No other film on this list is likely to fare as well on Oscars night as Get Out, 2017's runaway
horror hit about white suburbanites with a twisted plan for their black house guest.
Not exact matches
Christianson adds that he's heard
horror stories
about kids
hitting their parents up for money or asking them to guarantee their mortgages later in life.
Director James Cameron's 1986 blockbuster follow - up to Ridley Scott's Oscar winning science - fiction /
horror flick that became one of the biggest grossing films of 1979 asks a good question to a successful
hit... How do you make a successful sequel to a film in which much of the suspense comes from learning
about the mysterious monster?
With backing from QC Entertainment, Blumhouse Productions (the company behind
horror hits «Paranormal Activity» and most recently «Split») and distribution from Universal Pictures, Peele turned the pitch into a script filled with scares, laughs and searing social commentary
about race and racism in America.
Zombieland director Ruben Fleischer is evidently now locked to follow - up his aforementioned
hit horror - com with 30 Minutes or Less, a most - likely R - rated comedy
about a slacker pizza delivery man facing an explosive ultimatum at the instruction of a pair of goons.
The Strangers In
about as simple a
horror film premise as a high school screenwriting student might come up with, this night out with Scott Speedman («Felicity,» «Anamorph») and Liv Tyler («The Lord of the Rings» series)
hits the standard
horror buttons to ensure a spectrum of shocks so that inveterate genre fans won't won't be demanding their money back.
Indeed, John Krasinski's
horror hit is all
about sound and makes brilliant use of silence as a storytelling device.
As for Silent House, it's got the benefit of riding the Elizabeth Olsen wave and being the first
horror film to
hit in
about a month.
One uniting theme we've heard in conversations
about cult
horror hit «The Babadook» is what a shame it is that genre fare is so resolutely ignored by the Academy.
Sinister (Solid Rock Fist Up)-- Ethan Hawke makes his
horror film debut in this twisted tale
about a true crime writer so desperate for another
hit he moves his family into the home of a grisly murder.
Ever since Get Out
hit theaters, people have been talking
about it — from how it's more than just a
horror flick to the records it's breaking at the box office.
(8) The Divide — I know that FRONTIER (S) seems to be somewhat of an overlooked
hit amongst certain circles of
horror fans, but I found it to be somewhat boring and tame for some of the new wave French films that came
about around the same time.
Although remakes are ten - a-penny these days, and mostly not a patch on the original, THN is excited
about FRIGHT NIGHT — with a strong cast, great source material, and its tongue (and fangs) wedged firmly in the cheek, this could be the
horror hit of the year.
Say what you want
about the company but you can not deny that they know how to make a
hit horror film that pleases
horror audiences, and it is a huge move in the right direction when their very first step was to get Carpenter back involved.
Blown away by the
hit horror movie, the author and educator decided to design a semester - long special course
about how
horror and anti-black racism have intertwined in the cinema.
Aside from being an exceptionally well - crafted (and therefore effective) haunted - house tale, the fun thing
about James Wan's 2013
horror hit The Conjuring was its connection to the real - life exploits of famed New England ghost hunters Ed and Lorraine Warren.
IT (2017, R), based on the Stephen King novel, is the sleeper
hit of the year: an R - rated
horror film
about a group of children haunted and hunted by a demonic clown (Bill Skarsgard).
He's injected odd moments of kitchen - sink realism into a gangster saga (Down Terrace) and surreal dollops of WTF
horror into a
hit - men thriller (Kill List); surely no one expected director Ben Wheatley to play a comedy
about a camping vacation straight, right?
Kevin Smith is currently in the midst of shooting his indie
horror flick Red State (he released the mysterious first photo via Twitter), but earlier this year he had also been talking a lot
about his proposed hockey movie
Hit Somebody.
Horror fans haven't seen much from the genre this summer, but that is all
about to change when director James Wan's The Conjuring
hits theaters on July 19.
The film eventually abandons the experiential
horror of the early scenes in favor of agonizing over funeral plans, references to the King Arthur stories (the Broadway
hit «Camelot» gets not one, but two airings), and one too many speeches
about legacy, as Jackie works out her fears and anxieties in conversation with a priest (John Hurt, exceptional), an anguished Bobby Kennedy (Peter Sarsgaard), and a loyal confidante (Greta Gerwig).
The hottest young actress in Hollywood, Maika Monroe, talks to IGN
about her breakout indie
horror hits It Follows and The Guest.
His
horror satire
about racism and liberal hypocrisy, «Get Out,» was one of the biggest and most socially relevant
hits of 2017.
We caught up with sound designers Byron Bullock and Sam Cooper to chat
about the audio elements of the
hit survival
horror game.