, Jean Tinguely, and Mario Schifano.
During this time, Marc held exhibitions is such institutions as the Tate Gallery and Victoria and Albert Museum in London, Irish Museum of Modern Art in Dublin and Fondazione Prada in Milan.
The exhibition pairs stand - alone sculptures and wall reliefs with installation elements, such as functional seating made out of hand - cut wood and black wooden wall sconces holding mint green candles.
Solo exhibitions of Holzer's work have been held in institutions such as the Fondation Beyeler in Riehen / Basel and the Whitney Museum of American Art, New York (2009), and the Museum of Contemporary Art, Chicago (2008).
In addition to numerous successful international exhibitions across Africa, Europe and the Middle East, Abebe has also worked with charities such as UNICEF to hold workshops for street children in Arba Minch, Jinka and Addis Ababa.
Major solo exhibitions of his work have been held in institutions such as the Musée d'art moderne et contemporain, Geneva and the Castello di Rivoli, Turin in 1997 - 1998; the Museum Moderner Kunst Stiftung Ludwig Wien, Vienna and the Van Abbemuseum, Eindhoven as well as the ZKM Museum für Neue Kunst, Karlsruhe and Kunsthalle Tübingen in 2003.
Drawn entirely from the Museum's deep holdings of this period, this exhibition presents work by Jean - Michel Basquiat, Ross Bleckner, Eric Fischl, David Salle, and Terry Winters, alongside work by less - familiar artists such as Moira Dryer, Joyce Pensato, and Julia Wachtel.
Her work is held in over sixty public collections in the United States, and has been the subject of over eighty solo exhibitions worldwide, including exhibitions organized by institutions such as the San Francisco Museum of Modern Art (1988) and the Wexner Center for the Arts, Columbus, Ohio (1991 — 92), among many others.
Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.
The artist has held numerous solo exhibitions with Goodman Gallery, accompanied by publications co-edited by the artist alongside leading African creatives, such as Mbali Soga and Lodi Matsetela.
Her work has been exhibited in solo and group exhibitions at major venues in the U.S. and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, and Musee de La Photographie.
First up, is the BALTIC Centre for Contemporary Art, which holds exhibitions from leading artists such as Damien Hirst and Yoko Ono.
He organized Canada's art exhibition for Expo 93 Korea, and is author of numerous books and catalogues for exhibitions held at many prestigious museums, such as the Tate Gallery, Russia's Hermitage Museum, the National Gallery of Canada, the Phoenix Art Museum and the Montreal Museum of Fine Arts, among others.
They have also held solo exhibitions internationally in institutions such as the Stedelijk Museum in Amsterdam.
Solo and group exhibitions and performances have been held at venues such as The Jewish Museum, New York, NY; The Hudson Valley Center for Contemporary Art, Peekskill, NY; Art Institute of Malmo, Malmo, Sweden; Upfor Gallery, Portland, OR, The LILAC (with Site95), New York, NY; and Adams and Ollman Gallery, Portland, OR.
In addition to exhibitions at the gallery, Butler organized important shows off - site, such as 18» 6» ³ x 6» 9» ³ x 11» 2-1/2» ³ x 47» ³ x 11-3/16» ³ x 19» 8-1/2» ³ x 31» 9-3/16» ³ held at the San Francisco Art Institute in 1969.
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