Sentences with phrase «hour documentary film»

This proposal for a one hour documentary film will highlight the genius of Buckminster Fuller and the original critical thinking from the World Game simulation.

This prompted him to both produce and direct a two hour documentary film on the global impact of aerosol culture called Get The Message.

The tour is laid out in three themed, two - hour documentary film blocks, featuring Ice Call by Sam Favret, showing a surreal landscape inside glaciers, to the hilarious Owl Dance - Off Part II, the much - anticipated follow - up to wildlife photographer Megan Lorenz's award - winning Internet sensation that made stars of two burrowing owls.

ANDY WARHOL — a four - hour documentary film for broadcast on PBS as part of the American Masters 20th Anniversary season premieres September 20th and 21st, 2006.

Not exact matches

The latest example debuts on Saturday, June 11, at 9 pm EST, with the premiere episode of director Ezra Edelman's O.J.: Made in America, a five - part, 7.5 hour documentary series produced by ESPN Films, the sports network's production company that is behind the acclaimed series of 30 for 30 sports documentary films.

As an industry content leader, Participant annually produces up to six narrative feature films, five documentary films, three episodic television series, and more than 40 hours of digital short form programming, through its digital subsidiary SoulPancake — all aimed at entertainment that inspires social awareness and engaging audiences to participate in positive social change.

His one - hour, BBC2 documentary, filmed in Rome, Germany and the UK, will chart the spread of Martin Luther's ideas across Europe and into Britain.

On Saturday, November 19th, 2016, the Buffalo, New York, Branch of the U. S. Friends of the Soviet People is sponsoring a showing at the Main Library of the Buffalo and Erie County Library of an hour long documentary film on the history of the Right Sector in the Ukraine.

Cineflix executive producer Jacqueline Bynon said her film crew visited the Dannemora area in February for the one - hour documentary — about two weeks before Joyce Mitchell, who was convicted of helping David Sweat and Richard Matt escape, had her first parole hearing.

On midweek days, it shows hour - long and feature - length documentaries including Channel 4's Cutting Edge films.

Frozen Planet Discovery It took 4 years, 38 sled dogs, 12 reindeer, 28 helicopters, and 840 hours trapped in blizzards for dedicated (and resourceful) camera crews to film the epic new nature documentary Frozen Planet.

During the medial stretch of the film (about an hour), the latter journey (the visual sequences) will mimic one's experience at a planetarium, or perhaps a viewing of an environmental documentary, minus a top - rate actor's narration; if watching it on television, one might have the strong urge to check the channel.

Alas, if you're someone who enjoys movies as, say, a two - hour escape, you may find this documentary on the death of film at digital's hands a bit too inside baseball.

That's all well and good but Sony's Anniversary Edition DVD from 2004 had a lot more: an hour - long documentary on the making of the film, a lengthy doc about real - life AIDS victims, and Bruce Springsteen's «Streets of Philadelphia» music video.

The documentary Re-Animator Resurrectus runs over an hour long and provides a top - notch look at the making of the film.

Critics liked every film the 45 - year - old company had to offer in 2013, especially one - of - a-kind documentary Leviathan and the Vienna - set drama Museum Hours.

De Palma is a deceptively simple documentary film: Director Brian De Palma sits in front of a fireplace for nearly two hours and talks about his life and career.

Too bad it's not longer, as this is the kind of film that would benefit from a nice long 90 - minute or two - hour documentary that covers its creation from start to finish.

All of these short films — along with a half - hour documentary called If It Bleeds We Can Kill It — have been strung together in this hour - long video, offering an especially absorbing dose of behind - the - scenes material.

INDEPENDENT & FOREIGN FILMS The 11th Hour (Unrated) Leonardo DiCaprio narrates this dour documentary delineating unnerving inconvenient truths about the dire state of the environment.

EXTRAS: The Criterion release features hours of new bonus material, including an audio commentary by writer / director Richard Linklater and various cast and crew, a making - of documentary, a Q&A with Linklater and actors Patricia Arquette and Ellar Coltrane, a video essay by film critic Michael Koresky and much more.

As an industry content leader, Participant annually produces up to six narrative feature films, five documentary films, three episodic television series, and more than 40 hours of digital short form programming, through its digital subsidiary SoulPancake — all aimed at entertainment that inspires social awareness and engaging audiences to participate in positive social change.

You could argue that Ezra Edelman's eight - hour documentary, using the rise and fall of O.J. Simpson to examine race in America, is more a TV miniseries than a feature film.

Along with the six episodes of the documentary series, the package offers an additional four hours of bonus features including NASA films and highlights, interviews and mission clips.

We must also give kudos to Kumail Nanjiani and Emily V. Gordon, who share a writing nomination for «The Big Sick,» a film that hasn't gotten enough awards season love; Kazuhiro Tsuji, who is nominated, for the third time, this year for the «Darkest Hour» makeup; and Agnès Varda and James Ivory who, at 89, are our oldest nominees this year (and the oldest on record), for the documentary «Faces Places» and adapted screenplay of «Call Me by Your Name,» respectively.

Guest director Joshua Oppenheimer, whose wrenching «The Act of Killing» debuted at TFF in 2012, has put together an eclectic program that includes Werner Herzog's 1970 «Even Dwarfs Started Small» (with Herzog in attendance), Jon Bang Carlsen's intriguing and obscure «Hotel of the Stars» (1981), an hour - long Danish documentary about extras who live in a shabby apartment hotel in Hollywood; the only movie directed by Charles Laughton, 1955's exquisitely - shot «The Night of the Hunter,» starring a brilliant, terrifying Robert Mitchum, and fortuitously playing in his centenary year; «Salam Cinema,» Mohsen Makmalbaf's 1995 record of auditions by aspiring actors; a new print of Frederick Wiseman's long - banned, corrosive «Titicut Follies» (1967), filmed in a notorious Massachusetts hospital for the criminally insane; and Jacques Demy's glorious, gorgeous musical, «The Umbrellas of Cherbourg» (1967), starring the glorious, gorgeous Catherine Deneuve.

During our chat we touched on why the film is only 58 minutes long and whether there was any intention to extend it, whether Refn believes he should have won the Palme d'Or, why he switched from composer Peter Peter to working with Cliff Martinez, how they had little boosts of money that helped get the film made, why the film is just now coming out instead of closer to Only God Forgives «release, whether Refn ever wanted to stop being filmed, the commercial prospects of an hour long documentary, and much more.

Call it a miniseries, call it an epic feature film, but however you slice it, don't skip Errol Morris's courageous four - hour exposé of CIA wrongdoing, every inch the documentary event of 2017.

But while «I Am Chris Farley» is an enjoyable tribute that will make you want to spend the next few hours watching old «SNL» skits and film clips on YouTube, the documentary feels like it's just barely scratching the surface at times, especially in regards to Farley's struggle with substance abuse.

Extras on the double disc DVD edition include a two - hour documentary, The World is Watching: The Making of the Hunger Games, the full Panem propaganda film that's fleetingly featured in the film, and interviews with the director as well as Donald Sutherland who plays the villainous president of Panem.

The other three features are First Name: Carmen (1983), Detective (1984), and Helas Pour Moi (aka Oh, Woe Is Me, 1993), and the disc features the half - hour documentary «Jean - Luc Godard: A Riddle Wrapped in an Enigma,» with film critics and historians Kent Jones, Winston Wheeler Dixon and David Sterritt.

«The Gathering Storm: The Chronicles of the Hobbit Part 3» is a making - of documentary that runs just short of five hours and «Here at Journey's End» (aka «The Appendices Part 12») goes into detail on aspects of the production and pulls out to see the film in the context of the entire Tolkien story told in the six films.

A new two - hour version of the definitive 2016 documentary on the making of Fright Night, focusing on the first film, created exclusively for this release

Any of these films would be worthy of an Oscar win, but I'm personally rooting for the race documentary «13th» (a must - see for anyone, the kind of film they should show in schools) and «O.J.: Made in America,» which is a marathon at nearly eight hours in length (it was shown in parts on ESPN earlier this year), but a completely fascinating look at race, media and society as it was in the 1990s and today, and just happens to be a tragic portrait of the worst fall from grace for a sports star in the history of our country.

Personally, I'd spend 2 hours watching the new documentary (featuring assistant director Alan Rudolph, Blakley, Tewkesbury, Carradine, Tomlin, and others) and three television interviews that Altman recorded regarding the film over thirty years (it's fascinating how his memory changes small details!).

Going into Wang Bing's latest documentary, Mrs. Fang, I was too busy cracking jokes about how much shorter it is than his previous works (his breakthrough film, Tie xi qu: West of the Tracks, clocks in at nine hours; his recent masterpiece»Til Madness Do Us Part comes in at close to four) and had somehow failed to realize I'd be watching almost an hour and a half of a woman lying on her deathbed.

Last year, for example, the musical «La La Land» set a record for the most nominations — 14 — without winning best picture, and the documentary «O.J.: Made in America,» with a running time of nearly eight hours, became the longest film ever to win an Academy Award.

BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)

This edition features both Blu - ray and DVD copies with new supplements, including commentary by Neil Marshall, the hour - long documentary «Werewolves vs. Soldiers: The Making of Dog Soldiers» with new interviews with Marshall, many of his collaborators, and the film's stars, and a 13 - minute featurette on the production design, plus Marshall's 1999 short film Combat and a couple of photo galleries.

Unfortunately, this Blu - ray, which also includes the film on DVD and a code for a digital copy, doesn't include the extensive, 1.5 - hour making - of documentary originally created by Laurent Bouzereau for the 1996 laserdisc release.

DuVernay's 13th also earned a Best Documentary Feature nomination, along with the widely praised seven - plus hour O.J.: Made In America, film festival favorite Tickled, the uncomfortable look at disgraced politician Anthony Weiner in Weiner, andCameraperson, a compendium of the film projects of cinematographer Kirsten Johnson.

The great video label Milestone has produced a great DVD set built around the half - hour documentary, adding as many surviving films (a few even restored) as possible to show just what happened, how this led to major production in Hollywood and how the truth is disappearing as the town seems to want to forget for some odd reason (speculation would require a new documentary) and we even see one of the final studios before it itself disappears.

So in a year with four of the most - acclaimed Chinese - language films of all - time (the two that appear on Sight & Sound - type lists, the one that is the only Chinese film to ever get any real Oscar consideration and a favorite among the critical intelligentsia), I'm going with a four hour documentary about a leftist revolt in 19th Century France.

The many bonuses include about 14 minutes of deleted scenes; an hour - long New York Times talk with David Carr, Laura Poitras, Glenn Greenwald, and Edward Snowden (via a live video feed); a 29 - minute Q&A at the Lincoln Center with Poitras and film critic Dennis Lim; and an earlier documentary short by Poitras.

The set will include 13 hours of bonus features, with its centerpiece being a new documentary: The Sound of a City: Julie Andrews Returns to Salzburg — in which Ms. Andrews revisits the film's scenic locations, including Modessee Abbey, Nonnberg Abbey and the steps at Mirabell Gardens, where she and the children performed «Do - Re-Mi.»

The documentary «City of Ghosts» is a profound study in bravery; these men not only continue to risk torture and death (ISIS threats followed them to Turkey and Germany), but spend most of their waking hours watching and posting atrocities filmed by the equally courageous resistance within Raqqa, where the slightest infractions are punishable by death.

Also includes the half - hour documentary «DCU: The New World,» a retrospective of the «Crisis» series of DC comic stories that inspired the film, featuring interviews with the creators and editors of the original comics.

Here we get an audio commentary from Kong, along with an hour long making of documentary called Killer Cuisine which tackles every part of the film's development, genesis and production.

Special Features Conversation between director Robert Altman and actor Tim Robbins from 2004 Luck, Trust & Ketchup: Robert Altman in Carver Country, a feature - length 1993 documentary on the making of Short Cuts To Write and Keep Kind, a 1992 PBS documentary on the life of author Raymond Carver One - hour 1983 audio interview with Carver, conducted for the American Audio Prose Library Original demo recordings of the film's Doc Pomus Mac Rebennack songs, performed by Rebennack (Dr. John) Deleted scenes A look inside the marketing of Short Cuts PLUS: An essay by film critic Michael Wilmington

Never Sleep Again: The Elm Street Legacy is a 2010 American four - hour direct - to - DVD documentary film that chronicles the entire Nightmare on Elm Street franchise and the rise of New Line Cinema.