Sentences with phrase «house film worked»

But the production behind the haunted house film worked diligently to recreate the real house for the film, and in the exclusive clip below, you can see just how much work went into recreating large portions of the real Winchester Mystery House.

Not exact matches

Despite working 60 + hour weeks as a realtor while filming Million Dollar Listing, I still managed to flip a house in the Hollywood Hills for $ 1.2 million in profit on the side.

The nitrate work print of the film — which was never shown in public — was given by Cinemazero to one of Italy's major film archives, the Cineteca del Friuli in nearby Gemona, before being transferred to the George Eastman House in order to be preserved with a grant from the National Film Preservation Foundation.

Those 10 years were laced with so many failures: quitting many times over, re-writing the edits of my re-write, working back in a cubicle, working back at the dream, trying to live in a retirement home to film a documentary, relationship debacles, a fire that almost burnt down my house and every other twist and turn of «God, where are you in this?»

Looking to the other work done at and to support the Green Bank Observatory, the accomplishments of the past year include: hosting more than 2,000 visitors to view the solar eclipse, painting 84,000 square feet of the GBT, hosting 900 visitors at our annual open house (and launching 150 rockets in two hours that same day), releasing our new visitor reservations system, and hosting more than 30 film and news organizations.

Im 26 and I dj all over the midlands I specialise in bashment dancehall bassline and house I do like abit of clubbing but as I work in them do nt go every week kond of thing im into music (thats obvs lol) watching films eating out and cooking chef styke meals; — RRB - I like to have a laff and want to...

The film accurately delineates a 1950's midwestern family, and viscerally captures the everyday, unplanned, mundane life of the time: rough - housing, pre-adolescent boys playing in the grass with their dogs, wrestling in the tall grass pastures, mothers watching intently, arms - crossed to the discretion of their children outside a window, fathers kissing their children and wives on the cheek, brief - case in hand, before a long day's work at the plant, and the aestival sun browning the faces and arms of all under its path.

A team effort with longtime friend Romano would result in the straight - to - video comedy Grilled in 2006, with subsequent voice work in the animated family comedies Monster House and Barnyard arriving in theaters later that same year.James would maintain his position as a go - to guy for family friendly comedy over the coming years, appearing in films like I Now Pronounce You Chuck and Larry, Paul Blart: Mall Cop, Grown Ups, and Zookeeper and providing a voice in Hotel Transylvania.

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.

But this film would have worked either way: It's a celebration of a tough woman's rise from her role as a powerful man's spouse, and it's a case for why reporting should never be beholden to the whims of the White House (as the Supreme Court ruling in favor of the Times put it, the role of the press is to serve «the governed, not the governors»).

They forget that the original film version of «The Haunting» (based on Shirley Jackson's truly terrifying «The Haunting of Hill House») worked so well because of what the audience didn't see.

The final outing in the series for Shia LaBeouf and co (though Megan Fox was replaced here already, after falling out with Bay), with John Malkovich and Frances McDormand among those paying for new houses with a few weeks work, the film does at least have a striking moon - landing themed opening, and an enormous extended climax that marks a high watermark for the franchise's action (particularly an impressive Halo jump sequence done for real).

Peck's film sets out to make use of the unfinished manuscript of Remember This House, Baldwin's late - career attempt to grapple with the deaths of Martin Luther King Jr., Malcolm X, and Medgar Evers, but it soon abandons this premise for the kind of emotional detours that give some of Baldwin's best work its freewheeling, capacious spirit.

Personal Shopper alludes to cinema's past — the ghost - film tradition, the eerie houses that are a constant in Jacques Rivette's work (Out 1, Céline and Julie Go Boating, Secret Defense).

This is a film riddled with doppelgangers: Candy, the woman who owns a seedy bar that serves as a front for a whore house, looks like an older, more run - down version of Kelly, and Buff, who works at the hospital, and a girl who works for Candy.

If the opening intertitle didn't reveal the fact that The House of the Devil was going to be dealing with the occult / Satanism the film could just as well stand on its own as a psychological thriller about a girl working herself up into a paranoid frenzy over creaks on the floorboards.

Black Panther is among the first films by the house of Marvel Studios which predominantly has a black cast and also shows a number of strong women of substance who work as the protagonist T'Challa's allies.

Film mostly in the Fitzroy Square Georgian house the acoustics and visuals add to the story with the separation of work, eat and resting are filmed.

After the impact of these two features (the latter screening at Cannes and championed by such critics as Pauline Kael), Schepisi moved on to directing films overseas, including such varied works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.

Photographed and their work described in intertitles are writers, directors, actors, casting, extras, wardrobe, cameramen, still photographers, production manager, drafting and construction, orchestra, the power house, lighting, dancers, film lab, publicity, and the studio barbershop, restaurant, and hospital.

Though he'd built up a strong reputation among critics and cineastes in the 1960s with darker character work in films like Cast a Dark Shadow (1955) and the daring masterpiece Victim (1961), he was best known to the public as Simon Sparrow, the heartthrob comic lead in Doctor in the House (1954) and four subsequent sequels.

The film is being directed by Tim Miller, who has done strong visual effects work through his VFX house Blur Films.

It was the first theatrical distribution company dedicated to bringing international art - house films to U.S. audiences, including the work of Michelangelo Antonioni, Sergei Eisenstein, Ingmar Bergman, Federico Fellini, Akira Kurosawa, François Truffaut, and Yasujiro Ozu.

Even critics of last year's Amores Perros have admitted that an insurgence of Mexican productions into the highly populated art house distribution crowd is increasingly inevitable (the best simile that could be imagined is that the rise of Mexican cinema is like the push for Germany and Japan's permanent inclusion on the UN Security Counsil — hey, as art film distributors are saying, we're still working with the inclusion of Iran and Taiwan).

MG: What was it like working on such an intense film like «Last House on the Left» remake?

The only problem is that aside from his more commercially focused film Drive, a lot of Nicolas» work is even more divisive than Zack Snyder's, and some would say are borderline incoherent art - house pantings caught on film.

Following intrepid young rookie Mae Holland (Emma Watson) as she finds herself inducted into the hive headquarters of Apple - like tech conglomerate The Circle (with a Google-esque dual housing / work facility that its workers, known as Circlers, never seem to leave), Ponsoldt's film begins by charting an incredibly familiar and shallow trajectory that we've seen in plenty of tales of tech terror like 1984 and Eagle Eye.

After much acclaim for The Secret of Kells and Song of the Sea, Cartoon Saloon, Ireland's increasingly high profile animation house founded by Paul Young and Tomm Moore, are working on their fourth feature film, Wolfwalkers.

White House Down is having as much fun as it wants the audience to have, and everything is kept charmingly light; one of the final scenes in the film might as well have come from the end of a Scooby - Doo episode, and it really works in an oddball way.

Wiazemsky continued to act in art - house films by other avant - garde directors, including Marco Ferreri, Alain Tanner, Marcel Hanoun and Philippe Garrel, and in works by mainstream directors such as Pierre Granier - Deferre and Michel Deville.

Some of the other actors in the film are Aja Naomi King, who plays Nat's wife, Aunjanue Ellis, who plays his mother, and Roger Guenveur Smith, who plays the slave who works in the house and doesn't want to see things change.

The pic was developed by Imagination Design Works, which owns rights to the house and gave this film its only endorsement, which allows the film to shoot on the premises of the actual home.

Ignoring my own distaste for play - by - play as well as that I felt no less worked - over by Two Family House than by the typical example of the underdog sub-genre, why wasn't the film acquired by a bigger distributor at Sundance?

A pair of filmmakers try to work with director Ruggero Deodato (Cannibal Holocaust, House on the Edge of the Park) to pull off a horror film based on realism.

Jafar Panahi and Mojtaba Mirtahmasb's semi-documentary was given its title because on a certain level, it isn't a film in the way of Panahi's past work — it has no script or actors, it was shot in the Tehran apartment in which he's been serving out his house arrest, and it's centered around his talking through the feature he would have made had he not been banned from filmmaking for 20 years.

The Innkeepers Easily one of my favorite films of last year (it even made my top ten list), Ti West's take on the haunted house is equal parts well - played comedy and atmospheric horror, and both parts work perfectly.

Steven Spielberg (Monster House, The Legend of Zorro) gets an executive producer's credit, apparently thinking the works of Jerry Bruckheimer should be the kinds of films Caruso and company ought to emulate.

Ford dished on all of the details including coming up with the concept, working with True Blood heartthrob Ryan Kwanten and participating in the convention after which, both he and Kwanten introduced the film to a packed house.

Ruffalo and Laurent are the only ones given anything to work with, and while he struggles with the ridiculously hoaky demands of his part, the gorgeously expressive French actress most famous for burning down the house in Tarantino's Inglorious Basterds, manages to pull off the film's only layered performance.

Cinematographer Pedro Luque's seems very aware of the master camera work in Fincher's film, especially when we are first introduced to the house.

«I am so so pleased to be working with Rough House on this film, which has been a wild and unconventional labor of love,» said Fleischer - Camp.

When trying to find a sperm donor fails to work — including a truly uncomfortable visit to Tom Brady's house in the middle of the night in one of the film's many celebrity cameos — they try to adopt.

Budd Wilkins is a film critic, essayist, and historian with published work in Slant Magazine, The House Next Door, Film International, Video Watchdog, Not Coming to a Theater Near You and others.

Topping the North American box office for two weeks in a row with his Denzel Washington and Ryan Reynolds - starring actioner «Safe House» is providing the film's Swedish helmer Daniel Espinosa with more clout than ever before, and making the director's past work of interest all over again.

Opening in September: Kirsten Dunst and Isla Fisher take a turn in the comic bridesmaid well in «Bachelorette» (Friday); Bradley Cooper is an author whose stolen work becomes a hit in «The Words» (Friday), a thriller co-starring Jeremy Irons and Dennis Quaid (see story on Page 17); Pixar adds another dimension to one of its most popular films in «Finding Nemo 3 - D» (Sept. 14); Milla Jovovich returns for one more zombie slaughter in «Resident Evil: Retribution» (Sept. 14); Jake Gyllenhaal and Michael Peña are Los Angeles cops in «End of Watch» (Sept. 21), which aims for a realistic look at inner - city law enforcement; Elizabeth Shue and Jennifer Lawrence are mother and daughter, discovering a horror - tinged secret in «House at the End of the Street» (Sept. 21); Karl Urban plays «Dredd» (Sept. 21), a helmeted avenger who cleans up the futuristic Mega City as its judge, jury and (wait for it...) executioner; In the animated «Hotel Transylvania,» Dracula (voiced by Adam Sandler) struggles to cope with his daughter's new non-vampire love interest (Sept. 28).

Hill who has worked on films such as Men in Black 3 and The Wolfman happened to see maquettes for the creature before he had even started working on the film while visiting Del Toro's house.

Each filmmaker / composer team also works closely with an in - house sound designer in an environment where music, score, and sound design are treated as integrated aspects of the overall story world of the film.

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He would work in house at Warner Brothers until launching his own design company in 1962, allowing him to rapidly expand his portfolio to films from all the major studios.

Following Encounters Short Film Festival in 2017, I was moved to write about a film that, after repeat viewings, has deeply affected me and become of my most highly rated contemporary works, Mark Jenkin's Bronco's House.