Sentences with phrase «household gloss»

Using eccentric devices to make his work, Harding pours household gloss paint over a monochrome of oil paint.
In order to create these semi-abstract paintings the artist applied vast swathes of household gloss paint to the canvas.
Ian Davenport Untitled Circle Painting: blue / green / blue 2003 household gloss paint on aluminium honeycomb panel 49 x 49 in / 124.5 x 124.5 cm
Damien Hirst (b. 1965) Beautiful mis - shapen purity clashing excitedly outwards painting signed «D.Hirst» household gloss on canvas and electric motor diameter: 144in.
A playful paradox is presented by the artist in this work from the sub-series Deuterated Compounds, a composition formed of household gloss on canvas shares its name with a toxic paint - stripping substance.
Hume is best known for his bright, flat, colourful paintings, produced using household gloss paint.
Executed in her signature household gloss paint, her works are dynamic city puzzles that show people on the move, nature in flux and ancient architecture being replaced by mega malls.
The works on display are mainly executed in his comfort style of household gloss paint on aluminium sheets.
A fully paid - up member of the rowdy YBA generation in the 90s, the artist made his name with his household gloss - painted life - size door paintings.
Alexis Harding's uses modernist devices such as grids, lines and arrows to make paintings which seem to be bound in their own materiality, driven by his exploitation of the incompatibility between artists» oil paint and household gloss paint.
Early in her career Howard began utilising common household gloss paint, leaving it to separate in the can so that the colour pigment sinks beneath a layer of thick, sumptuous varnish.
Aurothioglucose (lot 7, Evening Sale) household gloss and enamel paint on canvas 172.7 by 274.3 cm.
His preferred paint, a highly reflective household gloss, creates textures and reflections on the paper that become an integral part of the work.
Featured images: Image © Urs Fischer; Jenny Saville — To be titled, 2018 (detail) © Jenny Saville; Damien Hirst — Manganese, 2016, household gloss on canvas, 59 × 59 inches (149.9 × 149.9 cm) © Damien Hirst and Science Ltd..
Butterflies and household gloss on canvas, 96 x 82.3 in (243.8 x 209 cm).
With no two shades replicated, the artist developed an early methodical system of mixing hundreds of household gloss paints, resulting in a reserve of many unique shades of blue, red, and so on.
Áine McBride Untitled (low unit) Plywood, canvas, timber, household gloss paint, A5 images printed on vinyl 2017
Áine McBride Untitled (table)(detail) Found wood, cast concrete, MDF, linoleum, chipboard, emulsion, unfired clay, household gloss paint, Mother - in - Law's Tongue (plant), plaster, faux - stone spray 2017
Made with household gloss on canvas, they are typically shown on an outside wall and they stop you in your tracks.
Executed on a monumental scale this butterflies and household gloss on canvas work measures 268 cm in diameter (including the frame).
Enshrined in household gloss the butterflies seem fragile and painfully mortal.
Armory: Sarah Morris, Rings, 2007, household gloss on canvas; Gabriel Orozco sculpture, plaster and acrylic, at White Cube, London

Not exact matches

(on the stretcher) gloss household paint on canvas 83 7/8 x 92 1/8 in.
It is a gloss household paint on canvas by Damien Hirst, 9 inches square with a red dot, a yellow dot, half a green dot, half a black dot, half an orange dot, a quarter of another red dot, half a beige dot, about 95 percent of a blue dot and about 95 percent of a blue - green dot.
It is a diptypch of gloss household paint and butterflies on canvas, one part painting with pink background and the other with a blue background, which illustrates the catalogue's cover.
Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.
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