Sentences with phrase «horror films come»

No, the truly original and interesting horror films come from the indie world, the world of the film festival; it is here that I think horror's future lies.
If we're watching Hockey Night in Canada and a commercial for a horror film comes on (seriously, HNIC, why do you do this?
It's never a good sign when a sequel to a horror film comes out a whopping six years after the original installment.
Like The Blair Witch Project ten years before it, the shoestring - budgeted 2009 found footage horror film came just at the right time, captured the public's attention, and delivered an ungodly profit - to - cost ratio.
In the psychological horror film It Comes at Night, Director Trey Edward Shults thrusts viewers into a situation without explanation, but enough facts become clear as the story moves on.
Guillermo del Toro's Crimson Peak is a rare breed of horror film coming our way later this year — rare in that it's a big budget Hollywood picture dripping with classical gothic horror, and to much surprise has been given the R - rated treatment with an A-list cast backing it all up.
The upcoming found - footage horror film comes from the man...
It quickly raised some eyebrows because it was a horror film coming from an unlikely source in Barry Levinson.
The low - budget horror film It Comes at Night finished in sixth - place bringing in $ 6 million which, while still a profit above the film's less - than $ 5 million production budget was still shy of the expected $ 10 million opening.
Tons of horror films coming to home entertainment.
Saw a great trailer this morning for a foreign horror film coming — suss out CUB
More graphic means less creepy, as the original film at least had a surreal subtext that stayed with you after the movie ended, but this remake will be easily forgotten once the next horror film comes out, which in 2005 means the following week, if current patterns hold.

Not exact matches

With those two films showing potential weaknesses, there is room for a surprise winner like Get Out, the horror film about racism, or the coming - of - age LGBTQ romance Call Me By Your Name, among others.
Other horror films, like The Exorcist, come at this point from a different angle, demonstrating that purely scientific means are not adequate to explain spiritual events.
That sounds like an intro to a horror film, but think about it: a whole human being is coming out of her body.
As 2017 comes to a close, I've been looking back at the year in the way the last person alive in a horror film occasionally checks over their shoulder while running at full pelt to see if the crazed killer is still behind them.
I love good music & enjoy going to see live bands & going to festivals I also enjoy art & urban exploring just to learn the history of a place but that comes about from watching to meany booth brothers documentaries of the unknown I also enjoy horror films And Dumfries is in Scotland
Director James Cameron's 1986 blockbuster follow - up to Ridley Scott's Oscar winning science - fiction / horror flick that became one of the biggest grossing films of 1979 asks a good question to a successful hit... How do you make a successful sequel to a film in which much of the suspense comes from learning about the mysterious monster?
His acting break came playing the role of Liam in the 2006 horror film TURISTAS.
If they come out with more films, i would definitely go see them and i advise anyone that enjoys effective horror to do so as well.
For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.
Obviously I'm conflicted here, because it does some things better than Craven's, yet it fails to achieve the same sort of impact and misses the point when it comes to putting the horror in «horror film».
Each show is a bloody anthology of short horror films created by talented, up and coming filmmakers.
And also the funniest horror film to come out of New Zealand since Braindead.
Once again the most prolific distributor of the year, IFC maintained a more - than - one - film - per - week pace throughout 2013, with releases in multiple genres coming through a variety of sub-brands, including the artier Sundance Selects and the horror - oriented IFC Midnight.
Coming off the success of the horror film It Follows, writer - director David Robert Mitchell shifts into noir with his latest feature, but the results appear to be much less favorable.
This is one of the few horror films I've seen that I would describe as beautiful and it's no wonder coming from Herzog.
At least I now know what my tolerance level will be like for the eventual European coming - of - age horror film set at a waxing station.
Director Johannes Roberts begins the film with a synth - infused version of Kim Wilde's «Kids in America» and retro title styling, letting the audience know what decade of horror we're in for, even if the characters are blissfully unaware of what's coming.
Gallic, coming - of - age horror pic is too arty to be considered merely an exploitation film — but it's close.
From Rodney Ascher, the director of Room 237, comes a documentary - horror film exploring the phenomenon of Sleep Paralysis through the eyes of eight very different people.
Every horror film that comes out this year, and probably next year, will have to compared with The Blair Witch Project (and every pseudo-documentary, for that matter — see Drop Dead Gorgeous).
From that moment when the kidnappers drop off their first victim and we realise what horrors Scott Frank is willing to show in this film, we are kept on a knife's edge when it comes to tension.
Horror still reigns in Park City Extending a tradition that's already stretched from The Babadook and The Witch to Get Out, Sundance proved a dependable launching pad for standout horror: This year's Hereditary — a nightmarish supernatural grief drama starring an unhinged Toni Collette — was the one film that came closest to a consensus favorite (if by favorite, we mean a movie that thoroughly traumatized all audieHorror still reigns in Park City Extending a tradition that's already stretched from The Babadook and The Witch to Get Out, Sundance proved a dependable launching pad for standout horror: This year's Hereditary — a nightmarish supernatural grief drama starring an unhinged Toni Collette — was the one film that came closest to a consensus favorite (if by favorite, we mean a movie that thoroughly traumatized all audiehorror: This year's Hereditary — a nightmarish supernatural grief drama starring an unhinged Toni Collette — was the one film that came closest to a consensus favorite (if by favorite, we mean a movie that thoroughly traumatized all audiences).
Writer - director Thom Eberhardt (Captain Ron, The Night Before), who had just come off of a similar survivalist horror tale, Sole Survivor, imbues his film with a tongue planted firmly in his cheek, and a genuine love for the various B - movie genres that gives the film the necessary sense of fun needed in order to not get bogged down in deadly seriousness that would have done the film in for sure.
Simple, effective, and it gives very little away — this poster for It Comes at Night is a masterclass in horror film promo, from the white dog contrasting against the darkness to the staggered font.
So when a film like The Witch comes along — a story with such palpable horror and brutality — it's a big deal.
With its combination of psychological and body horror, The Brood laid the groundwork for many of the director's films to come, but it stands on its own as a personal, singularly scary vision.
Even more impressive, however, is Fessenden's ability to mix the objective with the subjective in the narrative, presenting his horror film as a very literal expression of a child coming to terms with the ugliness of adulthood.
If you feel like the horror genre has been ho - hum lately, rest assured as The Conjuring is one of the best horror films that has come across the screen in the last decade.
He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.
While It Comes At Night is without question a horror film, its horrors are more cerebral and internalized than your standard jump - scare laden scary movie.
A24 has revealed the first teaser trailer for an eerie horror - thriller titled It Comes at Night, the second feature film from Trey Edward Shults, the director of last year's Krisha.
Last year, we at Bloody Good Horror polled our reviewers to come up with a list of the best horror films of the last dHorror polled our reviewers to come up with a list of the best horror films of the last dhorror films of the last decade.
It Comes at Night: Director Trey Edward Schults follows his acclaimed drama «Krisha» with a horror film about an isolated family battling an unnatural force.
Unlike many of the slasher / zombie / out and out horror films, FAULTS relies on its fear coming from the audience's involvement and its ability to provoke thoughts.
Content to merely spend time with its characters as they chat, bicker and strategize, the film comes off as a lackadaisical throwback oater until it reaches its climax, at which point Bone Tomahawk veers suddenly, shockingly into outright horror, replete with what may be the most chilling, unforgettable death scene of the year.
A24 has revealed a third trailer for post-apocalyptic horror thriller film It Comes at Night, the second feature film from Trey Edward Shults, the director of last year's Krisha.
Now comes the news that Taissa Farmiga («American Horror Story») has joined Ethan Hawke and John Travolta in the cast of the film being produced by Jason Blum and West collaborators Jacob Jaffke and Peter Phok.
XYZ Films (The Raid, The Raid 2, Killers) has partnered with Demarest Films and A24 on Kevin Smith's epic new horror film, Tusk, coming aboard to handle all international sales rights, Bloody Disgusting has learned.
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