Sentences with phrase «horror films of its kind»
Initially, critics were baffled when they attempted to interpret the film on a literal level and measure it against other typical disaster / horror films of its kind.
http://www.filmsite.org/ Not exact matches
It plays less like the kind of blockbusters we are all used to and more like a horror film.
These mamas, born between October 23 and November 21, are well rounded in a misfit, horror film kind of way.
But I realize that it's like, «Oh my gosh, we're exploiting these women,» but that's what all these old films did to attract people to horror films, the partial nudity and that kind of stuff.
Well some times I love to go walk around beach having sex at home I like wwe wrestling and watching dirty tapes watching movies my best movie is horror films some times watching sports all kinds of stuff
This low budget but highly - effective horror film is exactly the kind of movie that legendary Hollywood D - movie producer Roger Corman would have knocked out in the»70s: plenty of writhing female limbs, no surprises.
Haneke films his actors in meticulously framed master shots, creating a kind of hushed neorealist medical - horror suspense.
It is kind of packaged as a horror film, but there is nothing about it that is scary or seems to try to be scary.
The Conjuring is right up my alley in the kind of horror film that really grabs hold of me.
Click for showtimes and tickets — JR Byzantium Neil Jordan (The Crying Game) shows there's plenty of life left in the undead - bloodsucker genre: His Irish - seaside horror story features a brilliantly brooding performance by Saoirse Ronan as an adolescent vamp, and the kind of mythic, adult - fairy - tale imagery — a mountain waterfall running crimson red — at which this incomparable film fantasist excels.
OUR TAKE: Alexandre Aja (High Tension, Hills Have Eyes) is a pretty significant horror icon - and this premise alone sounds like grounds for the kind of sick twisted fun Aja has with his films.
As good as the must sees of the month are, the film's you should take a chance on are just as good, offering a return to horror for M. Night Shyamalan in The Visit as well as a few stellar looking indie horror films with Bloodsucking Bastards, Hellions, and Some Kind of Hate.
Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...
«THE BAY is a shining example of the kind of truly fresh horror film that audiences are always ready for, and that we excel at eventizing with them.
Best described as Home Alone meets Michael Haneke's Funny Games, the sadistic horror comedy [Better Watch Out] is the kind of film that's tough to categorise but easy to enjoy.
The trailer for Hereditary is a kind of nice horror film previews that piles at the freaky imagery, leaving you in need of to grasp what's even going down and why.
The premise of the film is simple and its horror simple and virtually devoid of jump scares (another great plus) but Mitchell pulls all kinds of horror from it that it's impossible for this film not to scare the most hardened of moviegoers.
Get Out is a horror film — and it's only kind of funny.
I've never done a horror film where I was... Well, I was in «Black Christmas,» but I got killed kind of early on in that film.
The latest film to fit under this stunning horror umbrella is Trey Edward Shults» It Comes at Night, a paranoiac epic that delivers bone - chilling horror of the deeply personal kind.
His Cronenberg-esque English - language horror film, Possession, is among the best of its kind, brimming with terror and excitement.
While his directorial debut relied on a smart mix of humor and horror, Dougherty's new film seems genuinely confused about what kind of movie it wants to be.
«Hereditary» is the kind of «strap in and hold on» horror film that will make you sleep with the lights on.
A newish horror film that's exclusively on Netflix, Perkins's labor of love runs heavily against today's trends: It's defiantly ungory and the kind of quiet movie that you need to lean into to appreciate.
Domestic abuse is one of the scariest horrors in film, because it is the most realistic kind.
«If you went to the 1950s version of this movie Michael Shannon would be the star and the creature carrying the woman at the end of the movie would be a scene of horror, and here is an image of love, so the complexities are kind of flipped,» del Toro says, letting loose a minor spoiler for a film that has PR teams urging critics and writers not to divulge major secrets.
The atmosphere is overbearingly scary to me; it's just the right kind of horror film that will make you leave the lights on.
Cabin in the Woods is the kind of film you would love if you, like me, were introduced to horror by your older brother — 10 years older — and a well used copy of John Carpenter's The Thing.
What you get with this film is a very different kind of horror comedy.
Not the most original concept for a horror, but as always we hope there's something unique about these kind of indie films.
In a year made of horror films that have delivered more unintentional laughter than genuine scares, As Above, So Below fits the bill as exactly the kind of low - budget, lower - quality flick you'd see released on the big screen for the Labor Day weekend.
Cabin in the Woods, co-written by Joss Whedon and directed / co-written by Drew Goddard, is the kind of horror film you would love if you love horror like I do.
I rolled it over in my mind a few times before I came to the conclusion that the film takes on sexual repression as its subject, and uses it as a kind of horror film without actually embracing the horror genre.
It's some kind of feat the hype surrounding Jennifer Kent's much - acclaimed horror film has gotten to the point where it feels like watching the «scariest film in years» this far into 2015 is, yeah, a little like... Continue reading The Babadook
WHY SEE IT: An interesting and creative premise for a film that is clearly a labor of love — kind of an indie comedy take on CUBE and LABYRINTH, with a touch of ALICE IN WONDERLAND and Terry Gilliam insanity thrown in for good measure — DAVE MADE A MAZE is an amusing diversion for fans of budget filmmaking who can appreciate a smirk - inducing comedy with a light touch of horror and fantasy.
That is exactly the kind of person that makes a film for longtime B - movie producer Roger Corman (Death Race 2000, 1960's The Little Shop of Horrors), a man who has worked with some of the biggest names in Hollywood before they were big.
Crucially, it's not a product of the United States or South Korea, two cultures married to a specific kind of morally relativistic nightmare that have produced films like this for years, but of an Israeli movie industry that marks this as only their second «horror» release.
(6) Prometheus — I originally thought Ridley Scott's film was kind of a stretch to include on my horror list but I think a lot of the finale more than justifies the inclusion.
If you're serious about horror films, you'll be bored out of your mind, and if you're the kind of idiot who likes this sort of thing, you're not reading this, anyway.
It's cheap horror, the kind I would criticise if the film was meant to be scary, but in a detective flick like this, it is a nice change of pace.
It was our first kind of crossover film out of sequel B - horror films and gore films, to something that had more realistic effect in it.
The treachery is usually couched in terms of ideology or selfless public service, but of course it's all a power grab of some kind, and the longer the movie goes on, the more coldly hilarious Iannucci's stylish deadpan becomes, until, by the end, things take a turn for the gruesomely surreal, and we feel as if we're watching the cheekiest horror film never made.
It's kind of a horror film, but not really, much more of a drama with some horrific elements.
«Without Name» wants to echo mood horror pieces like those of Polanski or David Lynch but there's a reason that so few people make those kind of films — they're really hard to pull off.
It's a silly horror film, especially if you come in expecting the kind of visceral gut punch Tobe Hooper tends to deliver.
Beyond that, the film's shrill sense of confinement, the danger of one man turning on another, and the unthinkable transformation going on in the cellar build to a startling climax — one that utterly upends expectations — followed by the kind of absolutely genius ending that guarantees the film's eternal position in the annals of horror cinema.
Their characters survived the first film, and like all good horror flick survivors, I'm sure they'll offer some kind of cursory explanation of what's happening, that explanation will be ignored until it's too late, and then at least two out of the three survivors will be destroyed.
The upcoming horror film follows a family in the woods who have to live in silence unless they summon some kind of threat that is hyper - sensitive to sound.
Charley Brewster (Ragsdale, Romy and Michele: In the Beginning) is a typical suburban teenager with a special interest in old - time horror flicks, the kind seen on the local creepfest TV showcase, «Fright Night», hosted by the self - proclaimed king of vampire hunting films, Peter Vincent (McDowall, Planet of the Apes).
As with horror and comedy, those who are resistant to this kind of film will definitely resist this one in particular.