Equally at
home in museum settings — like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one - person exhibitions and projects — and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer - assisted abandon.
Not exact matches
The Mendel
Museum in Brno, Czech Republic, is
set on the grounds of the still - active Augustinian abbey that Gregor Mendel called
home.
Though they call New York
home, Haniya Riaz and Zaheen Khan had their hearts
set on a warm - weather wedding and booked Vizcaya
Museum and Gardens
in Miami.
Set in beautiful natural surroundings, this is the place to find fine bars and restos, a flourishing festival scene and some of Canada's most beloved
museums and art galleries: it's no wonder Ottawa is
home to so many great people!
Seung enjoyed the
museum focus of the course, and also appreciated its focus on how to adapt active learning
in different
settings like
home and afterschool programs.
She suggests a mix of formal and informal learning opportunities
in settings including
homes, schools, libraries,
museums, local cable access centers, colleges, and nonprofit organizations.
Join us
in the unique
setting of The Black Country
Museum,
home of the Peaky Blinders series, for a day of immersive workshops and activities, designed to engage and motivate young learners across the literacy curriculum.
Papillon Polaroid (produced by Olivier Zahm (Editor
in Chief of Purple Fashion magazine)-RRB- featuring Betony Vernon, is
set at the Museo Casa Mollino, Torino, former
home and now
museum dedicated to Italian designer and architect, Carlo Mollino.
Set amidst the rolling green hills of Basque country, Bilbao is
home to the Guggenheim Bilbao
Museum, a gleaming, modernistic structure clad
in titanium designed by famed architect Frank Gehry.
Home is gorgeous inside and out and is
set in a terrific location across the street from shopping, close to downtown, Central Bank of Belize,
Museum of Belize, the Hotel Zone and Tourist Village.
On November 12, 2012, the Parrish Art
Museum opened the doors to its new
home,
set on 14 acres
in Water Mill, NY, relocating from its long - time location
in Southampton Village on Jobs Lane.
The practice is also working on a new
home for the Studio
Museum in Harlem, New York and is shortlisted for the Obama Presidential Center,
set to be built
in Chicago.
The same reverent
setting in Harlem was the birthing place of two enormous paintings — each measuring 27 by 32 feet — that make up HOWL, eon (I, II), now on view
in a site - specific
home at the San Francisco
Museum of Modern Art.
The first Antwerp Art Weekend is fast approaching and it looks
set to be a couple of days full of wonderful art
in a city that has become
home to internationally renowned galleries,
museums, contemporary art spaces, pop - up exhibitions and residencies.
The exhibition consists of a sequence of mural - scale, «adjusted to fit» images
set in dynamic relation to non-linear groupings of photographs — of collectors»
homes, auction houses, and
museum installations — distinctive of Lawler's conceptual exercises.
The Pictures Generation artist Louise Lawler is used to showing her work alongside that of other artists —
in fact, her photographs typically consist of work by other artists, coolly depicting name - brand icons of art as they are tastefully displayed
in collectors»
homes,
museums, and other out - of - the - studio
settings together with furniture, vases, and the other decorative objects of the well - heeled.
Including: «A Pictorial Encyclopedia of The Oriental Arts» 2 vols
in slipcase, edited by Shoten, publ by Crown; «Oriental Cloisonne and Other Enamels» by Chu; «Japanese and Oriental Ceramics» by Gorham; «Half the World», edited by Toynbee; «Chinese Jade of Five Centuries» by Hartman; «Chinese Export Porcelain» by Lunsingh - Scheurler; «Treasures of Chinese Glass Work Shops» by Asiantiques; «A History of Far Eastern Art» by Lee; «The Art of Japan» by Kidder; «Japan: A History
in Art» by Smith; «China: A History
in Art» by Smith & Weng; «Jade of the East» by Wills; «Wolf Kahn, Paintings & Pastels», 2 vols
in slipcase, Ameringer - Yohe Fine Art; «Near Eastern Mythology» by Hamlyn; «Vasarely» by Diehl; «The Drawings of Milton Avery» by Taplinger; «Milton Avery» by Haskell; «Wolf Kahn, Landscape Painter» by Sawin; «Wolf Kahn, The City as Landscape» by Ameringer / McEnery / Yohe; «Hans Hofmann», ibid; «Picasso at Work at
Home» by Schiff; «Wondrous Strange, The Wyeth Tradition»; «Fletcher Martin» by Cooke; PLUS (14 vols
set) Cooper - Hewitt
Museum Art & Antique Guidebooks; PLUS several gallery exhibition catalogs.Read more
Sitting along the edge of the Hudson River
in New York City, the new
home of the Whitney
Museum of American Art looks ready to
set sail — packed with a cargo of Rothkos, Pollocks, Warhols and Hoppers.
According to the magazine: «
In the years since the 1999 opening of the Massachusetts Museum of Contemporary Art (better known as MASS MoCA) in a converted complex of old industrial buildings, this small town has gradually reinvented itself as a Berkshires - Based cultural hub that is home to a smart set of galleries, bookshops, cafes, and live - workspaces for artist
In the years since the 1999 opening of the Massachusetts
Museum of Contemporary Art (better known as MASS MoCA)
in a converted complex of old industrial buildings, this small town has gradually reinvented itself as a Berkshires - Based cultural hub that is home to a smart set of galleries, bookshops, cafes, and live - workspaces for artist
in a converted complex of old industrial buildings, this small town has gradually reinvented itself as a Berkshires - Based cultural hub that is
home to a smart
set of galleries, bookshops, cafes, and live - workspaces for artists.
«FICTIONS» marked a
set of endings: It was the fifth
in the Studio
Museum's «F - show» series, which began with the landmark 2001 exhibition «Freestyle» (curated by Thelma Golden, the show proposed the contentious, generative term post-black), and was the last to be on view in the museum's current home in H
Museum's «F - show» series, which began with the landmark 2001 exhibition «Freestyle» (curated by Thelma Golden, the show proposed the contentious, generative term post-black), and was the last to be on view
in the
museum's current home in H
museum's current
home in Harlem.