In his first solo show since the stunning three -
hour theatrical work The Humans (2014), Singh offers «The School for Objects Criticized,» a witty light - and - sound installation in which a slinky, an abstract sculpture, and a bottle of bleach are among seven protagonists that critique the artist's latest exhibition; the work takes cues from Molière's The School for Wives Criticized (1663).
Not exact matches
(1982) is a minor success, a one -
hour adaptation of a Kurt Vonnegut story starring Christopher Walken and Susan Sarandon as emotionally stunted small - town lovers who only come alive when performing famous
theatrical and literary
works.
Kirschner tells amusing tales of
working / clashing with the creative team and studio execs and remembers audience reactions during screenings (the original cut was apparently somewhere around a half -
hour longer than the
theatrical version, something completely unfathomable to me).