Sentences with phrase «horror film scene»

Don't Breathe by Hope Madden Filmmaker Fede Alvarez announced his presence on the horror film scene with authority.

Not exact matches

So throw a towel down if you want to protect your sheets, but don't expect a scene from a horror film, because period sex can certainly get pretty erotic!

Some of this ground - breaking horror film's most famous scenes were filmed in Seneca State Park, Maryland — a totally not creepy place to take a run or go hiking.

We talked about some of the behind - the - scenes of JvM, the upcoming apocalyptic film festival, End of Days, the overall state of horror films, and a whole lot more.

Now, if you will, imagine yourself on the set of a low budget independently funded horror film and this is your first scene.

One moment will have smart phone animations barraging the screen, the next scene will have some random act of bullying, and then the movie remembers it's supposed to be a horror film and for two seconds, you see the girls being filmed by someone.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!

There should be a little more horror than a couple of shots in the first hour and then a few poorly filmed kill scenes at the end.

More an action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch quality, but the film lacks strong meat — of the emotional and bloody zombie - cannibal sort.

Glazer puts all this into scenes that play out like a classier version of a science - fiction / horror film — one of those cheesy ones about a monster in human form.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something

It changes it up and shows you behind the scenes of every cheesy cliche horror film ever made, and it does it very well.

There are some gruesomely well - orchestrated scenes of body horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many scenes in the film will make a lasting impression.

The merit these by - the - numbers horror films seeks relies on the last scene.

If the film never goes full - tilt horror until the somewhat rushed climax, it at least manages to retain a spooky tone, and boasts a few shocks and some exciting scenes.

A few minutes into director Steven Spielberg's Lincoln, immediately following the notoriously awkward scene between the 16th president of the United States and a pair of African - American Union soldiers, is a brief moment of horror expressionism that greatly informs the remainder of the film.

The film doesn't shy away from the horrors of slavery, yet the grim material is balanced with a deliciously dark sense of humour - just check out the scene with a band of white - sheeted vigilantes, acting as a precursor to the KKK, which is one of the funniest scenes Tarantino has ever written.

An early scene that sees Toni skipping rope and contemplating the world around her (her defining characteristic) is exemplary: all of a sudden, the soundtrack becomes possessed with what sounds like a piece of music originally recorded for a 1940s swamp - monster horror film.

A huge final scene revealed this was not a normal horror flick and was indeed the long - awaited sequel to his film UNBREAKABLE.

Some have also taken the scene to depict him trying to escape «The Sunken Place,» a reference to Jordan Peele's 2017 racial horror film, Get Out.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

With its cleaver - wielding dwarf and a sex scene that raised questions over whether it was real, Nicolas Roeg's atmospheric horror film Don't Look Now earned its place in cinematic history.

The Music Lovers is divided between scenes of horror and scenes of decadent but hypnotic romanticism; that tension gives the film its extraordinary impact.

The ghosts, nightmares and creepy noises (horror elements) are not as disturbing as the two extremely violent scenes in the film, one at the beginning, one at the end.

We have the first opening scene via IFC Midnight to show you from director Sean Byrne's The Devil's Candy, a dark horror film with a heavy metal vibe.

In one of the film's funniest scenes, Chewbacca forgoes eating a roasted Porg when a bunch of other Porgs stare at him with horror.

Content to merely spend time with its characters as they chat, bicker and strategize, the film comes off as a lackadaisical throwback oater until it reaches its climax, at which point Bone Tomahawk veers suddenly, shockingly into outright horror, replete with what may be the most chilling, unforgettable death scene of the year.

Along with the feature, we also get an audio commentary from Felsher, a second commentary from some of the cast and crew of the film, an additional interview from Creepshow DP Michael Gornick, extended interview clips from Romero, Savini, and Bernie Wrightson, a collection of behind the scenes footage from FX master Tom Savini, a location tour from Horror's Hallowed Grounds, a reproduction of Fangoria's Scream Greats episode on the career of Tom Savini, a news program segment from 1982 on the making of Creepshow, and a collection of behind the scenes stills.

I'm rather jaded when it comes to horror - movie beats, but in addition to being an incredibly well - crafted little shocker, Veronika Franz and Severin Fiala's film manages to include multiple scenes of horrifically compelling imagery that caused me to avert my eyes in discomfort.

It was a pretty forgettable horror film, and they had no scenes together, but it made for some nice small talk with Paul McGuigan before we settled down to our conversation about FILM... Read More&rafilm, and they had no scenes together, but it made for some nice small talk with Paul McGuigan before we settled down to our conversation about FILM... Read More&raFILM... Read More»

Aside from the opening scene — during which you can hear all your fellow patrons unwrapping candy and chewing popcorn with their mouths open — it's about as noisy as any other horror film.

An entirely underwhelming horror sequel, The Pact II follows crime - scene cleaner June Abbott (Camilla Luddington) as she begins experiencing nightmares involving the recently - killed Judas killer (Mark Steger)- with certain revelations about June's own past forcing her to reach out to the first film's protagonist (Caity Lotz's Annie).

In the early 1970s, cult filmmaker Jess Franco inspired by the Hammer horror films being made in the UK revisited the iconic monsters of yesteryear, placing them in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticism.

Features both the American and British versions of the film, commentary track by creator / actor Richard O'Brien and co-star Patricia Quinn, an audience participation picture - in - picture track with a live version of the show and a «callback» subtitle track that cues viewers to classic audience responses, featurettes, two deleted musical scenes, outtakes, alternate opening and ending, and other celebrations of the culture of «Rocky Horror.»

If you've seen either A Haunted House or those earlier Scary Movies you know what to expect: a plethora of lewd and crude renditions of popular scenes based on notable horror film releases since the last flick.

Wan's film wasn't just scary, it was terrifying, and his stylistic choices truly made the film feel like it was cut straight from the 1970's horror cinema scene.

Despite devoting roughly half its running time to Ian and Sofi's relationship, I Origins is ultimately not a romance, or at least, not only a romance: As the plot advances, Cahill's film reveals new incarnations of itself in a variety of genre trappings — sci - fi parable, grisly medical drama, globe - trotting thriller, and even, in one bizarre and possibly genius scene, a Saw-esque horror flick.

Stuart Richards focuses on the legacy of «grossness» in the films of John Waters on contemporary queer cinema, and James Aston provides an overview of the current hardcore horror scene in the United States.

The film's obligatory seance scene, which could have been rehashed from past horror films, is given a unique twist and makes for one of the movie's most effective moments.

There are two decent Amityville Horror movies: the 1979 original starring Margot Kidder and James Brolin, released when some still believed the book it was based on was a true story; and 2016's The Conjuring 2, which features a big scene in the infamous eye - window house, and is technically not part of the 18 - film...

This is less dark looking than his films usually are and it has this lovely way of mixing horror thriller and comic moments, sometimes in the same scene.

Yet, the film plays out with little sense of requisite suspense that made the first Psycho such a great film, and many of the scenes, including the murders, play out as if they were made for a psychological drama, rather than in a scary horror flick or tense, nail - biting thriller.

The scenes of this film have more impact than any other horror film since this is based on real events.

Instead he plays up a gruesome reality, including some terrifying and out - of - place - feeling scenes that would have been better suited for a horror film.

When it does go full out horror (i.e. surgical bay scene), it is masterfully done, ensuring it will be a scene you remember long after you've watched the film.

Avengers: Infinity War co-director Anthony Russo just revealed that Vision's scenes in the film were structured «like a horror film.»

Lilith's Hell (MVD Visual) is a behind - the - scenes look at the making of a horror film.

Not only did we get the first 6 minutes of Maniac but we've got this great behind - the - scenes featurette for one of the year's best horror films, Resolution.

He fills the gloomy town with colorfully abstract peasants and hard - bitten villagers, films the Talbot Manor like a haunted house, pumps fog through every nighttime scene, silhouettes his figures in the night with carefully calibrated backlights and sweeps through every transition with striking images that look more like TV commercials than portents of horror.