Sentences with phrase «horror film art»

Matthew's print encapsulates both the old - school movie poster feel of classic horror film art, while bringing some modern printing magic into the mix.

Not exact matches

I love good music & enjoy going to see live bands & going to festivals I also enjoy art & urban exploring just to learn the history of a place but that comes about from watching to meany booth brothers documentaries of the unknown I also enjoy horror films And Dumfries is in Scotland

Today, moviegoers are treated to indie and art films, best - loved films from the past, and, or course, the Rocky Horror Picture Show.

I'm not religious more spiritual and enjoy the arts films, horror, comedy some documentaries, not into soaps.

Following its premiere in Toronto's Platform strand, «Beast» should enjoy broad festival play thanks to its canny art - horror balance — it's a film as suitable for midnight berths as it is for less genre - inclined programs.

Still, it is an interesting film that can be recommended to both fans of sci - fi and art house, though be warned that it has a fair amount of non-violent / psychological horror.

For those of us who prefer to judge Gibson solely in terms of his art, the movie is a virtuosic piece of action cinema — particularly in its second half... And while there has been no shortage of recent films that decry the horrors of war and man's inhumanity to his fellow man, I know of none other quite this sickeningly powerful.

When it's finally ready to resemble a horror film, it borrows liberally from the art direction and creature designs of the Silent Hill games, including several monsters specific to Silent Hill 2 and a slew of sets from Silent Hill 3 (already the first game in the series to drift away from what made it special).

The studio also boasted one of the year's most varied lineups of films, with everything from documentaries to horror films to foreign imports to art house fare.

Poor Jannie... I do nt know if the David Self script simply blew or the horror - terror - scare beats were simply missed by inferior directing, but this flat film really only has a audience comprised of architecture students, and art directors.

The distributor is targeting horror fans — primarily young adults, 17 — 25 — as well as art house and foreign film audiences 18 — 45 as it heads out with the feature this weekend.

I was thrilled that the trophy for Director, Motion Picture went to the maker of a different film, Guillermo Del Toro, for one of my favorites of 2017, the highly imaginative art house horror The Shape of Water.

This is an impressive first film, and it will be interesting to see if Legrand's path takes him towards more cut - and - dried horror, or the chin - strokey, cynical social realist art movie at which directors like Michael Haneke excel.

Growing up in the isolated suburbs of Vancouver Island during the 80s, he obsessed over the minutiae of heavy metal, fantasy art, and science fiction horror films, which he still does to this day.

This weekend, as part of its annual all - night horror movie marathon, the Cinema Arts Centre in Huntington, New York, will screen David Cronenberg's 1979 film The Brood.

The director, Christophe Gans, uses graphics and special effects and computers and grainy, scratchy film stock and surrealistic images and makes «Silent Hill» look more like an experimental art film than a horror film — except for the horror, of course.

The ramifications of killing for art's sake have long been fair game for film treatment, especially in movies that tap the horror - comedy vein, whether the target of the humor is the reception of the resultant artworks (Roger Corman's A Bucket of Blood gives it in the neck to Beatnik poseurs) or else their inspiration (Herschell Gordon Lewis's sanguinary variation on the theme, Color Me Blood Red).

She is currently working on books including 1000 Women in Horror, a book on art and intertextuality in giallo cinema, and co-editing a collection about the film work of Elaine May for Edinburgh University Press's ReFocus series.

An art film wearing a psycho - horror mask, mother!

It's scary but it's not a horror film, and it's philosophical without ever coming across as a «meaningful» art - house drama.

Starting with 1988's «Beetlejuice,» director Tim Burton has had a hand in a series of popularly accessible and critically acclaimed horror - skewed films, including the Johnny Depp vehicles «Sleepy Hollow» and «Sweeney Todd: The Demon Barber of Fleet Street,» both of which won Oscars for Best Art Direction, reflecting Burton's dark, twisted style.

The found footage horror film V / H / S is now under the Magnolia Pictures umbrella and IFC got Liberal Arts, which stars Elizabeth Olsen and Zac Efron.

After debuting with The Roostand Trigger Man, both low - budget DIY art - horror films that gained rave reviews on the indie festival circuit but were never afforded a wide release, he was entrusted with the large (ish) budget of Cabin Fever 2.

Starring «American Horror Story's» Dylan McDermott as a post-apocalyptic drifter, the film sees his character salvage a defunct killer robot for his girlfriend's anti-government art.

Try as Refn might to graft together an art film and a horror project, The Neon Demon is frustratingly coy on the later and as narratively sparse as the most offending of art films.

Looks like Smith has continued to study and hone his art... no dick jokes in a horror film?

Some reviews have described Goodnight Mommy as «art horror» — which I suppose it is, in the sense that this is a highly formal, intensely poised, somewhat detached piece which only comes to resemble any recognizable commercial horror film in the last half hour, when things get a little conventionally grisly.

Thomas also enjoys discovering unsettling horror films with deeply personal values or humanizing qualities, while also being a sucker for martial arts epics and engrossing scores.

His love of film encompasses all genres, but he finds horror flicks, martial arts movies and films from Japan and Korea most consistently deliver the wonders that make cinema so thrilling.

No Asian Martial Arts flicks or Miike films; no rock documentaries; gone are the Euro - horror entries as well, signaling that the French New Wave (of horror) is taking a break.

Kiyoshi Kurosawa, Japan, 2017, 129m The latest from master of art - horror Kiyoshi Kurosawa is perhaps his most mainstream film yet, a throwback to 1980s sci - fi.

The Toronto True Crime Film Festival is organized by Lisa Gallagher (programmer at Saskatoon Fantastic Film Festival, formerly producer of The MUFF Society screening series), Steven Landry (Programming Director at Saskatoon Fantastic Film Festival and programmer at Ithaca Fantastik, Toronto After Dark Film Festival), Kier - La Janisse (owner / artistic director of Spectacular Optical Publications, founder of The Miskatonic Institute of Horror Studies), Gina Rim (staff at imagineNATIVE Film + Media Arts Festival and Toronto Reel Asian International Film Festival), and Jeff Wright (founder of Refocus film series and Programmer at Calgary Underground Film Festival, CUFF Docs).

Being and time The oft antagonistic American indie filmmaker Todd Haynes first forced my attention with his 1995 revisionist art house horror film Safe, and I've been a supporter of his ever since.

People can get kind of intimidated or scared off by art films or foreign films, but everyone can accept a horror film or an action film.

If you like cool skull imagery, then you'll probably dig the hell out of this new piece of art for directer Jeff Wadlow's teen horror film Truth or Dare.

A couple of its more peripheral niche sections — Midnight Madness (genre movies from horror to martial arts, presented with plenty of showmanship) and Wavelengths (experimental film, meticulously presented with care and respect)-- have carved out strong identities and audience followings for themselves.

Human 1980s anecdote machine Frank Henenlotter returns with Chasing Banksy, a comedic art heist caper film, while BUFF honors special guest and indie horror stalwart Larry Fessenden with a special presentation of his cult classic Wendigo, which will be screened in a glorious 35 mm print.

Funny Games, for all of its quirks and sneers as a self - aware «art» film, essentially resigns itself to generic spatter horror.

A horror movie in the giallo tradition, The Neon Demon is equal parts art film and B - movie schlock, with the dreamlike underpinnings of a fairytale.

An extension of her short, this creepy horror film focuses on a widowed single mother named Amelia (played by Essie Davis, Kent's fellow student at the National Institute of Dramatic Art in Sydney) whose six - year - old son comes across a mysterious, macabre children's book.

Personal Shopper is one of those films that repays repeated viewing and will doubtless divide audiences, especially those looking for straight horror or pure European art movie, but it is definitely worth the price of admission whatever genre it fits.

Based on the comic series originally started by Chris Claremont and Bill McLeod (though heavily inspired by the art of Bill Sienkiewicz), the film will be the franchise's first straight - up horror film, and it looks as though the story will primarily take place within the confines of a dilapidated hospital.

Alongside these highlights there will be plenty of other Irish film activity; The Irish Film Festival of Oulo will feature an Irish Film Week; the Fantastic Film Festival in Brussels will feature a series of Irish horror films and back home, with the support of the Arts Council, IFI National will tour a programme of films exploring the relationship between Ireland and Europe to libraries and arts centres around the counArts Council, IFI National will tour a programme of films exploring the relationship between Ireland and Europe to libraries and arts centres around the counarts centres around the country.

Champion of the Horror Art genre, Humphreys» most celebrated works include publicity material for films including Dream Demon, Basket Case, The Evil Dead, Evil Dead II, the Nightmare on Elm Street series, Phenomena and Santa Sangre.

In Brian De Palma's entire career, his 1974 musical horror film Phantom of the Paradise is perhaps the one work of art most difficult to...

«It's horror, but it's also an art film,» added Wasserman.

While both films share Argento's signature dark flourishes, intense soundtracks, love of macabre yet extremely beautiful horror set pieces, and above all a driving fascination with the relationship between art and truth, on a broadly visual level

Ditto the Okja art, which effectively captures the whimsy laced with horror that's so prevalent in Bong Joon - ho's film.

Since then we've seen Argento's films in particular and Italian horror more broadly become regular features in art galleries, museums, and other highbrow cultural institutions.

Horror fans and art - film aficionados alike have struggled some with what to make of writer - director Nicolas Pesce's debut film, which is disgusting enough for gore - hounds and pretty - looking enough for aesthetes, but which doesn't push either the genre or prestige buttons especially hard.