If you find retro
horror films fun, you may dig this a lot....
Not exact matches
Despite all the cliches, it's a pretty hilarious
film filled with good humor, mixed with gloomy atmosphere, making
fun and at the same time adhering to the cliches of the Universal
horror classic.
I like to play video games, watch campy
horror films and basically have
fun.
As a low - budget
horror comedy outing, Severance is an impressive
film that is original and lots of
fun from start to finish.
Although at times it suffers from cheesy dialogue, The Cabin in the Woods is easily on the best
horror films of our time, poking
fun at the cliches of
horror, while being pretty scary, as at least one of your greatest fears appears, in one of the best
films of 2012.
One thing that you should keep in mind while watching The Hearse is that despite some overused ideas, a
horror film can still be
fun.
This
film is the most entertaining
horror movie of all time, and the craziest, most
fun, most exciting, most puzzling, most jaw - dropping
horror movie ever.
The original
film celebrated the diverse inclinations of the
horror genre, while also poking
fun at it thanks to veteran director Craven helming the vehicle.
If you like silly
horror films, then you'll most likely want to watch this
film.Veteran
horror director Steve Miner (Friday The 13th Part 2, 3, House, Halloween H20) directs this
film with wit, and Minder definitely knows how to craft a good,
fun, B movie style creature
film.
Writer - director Thom Eberhardt (Captain Ron, The Night Before), who had just come off of a similar survivalist
horror tale, Sole Survivor, imbues his
film with a tongue planted firmly in his cheek, and a genuine love for the various B - movie genres that gives the
film the necessary sense of
fun needed in order to not get bogged down in deadly seriousness that would have done the
film in for sure.
It will be very interesting to see the 2K restoration of the
film, which has always been something that
horror fans can have some
fun with.
A
horror film with the power to put a rascally grin on the face of that great genre subverter John Carpenter (They Live), Get Out has more
fun playing with half - buried racial tensions than with scaring us to death.
Sprinkled with little personality bits here and there (Tallahassee's mad quest for an ever - elusive Twinkie, Columbus's crippling fear of clowns, etc.), Zombieland doesn't break any new ground in the
horror genre so much as make for a strong dose of escapist
fun for knowing fans of the
films.
It was by way of Jemaine Clement that I discovered «Tongan Ninja» director Jason Stutter's 2009 impossibly dry supernatural comedy «Diagnosis: Death,» a
film which strives to poke
fun at the J -
horror genre while attempting to infect you with an incurable case of the giggles.
Sure, it doesn't fall under the
horror umbrella but we're thrilled to see him expand and push his craft in what appears to be a very solid
film, one that our own Trace hails as, ``... a lot of
fun and hilarious to boot.»
OUR TAKE: Alexandre Aja (High Tension, Hills Have Eyes) is a pretty significant
horror icon - and this premise alone sounds like grounds for the kind of sick twisted
fun Aja has with his
films.
Spoof movies have made
fun of action movies, adventure movies,
horror films, and science - fiction movies, so romantic comedies were certainly ripe for lampooning.
This
film can be rather silly and vulgar, but may be just what fans of
horror need for a bit of very mindless
fun on a Saturday night.
A
fun, inventive, and jumpy found - footage
horror film that has it's share of thrills, especially in the final act.
It's not quite as awful as Lynch's last effort, the
horror - comedy «Knights of Badassdom,» but while the idea of watching a scantily - clad Hayek fight her way through yakuza henchman and prostitutes - turned - assassins may sound like a ton of
fun, «Everly» is never able to match its B - movie aspirations, instead forced to flounder in the gutter like the filthy, exploitative grindhouse
film that it is.
The festival concludes with a final showcase Featured Selection screening of another Halloween
horror movie that also celebrates the late»80s with wicked
fun, as Honeyspider wraps up the event with a spooky feature length bag of treats
filmed entirely in North Carolina.
Though not as stupid as some
horror films, it is less exciting and
fun than most modern
films of any genre.
The
film is another piece of
horror - tinged, genre filmmaking — this time the main inspirations are hyper violent»80s action
films like Big Trouble in Little China and The Terminator (again)-- but like the duo's preceding
film, it knows what it is, recognizes the flaws of its ancestors, and tries to improve upon them while holding onto that sense of reckless abandon that makes those movies so
fun.
Saulnier had so much
fun critiquing the
horror film tropes and having meta moments such as the famous «We should split up» line.
One of this year's most
fun horror movies was Christopher Landon's Happy Death Day, a creative spin on the slasher
film...
And so, we are taken on a prison break mission with the addition of young whippersnapper Quicksilver (Evan Peters from American
Horror Story) whose super-speed power is introduced in one of the most inspired and
fun moments of the
film.
Even when I'm not crazy about a particular
film of his — or, say, anything he's done since 1995 — I just can't put him down too harshly, because he has the energetic and
fun spirit of a guy who genuinely likes entertaining
horror flicks.
I'd love to hear your take / review on the 2003
Horror film «Wrong Turn», it is one of my favorite modern horror films, I think it's smart, fun and pays wonderful homage to old school h
Horror film «Wrong Turn», it is one of my favorite modern
horror films, I think it's smart, fun and pays wonderful homage to old school h
horror films, I think it's smart,
fun and pays wonderful homage to old school
horrorhorror.
I had a lot of
fun with that
horror film.
Director Harrison Smith's Death House looks like it's going to be one of the most
fun and exciting
horror films in a long time, and is...
In 2015, he began an upswing with the
fun mockumentary
horror film «The Visit,» made on a low budget with the reigning champ of small profitable thrillers, producer Jason Blum.
To give the
film some credit, I appreciate when anyone — even unintentionally — pokes
fun at society's reality TV obsession, but in this case the mashing of two well - worn
horror subgenres only makes it twice as annoying that the
film couldn't do either of them well.
As smart as Scream, as much
fun as Evil Dead, this
film is as thoroughly enjoyable a
horror flick as anything you'll find.
Poking
fun at the
horror films of the day, the
film was a massive success.
The first
film felt like a
fun little movie to pay homage to some classic
horror movies, and seeing the success, it felt like Wirkola put in everything he had to make sure that this movie stood on its own and it sure a fuck does.
What works best about Insidious, which is about as adoring a love letter to Tobe Hooper's Poltergeist as a good
film can get, is how it takes
horror flick concepts both old and relatively new and mixes them up, blender - style, and the result is a 95 - minute
fun - time ass - kicker that has as much love for the genre as it does in making you pounce out of your seat.
Plus, the picture features lots of comic relief via «Stab 7,» a
film within the
film which periodically enables characters to poke
fun at horrifying
horror flick conventions and clichés.
That sense of
fun is helped by the performances, and by the
film's adept juggling of the registers of
horror and comedy.
From here on out, the
film is a gleefully bloody homage to B - grade
horror films of the past as the Gecko brothers and their hostages, with the aid of bar patrons Frost (Fred Williamson, doing a
fun sendup of his image as a blaxploitation action icon) and Sex Machine (Tom Savini) fight for their lives.
This looks freaky and cool, almost like a
fun mashup between Evil Dead and It Comes at Night and a few other forest
horror films.
Director Sam Raimi (The Evil Dead Trilogy, Darkman) returns to the
horror genre with a vengeance in the
film that critics rave is «the most crazy,
fun and terrifying
horror movie in years» (Owen Gleiberman, Entertainment Weekly)!»
The
film thereafter establishes itself as a fast - paced, downright
fun horror - movie ride that's ideally suited to its Midnight Madness slot, although it's admittedly difficult not to question the inclusion of an entirely useless subplot detailing the ongoing exploits of Brent's best friend (ie it seems like the two storylines are going to converge at some point, but this never happens).
Enter a masked man ready to launch his pick - axe straight at you in the
fun My Bloody Valentine 3 - D, which makes great use of the 3 - D format in a better than average
horror film.
Javier Navarette's score is
fun, in a kind of 80s
horror flick sense, and this perhaps adds to the clunky tone of the
film.
It's already shaping up to be another fantastic year for the genre, and one such
film that will no doubt leave a mark on 2016 is Jeremy Saulnier's Green Room, which is said to be a brilliantly crafted and wickedly
fun horror - thriller about a diabolical club owner who squares off against an unsuspecting but resilient young -LSB-...]
There's always
fun to be had with the Midnight section at the Sundance Film Festival, and that's where oddball
horror and comedy
films usually make their debut up in the mountains.
Adam Wingard already made a great impression on me with last year's subtly subversive
horror film You're Next, but The Guest blows even its marginal successes out of the water with a killer sense of
fun.
XX Year: 2017 Directors: Roxanne Benjamin, Annie Clark, Karyn Kusama, Jovanka Vuckovic, Sofia Carrillo It's important that the scariest segment in XX, Magnet Releasing's women - helmed
horror anthology
film, is also its most elementary: Young people trek out into the wilderness for
fun and recreation, young people incur the wrath of hostile forces, young people get dead, easy as you please.
At the
film's recent press day, Speedman spoke about his creative collaboration with Egoyan with whom he worked previously on Adoration, how Egoyan wrote the role specifically with him in mind, why he was drawn to the complicated character and enjoyed the challenge of an enigmatic story, the backstory he created for his character, his research with the Kitchener - Waterloo detectives, working with Reynolds and Dawson, how they had
fun while doing serious work on a dark movie, and his upcoming
films: October Gale, a romantic thriller with Patricia Clarkson, and Out of the Dark, a
horror - thriller with Julia Stiles.
by Bryant Frazer Beware the toothless
horror film — it's no
fun being gummed to death.