Not exact matches
The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89) in which the watery
color planes suggest abstract but recognizable elements like pennants, sails and boats, and black wave forms blend into blue ground in «Land's End» (1986), with the full blast
of wind on sails being felt in the
horizontal diptych «Windward» (1987).
The sense
of rhythm between
horizontals and verticals recalls that
of Mondrian, and the relationship between
planes of simplified
color and line, that
of Frank Stella.
For instance, one long
horizontal painting uses almost unscathed
planes of chalky
color, their borders meandering but determined, like the lines
of a watershed.
Odili Donald Odita's
horizontal planes of graphic
color and works by Sanford Biggers and Radcliffe Bailey, anchor the final gallery.
Gottlieb first used this vast,
horizontal format in 1960 allowing his minimal, graphic language to stretch across the picture
plane; he explains, «I eliminated almost everything from my painting except a few
colors and perhaps two or three shapes, I feel a necessity for making the particular
colors that I use, or the particular shapes, carry the burden
of everything that I want to express, and all has to be concentrated within these few elements.»