Other historical highlights came from the freshly christened Lévy Gorvy gallery, whose offerings included a chilled - out 1970 installation by Enrico Castellani with his
trademark white textured panels becoming walls of a room and a legendary suite of 14 haunting self - portraits that Adrian Piper made in the summer of 1971, when,
as Kaelen Wilson - Goldie once succinctly put it, the artist was «
holed up alone in her apartment, reading Immanuel Kant's Critique of Pure Reason (1781), practicing yoga, and subsisting on nothing but juice and water.»