Maintaining diverse and extensive
holdings of photographic prints, the gallery includes such masters as Eugène Atget, Henri Cartier - Bresson, Bruce Davidson, André Kertész, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists.
Not exact matches
Joseph Nicéphore Niépce — The inventor
of photography Louis Daguerre — Invented the popular and practical daguerreotype process Robert Cornelius — First selfie Henry Fox Talbot — Inventor
of the
photographic negative, allowing multiple
prints Sir John Herschel — Coined the term «photography» Richard Leach Maddox — Invented practical gelatin dry plate negatives Eadweard Muybridge — World's first photo sequence George Eastman — Popularized roll film, created the first hand -
held camera Oskar Barnack — Invented the portable Leica I Steven Sasson — Invented the first digital camera
Notable, the o in So is filled in to create a solid form that rhymes with the other half
of the diptych: a small
photographic print doctored so that its solitary subject, a midcentury woman in clown attire in the desert, appears to
hold a matching black ellipse or hole.
The
photographic print Madame Psychosis
Holds a Séance: Film Still # 3 is a glimpse into the fictional world
of an mysterious woman obsessed with the assassination
of John F. Kennedy.
But Combs was seen leaving the fair
holding a
photographic print by an unidentified artist above his head like a trophy as a scrum
of photographers snapped pictures.
Drawn from the MCA's extensive
holdings of artist's correspondence,
photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out -
of -
print exhibition catalogues.
From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation
of photographic images into a variety
of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary
holdings of late nineteenth and early twentieth - century photographs in the collection
of the National Gallery
of Canada to present
prints and images by some
of photography's most innovative and influential inventors and practitioners.
But Combs was seen leaving the fair
holding a
photographic print by an unidentified artist above his head like a trophy as a scrum
of Read more