One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's
a hologram effect.
I worked on images and the first image shows clearly
the hologram effect available to the eye of the viewer.
Upon application, GLOW CRÈME helps to reveal a pearly glow and a radiant complexion that seems to catch and subtly reflect the light, like a «
hologram effect».
Not exact matches
LED
effects,
holograms, kaleidoscopic and moving - image inspired motifs all feature in this futuristic new collection.
Where the movie works, and does so quite splendidly, is the finale's clever depiction of
hologram tech as a shiny new toy; promoted by an American corporation as if it offers a time - saving and world - changing system enabling international business for the 21st century, even though it's clearly and merely another gimmicky exercise in special
effects.
The coolest special
effects come in subtle tones, like when a snarling guard dog is identified as a
hologram because he leaves no paw prints in the mud.
Taking Supreme Leader Snoke from a vague
hologram to a physical presence was one of the biggest challenges for the visual
effects team on Star Wars: The Last Jedi, and the process was a complex push and pull between the director, the
effects artists, and Andy Serkis, who portrayed Snoke in motion capture and voice.
Rumors went around that the physical Snoke would be done through practical
effects, unlike the motion capture used for the
holograms, but Rian Johnson shot that rumor down.
Other than a couple instances in the film in which solid objects are shown passing right through the
holograms, Marjorie Prime lacks special
effects of any sort.
The
Effect (2013) a life - sized
hologram of Stuart performing various magic tricks, emphasises the human tendency to believe something that isn't possible, whilst Omega (2013) incorporates a mass of radios in tune to the left - over radiation from the Big Bang that signals both the beginning and end of time.
Surprisingly, in that same text, Coupland characterized the use of
holograms in art — except «by Simone Forti and a few others,» whom he characterized as deploying them «to great
effect» — as a «flash in the pan.»
The gritty vocal textures from the
hologram version of Peter Weyland were almost gripping, and we even heard aliasing in his voice as the
hologram wavered — an
effect that, previously, had gone unnoticed.