Sentences with phrase «hotrods by»

Amelia Island took it to the next level with an even bigger spread of technicolor hotrods by legendary builder Ed «Big Daddy» Roth who started these projects in the 1960s.

Not exact matches

That means no bs and im not your sugar daddy but i can be just as good i am a god fearing man but does not mean im not warming a church bench on sundays im a mechanic by trade have worked on hotrods motorcyles and joe blows daily drivers for over 30 years and this is a plus if you drive a beater ass car lol i can always keep it running i live in a modular home and on my own land all is bought and paid for so i am not trailer park trash i have long hair and a beard brown eyes short and stocky 5» 5.5 in small lol 150 lbs soaking wet but still built like i was in my 20's not stuck on my self but im not a bad looking dude for my age i still have 6pk abs and popeyes arms lol you do not maintain my build sitting on ur ass so i feel its a great accomplishment that i am proud of.

Once, roads like these were ruled by the rally - inspired Japanese hotrods: steroidal Mitsubishi Lancers and Subaru Imprezas.

Wayne Halabura, ’33 Ford Drylakes Coupe Booth: Taylor / Vertex, 23435 This all - steel custom ’33 Ford Drylakes coupe built by Halabura Hotrods and Creative Concepts includes more than 2,000 hours of metal fabrication, with nothing left untouched.

Lot # 484 - This 1974 Porsche 911 Carrera 3.0 Hotrod originally came with a factory 2.7 liter engine, but it was swapped out for a stronger, more powerful and more reliable 1983 911 SC 3.0 - liter CIS engine by a certified Porsche shop and is matched to a 5 - speed 915 manual transmission.

Other consignments on the docket include a number of custom Fords, such as a 1929 Ford street rod with a steel body built by Tommy Carr at Carrs Hot rods, a 1932 Ford Roadster with a steel Brookville body powered by a ZZ350 crate engine, and a 1933 Factory Five Custom Hotrod.

The 300 HP turbocharged five cylinder engine hidden under the hood of the hotrod Q3 produces a good 90 HP over the standard Q3, a boost provided by the added ventilated brake discs and new aerodynamic package.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Their cult of hand - sanding and polishing their works by themselves came right out of the shortboard revolution and hotrod counter-culture.