Sentences with phrase «horror classic in the making»

It Follows is a horror classic in the making and should be hailed as one of the best movies of 2015.»

So, in other words, the potential for del Toro's latest is through the snow - covered roof and a possible horror classic in the making.

Not exact matches

This combination of classic horror action and satire make The Cabin in the Woods unique and a film that is sure not to disappoint fans of campy gore and violence.

The lack of a convoluted motivation felt that much more terrifying, a tactic also used in 2006's Them and 2016's Hush, maybe because the indiscriminate nature of the violence makes us all feel unsafe and maybe because, as many classic horror films have shown, the less we know, the more terrifying it can all seem.

The hard - working actress has made a career of choosing diverse and challenging projects both in film and television, starting with her acting debut in the movie JOE, which she soon followed with the 1975 cult classic THE ROCKY HORROR PICTURE SHOW.

Critic Consensus: Stunning visuals from Werner Herzog and an intense portrayal of the famed bloodsucker from Klaus Kinski make this remake of Nosferatu a horror classic in its own right.

The director of Trading Places and The Blues Brothers talks to Jason Solomons about comedy, gaining an air of respectability with age and the making of his horror classic, An American Werewolf in London

You don't need me to point you toward The Exorcist, Friedkin's hellish horror classic, but if you trundle past the Friedkin section at Scarecrow and find yourself in the mood for something to make the skin crawl, you might consider Bug, the director's 2006 nightmare scenario.

The title, Penny Dreadful, is a reference to stories from 19th century Britain that targeted young readers who were into all sorts of creepy shit — making the perfect title for a show set in Victorian London featuring horror's most classic monsters.

Besides the fact that there's always some lame remake of a foreign scary in the pipeline, now it seems that every few weeks there's a new «re-imagining» of a classic 70s or 80s horror flick being made.

The level of immersion and emotion in the storytelling made it an instant classic among horror fans.

In his introduction Wan said he wanted to make a picture in the vein of classic studio horror films of the 70s, that have vanished over the yearIn his introduction Wan said he wanted to make a picture in the vein of classic studio horror films of the 70s, that have vanished over the yearin the vein of classic studio horror films of the 70s, that have vanished over the years.

John Carpenter, Debra Hill and Jamie Lee Curtis made Halloween a classic, but it was Curtis» closing scene in the film that changed the way audiences reacted to horror.

«I knew I was [also] going to make Suspiria» — his forthcoming remake of the Italian horror classic — «so it was more of the challenge of making two movies back - to - back in the same year, à la Soderbergh or Fassbinder.

De Palma's effort is uttered in the same breath as other horror classics HALLOWEEN, A NIGHTMARE ON ELM STREET, DAWN OF THE DEAD and THE TEXAS CHAIN SAW MASSACRE, (which funnily enough all have made remade — go figure) so this news comes as no surprise.

Small creatures wreak havoc in director Tibor Takacs» 1987 monster classic The Gate, a cult horror that will finally make its way to Blu - Ray format from...

The three minutes or so, comprised of 52 cuts shot with 78 set - ups, that make up the shower scene in Alfred Hitchcock's classic horror thriller Psycho.

The first film felt like a fun little movie to pay homage to some classic horror movies, and seeing the success, it felt like Wirkola put in everything he had to make sure that this movie stood on its own and it sure a fuck does.

While it may not quite make it into the Gremlins strata of holiday horror classics, its liberal use of real performers in special make - up and costumes, as well as practical effects did warm my cold heart and gave me a bit of a nostalgic glow for those films with which I grew up.

Whedon thinks the casting is a look into the type of film they plan to make, «They're the first proof that though «The Cabin in the Woods» is a classic horror film, it isn't one you've seen before.»

The film genre has made quite some progress in the last five years, so it's time to put your classic Jason Voorhees movies away and explore what the current horror universe has to offer.

This touching tale that riffs on classic horror history is easily Tim Burton's best film in over a decade, and Martin Landau's science monologues as Mr. Rzykruski made me want to stand up and cheer.

As Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthought.

After forays into auteur cinema like the magnificent TOKYO SONATA (Un certain regard Jury Prize at Cannes 2008), J - horror pioneer Kiyoshi Kurosawa, whose classics CURE and SÉANCE were adored at Fantasia in their day, makes a triumphant return to the horror thriller genre with the Berlin Film Festival selected Hitchcockian horror thriller CREEPY, which will be screened in Canadian Premiere.

It's enough for some people to have an immediate knee - jerk reaction to him being involved in any film, let alone a remake of an oft - imitated, never - toped genre classic that found the perfect balance between grim humor and gruesome horror while breaking ground with its astonishing practical make - up and creature effects (the great Rick Baker won the first - ever Best Make - Up Oscar for his work on the fimake - up and creature effects (the great Rick Baker won the first - ever Best Make - Up Oscar for his work on the fiMake - Up Oscar for his work on the film).

Made right after «American Gigolo,» director Paul Schrader was offered Alan Ormsby's script which reworked DeWitt Bodeen's classic horror tale (previously filmed in 1942 by legendary director Jacques Tourneur, for RKO Pictures).

While the quality of the art alone is enough to warrant the purchase of this book, the in - depth commentary and chance to glimpse behind the creative curtain of this modern survival horror classic make this title an essential read.

It must be said that the developer clearly has his heart in the right place by trying to revive the classic style of survival horror in this way, but it takes more than copying a classic to make that happen.

As I peered around in the darkness, people or artworks would suddenly appear, each a new cause for wonder, including a mirror - sided shack by Elliot Coon, seemingly set ablaze by a snaking pit of gas - fueled fire passing by it, AdrinaAdrina's astonishing four - poster bed made from a block of ice that was lit from within, and the pièce de résistance, a submersive environment by Homemade Parachutes, a New Orleans collective, in an old molasses factory that bore more than a passing resemblance to the horror - film classic House of Wax.