Sentences with phrase «horizontal wall works»

Both the horizontal wall works and free - standing floor pieces are drawn from the museum's permanent collection.

A selection of Judd's horizontal wall works are on view in Chinati's special exhibition gallery.

Combining a wide range of colors, Judd used the material to create five large - scale floor pieces (including one in the Museum of Modern Art, New York) and horizontal wall works in unique variations of color and size, such as those on view in this exhibition.

A selection of Judd's horizontal wall works are on view in Chinati's special exhibition gallery until August 2017.

Not exact matches

She painted the works on the wall, vertically, even if the finished canvas had horizontal stripes, in order to control the drips.

Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.

Works by both Chung and Enright include visually arranged found materials — netting, yarn, and a wall hook, for example — set upon alternately crisp and fuzzy surfaces - a slick horizontal shelf (Chung) or felt (Enright).

This horizontal work on paper is suggestive of fading sunlight reflected on the stucco walls of Venetian architecture.

But Wall Stripes No. 3, as it is titled, is the only one of the larger works with horizontal rather than the vertical stripes that would become his trademark.

These works are often referred to using terms that relate to their structure or orientation (i.e., single unit or multiple unit «stacks,» «wall units,» horizontal wall pieces, progressions, bullnose, or «meter boxes») or place of fabrication (Enameled aluminum wall pieces, first made by Swiss fabricator Lehni and subsequently by other fabricators, are often referred to as «Swiss pieces»).

Another work, «Variation of Looms 2 and 3» is composed of two horizontal bars fixed to the wall and linked by evenly spaced strings tacked to a post between them.

Nine of the works are arrestingly hung only centimetres apart in a horizontal line on a single wall, like Ellsworth Kelly's Spectrum V (1969).

Various works emanate directly from the floor, while others use the space between ground and wall to increase one's perception of the horizontal plane and the architecture.

I have since relaxed in this apprehension, and have begun to introduce horizontal gestural lines by physically marking the surfaces of the walls, which connects to other interests in the sublime present in other bodies of work.

One work might have a horizontal and a vertical within the segments, while in another the white paths supply borders right up against the actual white wall.

First would come a show at New York's Cheim & Read gallery, nearby his studio, where the walls when I visited held a few works for the exhibition, tall paintings with meaty horizontal bands of color, just barely dry.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

Reed: Often in new paintings I'm using horizontal brush marks made with the painting on the wall showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.

The exhibition brings together six of Judd's three - dimensional horizontal wall - mounted works often referred to as «progressions.»

Again they use a simple conceit: a machine draws vertical or horizontal lines on the gallery wall according to some external stimulus — the noise made by an accompanying soundtrack, visitors to the exhibition, or the rhythm of their sitting on and standing from a bench placed facing the work.

While most of my cabinets were finally painted right before Christmas (along with my family room walls and trim and part of the horizontal planking in my little hall) my one «open cabinet» in the kitchen was not able to be painted as it had to have some finishing work done on the inside of it first.

Love the horizontal in kitchen and, if adding built - ins on long wall in living, think the vertical planks would work well there.

Love the how the color pops against the beige walls and I'm always appreciative of the work that goes in to horizontal stripes!