And you're right, it works because the horror side is as true to
horror as the comedy side is true to comedy.
Not exact matches
From Robin Arryn on Game of Thrones to Harvey on Little Britain, extended breastfeeding is often used
as either
comedy or
horror.
But the whole thing ends up
as a lack luster
comedy, not a
horror flick.
i love to exercise and stay
as fit
as i can.i like
comedy and
horror the most.i listen to almost all music other than metal and jazz.i have a nice penis thats what im told.
i write alot of my own movie scripts, and im developing my own sitcom
as we speak.and im also writing a
comedy and a
horror film soon to be copyrighted and im starring in, directing and filming this winter.
As a low - budget
horror comedy outing, Severance is an impressive film that is original and lots of fun from start to finish.
Feast, a movie from 2006, comes to mind
as a
horror comedy that identified the cliches in the genre, but succeeded where Cabin in the Woods failed in being funny and qualifying
as extreme
horror.
A British low budget
horror / gore /
comedy which is probably suppose to be along the same kind of lines
as «American Werewolf» and «Zombie Strippers» but alas it falls way short.
Cooped up uneasily in a Texas trailer home strewn with beer cans and lit up by a TV screen glowing 24/7, the whole damn family is mean and screwy
as mad dogs in the bloody black
comedy /
horror show Killer Joe.
It's probably the most light - hearted slasher /
horror movie I've ever seen, and there's a mix of stoner
comedy in here,
as well.
The music is superb, the Simon Boswell piano theme is well suited and also suits for the
horror genre, I don't really find this
as a standard black
comedy thriller, it is something like it is ripped off from Coen Brother's Blood Simple, with more of less funny dialogue but I find this a perfect thriller and quite known for its time and still is today because of Channel 4 which is now a popular channel with many sub-channels.
I enjoyed the film
as a
horror /
comedy, but I can't give it one of my TOP ratings simply because I was in the mood to get scared tonight - and there's nothing particularly scary about this film.
This could be described
as a funny
horror movie, but I'm going with a very dark
comedy.
The actress's combination of deadpan comic timing and undeniable beauty made her an instant hot property in Hollywood, and she was soon appearing in comic fare like The House Bunny and Ghosts of Girlfriends Past,
as well
as the hugely successful
horror comedy Zombieland (2009).
This movie is a love letter to
horror movie fans
as well
as being one of the darkest
comedies I have ever seen.
With an astoundingly funny vein of dark
comedy running through the entire film, this film sets itself apart
as a treatise of the
horror genre, something that Scream accomplished a decade previously but Cabin in the Woods elevates to another level.
Richard Jenkins and Bradley Whitford make a great
comedy double act
as a pair of senior technicians working for a company that simulates
horror movie scenarios
as part of a sinister grand plan.
The movie
as a whole was funny at times, but at other times I wasn't sure if it was supposed to be a
comedy, a drama, or a
horror movie.
Either because they were being compared to some of the classics in the
horror /
comedy genre or,
as the consensus on here states, there's not a good enough of either
comedy or
horror in the film.
It is definitely worth the title of being a
comedy horror,
as the scenes with Cage's insanity are hilarious, but some scenes are just quite creepy and make you feel uncomfortable.
Seasons 1 and 2 were lots of fun; a 70/30
comedy /
horror mix that was imaginative and nuts, with Bruce Campbell once again breezy fun
as ash.
It's a
horror movie one moment, a
comedy the next,
as if Netflix were streaming several different titles at once.
Many of his mainstream film appearances have been in
comedy potboilers unworthy of his talents: exceptions include De Palma's Phantom of the Paradise (1974) in which Graham was both funny and ferocious
as the Rocky
Horror - ish «Beef,» and Louis Malle's Pretty Baby (1978), in which he was cast
as Highpockets, Susan Sarandon's scuzzy, abusive boyfriend.
It is definitely worth the title of being a
comedy horror,
as the scenes with Cage's insanity are hilarious, but some scenes are just quite creepy and make you
REC 4 won't win any points for being scary or terribly original,
as this is more of an action thriller than
horror, but it is mostly successful due to the fact that it drops the slapstick
comedy of REC 3 and goes for a more serious tone, and the setting make this stand out in the zombie genre.
As the first film had a pretty terrifying thing going on, this second offering really goes against what the previous film established and plays out more like a
comedy horror film.
It is genre crossing, focusing on
horror but with
comedy and also some sci - fi elements thrown in
as well.
Joe Dante is one of my favorite filmmakers,
as he is one of the most diverse directors out there, making pure
horror films like The Howling, kid - friendly iconic films such
as Gremlins and Small Soldiers,
as well
as comedies such
as this and Inner Space.
The film is being described
as a new creature feature
horror -
comedy, which is directed by Aaron Mento.
The Final Girls premise blends
comedy and
horror but also serves
as a throwback to 80s
horror.
The high school
horror -
comedy with a decidedly feminist bite stars Megan Fox
as the traffic - stopping title character and Amanda Seyfried
as her BFF, Needy.
Paramount has unveiled a new poster for the
horror comedy Scouts Guide to the Zombie Apocalypse, once known
as Scouts vs Zombies, directed by Christopher Landon about a trio of scouts who take on a town of zombies.
As a skinnier guy, Tennant has a similar physicality, but he's also proven he can handle the mix of
horror and
comedy Jack Dylan Grazer brings to the role in the movie with his role in «Fright Night.»
Horror comedy is becoming one of those sub-genres that is beginning to annoy me, as too often it is becoming the norm with cinema that every horror needs a comic relief angle that negates from the dread of the pi
Horror comedy is becoming one of those sub-genres that is beginning to annoy me,
as too often it is becoming the norm with cinema that every
horror needs a comic relief angle that negates from the dread of the pi
horror needs a comic relief angle that negates from the dread of the picture.
The cast also suggests there will be comic elements: hopefully «Lazarus» will be this generation's «Re-Animator,» a clever and gory
horror comedy,
as opposed to this generation's «Flatliners ``?
He says his $ 30 million vampire spoof, starring Leslie Nielsen
as the bloodsucker, will be «in the spirit» of his «Young Frankenstein,» made in 1974 and one of the most successful
horror comedies of all time.
Yorgos Lanthimos's freeze - dried revenge saga casts Colin Farrell and Nicole Kidman
as a moneyed married couple who find themselves targeted by a supernatural teenager (Barry Keoghan), while the tale slaloms from deadpan black
comedy through Cape Fear - ish thrills towards a finale of such matter - of - fact
horror that it can only be watched through splayed fingers.
Joe Dante's a great filmmaker, but I wish he had made his return to features with a movie better than Burying The Ex, a glib, EC Comics - influenced
horror comedy that would probably work better
as a short chapter in an anthology film.
Although some laughs are dotted throughout, it's a bit of a stretch to call this a
comedy /
horror,
as some are.
Tagged
as: 2013, amour, Catherine Zeta - Jones, channing tatum,
comedy, drama, Emmanuelle Riva,
horror, Jason Bateman, jude law, Melissa McCarthy, Michael Haneke, Romance, rooney mara, steven soderbergh, thriller
She also wrote and stars in the film
as a pregnant woman who acts upon her murderous impulses in a wonderful mix of
comedy and
horror.
As always, summer also means plenty of comedies («Snatched,» starring Amy Schumer and Goldie Hawn as kidnapped tourists) and horror films («It Comes At Night,» featuring Joel Edgerton as a family man battling an unnatural evil
As always, summer also means plenty of
comedies («Snatched,» starring Amy Schumer and Goldie Hawn
as kidnapped tourists) and horror films («It Comes At Night,» featuring Joel Edgerton as a family man battling an unnatural evil
as kidnapped tourists) and
horror films («It Comes At Night,» featuring Joel Edgerton
as a family man battling an unnatural evil
as a family man battling an unnatural evil).
It's not even that the film shifts wildly in tone
as much
as the fact that none of those tones work at all: the
horror parts aren't scary and, surprisingly for Smith, the
comedy bits aren't funny.
The quintessential midnight experience, Kevin Smith's next outing
as he transitions from slacker
comedy to dark
horror is, like most of his films, for the fans.
Kevin Smith's «Tusk» is an odd animal indeed, a movie that morphs early from stoner
comedy to stoner
horror flick and then,
as if stoned, declines to evolve any further.
The hushed, claustrophobic ambience of high privilege and repressed feeling occasionally cracks,
as this
horror movie reveals itself also to be a rich, agonizing melodrama and a dry
comedy of manners set in a fantasy Manhattan of crème caramel wainscoting and black - tie evenings at the opera.
Based on an idea that stemmed from an episode of one of Smith's podcasts, SModcast, which he hosts with his best friend and former producer pal Scott Mosier, Tusk is a twisted
horror -
comedy that certainly features some memorable images, but mainly serves
as a way of telling us that Smith has no desire to really move beyond entertaining his own fanbase, despite stepping away from his comfort zone, from a filmmaking standpoint.
Part zombie
horror film and part romantic
comedy, «Shaun of the Dead» stars Simon Pegg
as the 29 - year - old slacker Shaun.
Following yesterday's Legendary Pictures panel at the San Diego Comic - Con, a new poster has been released for Krampus, the upcoming festive
horror comedy from director Michael Dougherty (Trick «R Treat)... The
horror -
comedy tells the story of young Max, who turns his back on Christmas
as his dysfunctional family comes together and comically clashes over the -LSB-...]
As this scruffy coming - of - age sex
comedy turns into a
horror movie, the combination is completely disarming.