Sentences with phrase «housed at the edit»

L: A Bruket is one of eight international brands now housed at The Edit.

Not exact matches

Mall owner Simon Property Group has «The Edit» at Roosevelt Field Mall in New York, which currently houses a slew of international brands.

«At 2 a.m., when everybody else in the house is asleep, I would be breastfeeding, and literally Googling how to edit videos.»

Those 10 years were laced with so many failures: quitting many times over, re-writing the edits of my re-write, working back in a cubicle, working back at the dream, trying to live in a retirement home to film a documentary, relationship debacles, a fire that almost burnt down my house and every other twist and turn of «God, where are you in this?»

Take a look at the edit Mitchell shared of Walker and the Big House.

Gave evidence at a second oral evidence session for the House of Commons Science & Technology Committee's inquiry on genomics and genome editing.

BRIGADE is showcasing their Women's Collection Summer Edit on Sunday, July 19th from 1 - 4 pm at this weekend's TASTE OF TREMONT event and asked me to play in - house stylist for a day!

It's suffocating (I'd never considered how liberating edits were from a complete immersion into a film) and at times unbearably tense — and though some will point to the airlessness of Hitch's Rope or the fluid choreography of Alexander Sokurov's Russian Ark, The Silent House is a different beast altogether.

The editing is so smart, in fact, that it even pulls off the film's awkward framing device, which sees a young Burroughs writing the novel at his uncle's house.

BEST DOCUMENTARIES: GROUNDBREAKER: A Walk To Beautiful: Mary Olive Smith ABOVE AND BEYOND: Wings Of Defeat: Risa Morimoto COURAGE IN FILMMAKING: Traces Of The Trade: Katrina Browne MOST OFFENSIVE MALE CHARACTERS Aaron Eckhart: Towelhead Sam Rockwell: Choke Larry Bishop: Hell Ride Paul Rudd, Sean William Scott: Role Models Jason Mewes: Zack And Miri Make a Porno TOP TEN HALL OF SHAME Roman Polanski: Wanted And Desired House Of The Sleeping Beauties The Women The Life Before Her Eyes The Hottie and the No ttie Savage Grace Made Of Honor The Family That Preys Hounddog Zack And Miri Make A Porno Alliance of Women Film Journalists Best Film Slumdog Millionaire Best Direction Danny Boyle — Slumdog Millionaire Best Screenplay Original Wall - E — Andrew Stanton, Pete Docter, Jim Reardon Best Screenplay Adapted Frost / Nixon — Peter Morgan Best Documentary (Tie) Man On Wire — James Marsh Trouble The Water — Tia Lessen, Carl Deal Best Actress (Tie) Sally Hawkins — Happy - Go - Lucky Kate Winslet — The Reader and Revolutionary Road Best Actress In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mia!

Director Jennifer Brea holds the U.S. Documentary Special Jury Award for Editing for the film «Unrest» during the 2017 Sundance Film Festival Awards Night Ceremony at Basin Recreation Field House on January 28, 2017 in Park City, Utah.

Director Jennifer Brea accepts the Special Jury Award: US Documentary, Editing award for her film «Unrest» during the 2017 Sundance Film Festival Awards Night Ceremony at Basin Recreation Field House on January 28, 2017 in Park City,... More

Angela Bell, Assistant Head Teacher at Royal Wootton Bassett Academy, felt there were several factors that needed to be considered when choosing a school website design company: «What could the company offer in terms of design, technical support and, most importantly, how simple would it be to maintain and edit the website in - house once it went live?

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

PP: Do your publishing houses profit from your having presented these live - editing sessions at the festival?

If you traditionally publish with the big publishing houses, at the very least you should get a well designed, well edited book.

Or, maybe the agent comes back and says, «so - and - so at this publishing house suggests you make these edits, and so - and - so at that publishing house suggests you make those edits...» So you go back to the story and revise it, yet again.

Amazon are throwing a feeble $ 1,500, and a promise of being «eligible» for some in - house marketing, at a handful of selected titles that they will NOT edit, cover or format.

Even if you're fortunate enough to find an agent and / or secure a book deal with a major (or minor) publishing house, you'll often still be expected to have had your manuscript edited — at your expense.

They offered (what appeared to be) quality in - house editing and design services at prices well below what I consider to be professional rates, and distribution channels that included sales teams and physical bookstores.

Part of the stigma grew from the fact that vanity - published books were not vetted by the gatekeepers at a publishing house — whether large or small — and therefore did not benefit from editing, professional cover design, typesetting, and marketing.

Kim Bangs, senior acquisitions editor for the Bethany House and Chosen divisions of Baker Publishing Group, was a workshop leader at The Christian PEN's editor convention, «Keys to Successful Freelance Editing.»

At New York City's Housing Works Bookstore Café, Munroe organized a panel of digital publishing experts, including a representative from BiblioCrunch, which helps connect authors to publishing professionals who offer design, editing, and marketing services.

After college she managed a chain of bookstores in the Midwest; learned editing and production with a small LA - based publishing house, and had positions as a marketing manager at major publishing houses.

Line editing used to be provided by editors at publishing houses but seldom is today.

Anne Sowards is an executive editor at Penguin Random House, where she primarily acquires and edits fantasy and science fiction for the Ace and Roc imprints.

Edited by Cathi Hanauer, it's a companion to The Bitch in the House (2002), the bestselling anthology that took stock of the female experience at the start of the century.

Girl at War was acquired and edited by Random House's David Ebershoff, who knows his talent: He was the editor of not one but two of the 2013 Pulitzer winners (The Orphan Master's Son and Embers of War).

Before that she worked for fifteen years at Penguin Random House and Penguin Group, USA, most recently as a Senior Editor at NAL, where she edited crime fiction, mystery and women's fiction.

DEVELOPMENTAL EDIT - Comprehensive line edit of your manuscript by current or former acquiring editors at Big 5 publishing houses, along with a 7 - page mEDIT - Comprehensive line edit of your manuscript by current or former acquiring editors at Big 5 publishing houses, along with a 7 - page medit of your manuscript by current or former acquiring editors at Big 5 publishing houses, along with a 7 - page memo.

Copy editing can occur prior to submission to agents and publishing houses, and is generally a good idea at this point.

In fact, I know a number of traditionally - published authors who have hired freelance editors to help get a manuscript into great shape, so that it moves more speedily through the «in - house» editing process at their publishers.

We have individuals in - house who are experienced professionals at every single step of the process — developmental editing, copy editing, interior design, proofreading and cover design.

Prior to Fresh Ink Editing, she started at Anderson Grinberg Literary Management, then moved to Writers House, where she agented for four years.

No copy editing is done in - house at a traditional publisher.

At the same time, editing from the traditional houses has had to be cut back in favor of digital staffing.

At her own publishing house, Kalimat, Bodour employs four editors who must constantly try to explain to authors and other publishers that the work must be edited.

At Edit Resource, we can take feedback from a developmental editor, agent, or in - house editor and turn a book around so it meets a publisher's needs.

The truth is this: although first drafts will be much better after they are professionally edited, nine out of ten (or ten out of ten) of those manuscripts will remain unpublishable if they have been «edited» in a vacuum by professionals who have never acquired a manuscript at a Big Five publishing house; never negotiated an author / agent book contract; and never published, marketed and sold a finished book.

Since several major writers have said they have to hire a copy - editor because [big house] doesn't do it right (or at all) anymore, that should also raise eyebrows about using editing as a criteria for «real» writers.

What I said was that anyone who tells you that no publishing house will look at a manuscript unless it's been «professionally edited» is either a scammer, or has gotten that bit of false information from a scammer and doesn't know any better than to repeat it.

All of our services performed by experienced editors with decades of in - house editing and proofreading experience working at many leading publishing houses in Canada and USA.

I've been in publishing since 1995, worked in - house at two publishing companies, and edited books published by Harper Collins, Simon & Schuster, Penguin Random House, and many house at two publishing companies, and edited books published by Harper Collins, Simon & Schuster, Penguin Random House, and many House, and many more.

(Yes, I realize that dull books are published by big houses all the time, but at least they're edited.)

You only have to look at the success of «The Martian'to see that people don't care about the publishing house, they care about the story, and how it's presented (professionally edited, professional book cover, etc..)

To ensure that your book can compete with the best books published by the major houses, we encourage independent authors to follow the publishers» lead and put your book through at least two full rounds of editing if your budget and time line allow.

Until you are published and receiving meaty critiques from professional editors at publishing houses, look for critique partners to do heavy edits.

We provide a full in - house editing and proofreading service starting at less than $ 1 a page, returned within one month.

For the last three years, she's been freelance editing; prior to that, she worked for a small publishing startup in New York, and, before that, she was the managing editor for English titles at an international publishing house in the Czech Republic.

A booklist is a list of books that an editor acquires or edits during their tenure at a publishing house.