Here, vivid
horizontal brushstrokes dramatically interrupt the ethereal flow and overall rhythm.
In other paintings, disconnected branches are isolated against abstract pink, purple, and black grounds of sweeping
horizontal brushstrokes.
In Confirmation (2014), the artist applies one color, a burnt Sienna, with similar
horizontal brushstrokes in a variety of values.
However, its small size, its materials, and its awkward pattern of vertical and
horizontal brushstrokes immediately distinguish it from Reinhardt's oil paintings.
Not exact matches
Along the way, he stops to separate rows with
horizontal bands almost like single
brushstrokes, although Whitney uses as many as he needs, no more and no less.
Linda Touby pairs intuitive
brushstrokes with bold,
horizontal bands of vibrant blue, black, white and yellow, offering a sense o...
In certain works, wide, dragged
brushstrokes create thick
horizontal bands across prepared grounds.
She worked within a grid, like the color charts of Josef Albers, or with
brushstrokes separated by
horizontal rules and bare canvas.
From the play of
horizontal and vertical
brushstrokes in Tonka or Rala (both 2017), the simplicity of whose structure underlies a complex weave of anteriority and posteriority, to the herringbone weave of Session, the earliest work in the show (1999), or the branch - like structure of Decalque (2002); whether as armature, as motif or as incidental reference, a grid underlies each of the works in this exhibition.
She applied multiple coats, alternating
brushstrokes between
horizontal and vertical directions and sanding between layers.
horizontal composition, whole canvas is filled, very colorful and abstract, action painting, a lot of movement,
brushstrokes are bold and raw Aristotle Forrester (American, b. 1993)...
In these paintings the picture plane is divided into two arbitrary
horizontal zones; in one of these zones is placed a bright geometric form or an irregular aggregation of
brushstrokes (Glow, 1966).
Parmentier did
horizontal stripes, Toroni patterned his paintings with short, repetitive
brushstrokes.
Certain aspects of the
brushstroke and the slight drip appear again in Reed's more recent paintings, such as # 628 which has a small rectangle inset in the larger
horizontal rectangle of the canvas.
Horizontal bands and vertical drags of wide
brushstrokes are interrupted by more angular accents, resulting in a mesmerizing ground in which painterly components simultaneously quarrel and complement each other.