Sentences with phrase «home on your big screen»

Framed by Hugo's tried - and - true story, given heart by Boublil and Schonberg's beautiful lyrics and melodies reinterpreted by Hooper's burgeoning directorial flourish, Les Misérables now has a welcoming new home on the big screen — and likely a new audience as well.

Ever wanted to play your favorite portable series at home on the big screen, with amplified visuals?

Super Smash Bros may feel most at home on a big screen, but it's 3DS counterpart is no slouch either.

For the first time, gamers have the flexibility to play both local wireless and online multiplayer with up to three other hunters — whether playing at home on the big screen or on the go in handheld or tabletop mode.

For the first time, gamers have the flexibility to play both local wireless and online multiplayer with up to three other hunters whether playing at home on the big screen or on the go in handheld or table top mode.

At the centre there's that same taut combat - communicated with such fidelity it feels perfectly at home on the big screen - though Monster Hunter World's real trick is building outwards.

First of all, the game controller will act as a medium for always - listening support, essentially turning the Shield into a Google Home on the big screen.

Not exact matches

Napster co-founder Sean Parker's proposal to sell first - run movies to home viewers at $ 50 a pop has stirred up various corners of Hollywood, with big movie studios and theater chains up in arms over the Screening Room idea while multiple major filmmakers have landed on opposing sides of the argument.

On the opposite side of the home there is an incredible game room, complete with large bar, big screen TV, pool table and other games.

Say «Feels like a Home Game» and score the quencher for $ 10 while you watch game on their big screen TV's at South Beach's favorite watering hole.

On the other hand, since you and mom are going to be spending more time at home, a big screen TV may be a prudent purchase (make sure her favorite movie is playing when she first sees it).

There are some movies that you love so much on the big screen that you can't wait to repeat the magic at home.

The first musical to take home a best picture Oscar in over three decades, Chicago is a bold big - screen take on the 1970s - era Broadway musical about prohibition - era Chicago by Bob Fosse and Kander and Ebb.

Kevin Smith adopts stylistic tactics from Edgar Wright «s «Scott Pilgrim vs. The World» and introduces characters via Instagram - like info cards that will probably play better with the pause function of home media than they do on the big screen.

On big screen TVs the image comes alive better than any previous home video incarnation, but it's the superlative 5.1 surround remix (at 24 - bit from the 35 mm LCRS and dialogue - music - effects tracks) that most impresses.

In 2009 she joined the cast of the series Mercy, and continued to work on the big - screen in projects like 17 Again, Cop Out, and Take Me Home Tonight.

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

He's famous for his takes on Shakespeare and so it should come as no surprise that one of his first big screen roles required him to look at home in a doublet and hose.

It ends up being neither, nothing more than something to watch on an airplane to pass the time, instead of a film that warrants devoted attention on a big screen, or even at home.

I have managed to see just under 500 — a shameful amount, really — but with this new project I aim to see some of the more glaring omissions and, with the help of my home city's screen culture, do so on the big screen where they belong.

Back home for a funeral, Eilis is near - instantly smitten with Jim (Domhnall Gleeson's silent reaction to the resolution of this sudden romance is his best moment on screen), which — of course — sets the table for the BIG CHOICE.

Their first two endeavors, 2014's «Tammy» and 2016's «The Boss,» didn't go well, suggesting that whatever domestic chemistry McCarthy and Falcone share at home isn't going to translate on the big screen easily.

The movie of course benefits from being seen on a big screen, as all movies do, but it's proportioned well for home viewing too.

Absent - mindedly collecting shells, catching fish and bugs, and paying off your mortgage would be a perfect fit on Switch, and because it'll be pretty to look at, why not fling it onto the big screen when you get home (sorry Netflix).

Though the movie takes place in the homes of two seventeen - year - old women, intricate camerawork and editing using shot - reverse - shot techniques to close in on first one speaker and then the next help to open the play for the big screen.

That may reflect its widespread availability in various home video formats, but there's nothing like seeing it on the big screen.

A matinée screening will service this film well enough, and at home a HD rental on a nice big TV will suffice.

As a side note, if you're in the Minneapolis area, I'll see you at the upcoming screening on April 11th because despite being able to see it at home starting Tuesday, quite honestly if you can get to a big screen to see this spectacle.

A surprisingly uniform, consistent, and supple coat of grain — the picture was shot on a combination of 16 mm, 35 mm, and 65 mm stocks — ties it all together, bringing the big - screen experience home.

A big screen treatment on Augusten Burroughs» semi-autobiographical memoir about his tumultuous childhood growing up with an oddball mother, Deirdre (Benning, Mrs. Harris), who sends him to live with her highly unorthodox psychiatrist, Dr, Finch (Cox, Red Eye), whose home environment proves to be even more strange than the one he was being sheltered from.

Sean Baker's latest triumph of honest but warmly sentimental, observational cinema remains one of the highlights of 2017, and it looks just as beautiful on home video as it does on a big screen.

Aired by Fox just one other time after it premiered and later dropped from syndication, the superficially disturbing «Home» went on to become the show's best - selling episode on VHS; it was but a matter of time until some enterprising producer recognized the franchise potential in its heartland troglodytes — and it was even more inevitable that they should be paired with a WB cast - off for the first big - screen vehicle, since no modern horror flick is complete without one.

This beautiful film probably works better on the big screen, but its still, carefully composed frames will work just fine at home.

He also starred on the NBC comedy series Trial and Error, which returns for a second season later this year, and he also appeared in two comedy sequels on the big screen last year, Daddy's Home 2 and Pitch Perfect 3.

The dark comedic drama Three Billboards Outside Ebbing, Missouri was the big winner of the night at the Screen Actors Guild Awards, taking home the award for Best Cast in a Motion Picture, Best Actress and Best Supporting Actor, at this year's ceremony on January 21.

The A-list actor sits comfortably in the director's chair, though his over-reliance on a handheld camera that jostles excessively over each bump in the wild was distracting on the big screen and is still a little annoying in the home theater.

Teaming up once again in the hilarious 2015 film, Daddy's Home, both will be on the big screen together once more this Friday, November 10 with the premiere of Daddy's Home 2.

This film works best on the big screen, and at home a HD viewing on your TV is recommended.

While — like (I guess) many Rohmer fans — I tend to find myself most at home in his beach houses and Parisian apartment blocks, I was drawn to this presentation of his lesser - known historical films for two reasons: one was the pure joy of being able to enjoy his greatest work, Perceval, on the big screen; the other was the opportunity to finally be introduced to his feature - length television play Catherine de Heilbronn, a production that, in its grey set design and even starker minimalism, in many ways felt like the former film's shadowy companion piece.

Any fans of taking on your friends in frantic action - platformers should look into the game, as it's a great title to play on your big screen TV at home, or on the daily bus ride from home to work.

The effect is less subtle on home video than it is on a big screen, where you're not as aware of the edges of the frame, but the message is the same: suddenly, you're adrift, unmoored, alone.

The Other and Harvest Home were both compelling, creepy reads, and while I preferred Harvest Home on the written page, the big - screen adaptation of The Other trumped the 1978 TV - miniseries version of Harvest Home (starring Bette Davis).

Unfortunately, most of the pretty good eye candy of this flick will never again be shown on the big screen, but I still would recommend it for a fun home viewing.

On the big screen, The Revenant ruled the night, with Alejandro Iñárritu taking home Best Director and the movie taking home Best Motion Picture — Drama.

Yet another variation on the kind of bobos - adrift - in - L.A. narratives that have cluttered screens both big and small over the last several years, Duck Butter opens on Naima (Shawkat), a twentysomething working actress who lives in one of those improbably spacious SoCal - movie homes.

At home, a HD screening on a nice big TV is recommended.

Sony via press - release has just announced the release date, price of PlayStation TV, a device which let players stream their PS4 games to another HD TV in their home and also play PS Vita, PSP and PS one classics on the big screen.

On the big screen, he's a warrior named T'Challa, who returns home to an Afro - futuristic country to inherit the throne as king.

Removed from the big screen and high - tech theater speakers, the movie seems especially flimsy, a sensory diversion that doesn't have strong enough characters and story to engage you as it should, even on a finely - tuned home theater.

During an interview with Joblo to promote the home entertainment release of Kingsman: The Secret Service, writer Mark Millar provided an update on several Millarworld projects headed to the big screen in Starlight, Chrononauts and Kindergarten Heroes, as well as the long - rumorued Hit Girl solo movie.