Sentences with phrase «house audiences every time»

Not exact matches

2006 Time Out New York Best Documentary The Radio Times Best Documentary 2007 Rose d'Or Festival, Best of 2007 and Best Arts Documentary (Switzerland) Los Angeles Film, Festival Best International Feature (USA) 2008 Atlanta Film Festival, Audience Award (USA) Bergen International Film Festival, Audience Award (Norway) Warsaw International Film Festival Best Documentary (Poland) Paris Cinema International Film Festival, Jury Prize and Audience Award (France) Nashville Independent Film Festival Impact of Music Award (USA) Sydney Film Festival, Audience Award for Best Documentary (Australia) Los Angeles Film Festival, Humanitas Award for Best Documentary (USA) Ghent Film Festival, Audience Award (Belgium) The International Documentary Awards, Alan Ett Best Music Award (USA) The Festival D'Automne, Audience Award (France) Les Rencontres Cinématographiques de Dijon, Audience Award (France) 2009 Christopher Awards, Christopher Award for Film (USA) The Keswick Film Festival, Audience Award (England) DVD Critics, Best Non-Fiction Title (USA) AG Kino - Gilde German Art House Cinemas, Best Documentary (Germany)

Whereas Fallen was packaged, and ultimately delivered, as a dead serious action / thriller, I don't think White House Down marketing did enough to prep its potential audience members for the over-the-top, often times ridiculous, self - aware genre piece they would encounter.

Her Tony - winning turn as Nora in last season's «A Doll's House, Part 2» had her mining the hidden humor of Lucas Hnath's rat - a-tat script, one monologue at a time; Dr. Jenna James of «Getting On» (a series that earned Metcalf her 10th Emmy nomination, following a slew of guest actress appearances and three wins for «Roseanne») allowed her to warm audiences to a flawed hero up to her eyeballs in stool samples and naked narcissism; and now Greta Gerwig's «Lady Bird» gives her a role in Marion McPherson that many hail as a shoe - in for Oscar night.

The logic for audiences was that with more time and space to navigate the program (whose slender catalogue fits in a back pocket), the packed houses and epic queues would be diffused to a level more commensurate with a holiday weekend of moviegoing than an arduous pilgrimage to cinephile mecca.

Three independent movies from this year deserve a special mention... Bill Morrison's documentary Dawson City: Frozen Time, the socio - political history of a gold rush town, illustrated with film stock recovered from beneath an abandoned ice rink... Oxide Ghosts, director Michael Cumming's assemblage of VHS outtakes from the influential, more relevant than ever TV news satire Brass Eye... and Dispossession, a restrained documentary about the housing crisis that's provoked fiercely energetic audience discussions up and down the land, culminating in a panel discussion at Curzon Chelsea with director Paul Sng, author Anna Minton and Jeremy Corbyn MP.

At a time when most folks like to stay in their houses and stream things, there's no understating how great it feels to get out and share big - screen experiences with enthusiastic audiences.»

Let's watch them dance, hide and seek, eat Waffle House... all that stuff, everyday life, because that's what makes the audience really feel like they're spending time with these characters.

This wouldn't be the first time Hollywood's had similar themed blockbusters squaring off against each other, even this year has OLYMPUS HAS FALLEN and WHITE HOUSE DOWN testing the audience's capacity for double trouble.

These sequences are straight out of any rote thriller, but they're meant to be profound — critical of the conventions of the genre — because Paul (Arno Frisch) breaks the fourth wall a number of times; this is Scream for art - house aficionados, with Haneke at one point curbing the audience's euphoria by rewinding the film immediately after Anna shoots Peter in the chest.

The Met and other American opera houses are expanding their bases and offering opera to the people with the hope that many of them will be younger than the typical audience and in time will rejuvenate opera's fan base.

The characters are delightfully typecast - there's the tragic figure of our much put - upon anti-hero who is driven to commit violence for what he believes is a justified cause; a truly dastardly old - Etonian poetry - spouting villain (who, if this was a play, would receive hisses from the audience every time he came on stage); the exceedingly wealthy and influential Lord Tansor, living off the gains of his brighter ancestors; a dead - ringer for Uriah Heap; plus a massive supporting cast representing every strata of society, both urban and country; and last but not least, Evenwood House itself and its great library - the representation of everything that Edward yearns for but that remains tantalizingly out of reach.

Beijing, Ullens Center for Contemporary Art 书中自有黄金屋 INSIDE A BOOK A HOUSE OF GOLD All works made by artists for Parkett since the journal's founding in Zurich in 1984, were presented for the first time to a Chinese audience in 2012 View all Parkett museum exhibitions

2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City

The production attracted a full house, with only a few empty seats left by the time the drama director, Melody Herzfeld, introduced the show and its purpose to the audience.