Sentences with phrase «houses the moving stories»

The workshop will be held in Dr. Carroll Duffy's Wonder Room which houses the Moving Stories Library.

Dr. Duffy is also founder of By The Sea Seminars which provides in - depth training in the Moving Stories Play Therapy Method and houses the Moving Stories E-Library.

Not exact matches

That is: to move from only aggregating (or streaming) others» stories, and start experimenting with original storytelling, as the wildly successful Netflix has done with the likes of «House of Cards» and «Orange Is the New Black.»

Mr. Trump, who has often struggled to express empathy in the face of tragedy, appeared moved by the personal stories, even as he asked repeatedly whether anyone in the ornate room at the White House knew how such horrors could be prevented.

It's hard to believe that a player would be buying a house before having agreed a move though unfortunately, but seeing as the story was «revealed» in The Sun, we can pretty much rule out any truth in the story, with a slim possibility that some of the family may have been in London at some point.

This story of yours has come at a time where I've been pondering about disposables as I will be moving my house to a colder city.

«I look forward to doing all I can to ensure that my unique story of being a 19 - year - old who moved here, came out at 16, who... found out he was HIV positive at 22 years old, who lost his health insurance three weeks later, who couldn't get insurance because of a preexisting condition, who grew up in public housing, who has always struggled to make ends meet here in New York City,» Johnson said during his inaugural address.

Share this story Leave a comment What others are reading Photos: Shatta Wale visits President Akufo - Addo at Flasgstaff House 98 - year - old mother moves into retirement home to take care of 80 - year - old son Liberia presidential vote halted by country's Supreme Court Under fire diplomat summoned to Flagstaff House over gaffe Source: myjoyonline.com

Share this story What others are reading Leave Nima traders alone and move to Flagstaff House — Akufo - Addo told «Stonebwoy was given a week to stay or leave Zylofon» — Kumi Guitar spill beans Bank of Ghana drags 30 microfinance companies to EOCO Polack describes Kotoko as «visionless» Source: myjoyonline.com

By November, as I researched this story, we had finally moved back into our rebuilt house.

Find out more about me, how I renovated my Grandparents» 100 year old house and how I am a total DIY fanatic by checking out The story behind Storyhardt Farm You can also find out more about the amazing Grandma behind this blog who moved in to this old farmhouse with my Grandpa nearly 70 years ago!

Two years ago we packed up the contents of our two - story house (with the intention to move to a smaller town) and moved into a small, two - bedroom apartment.

On a personal note, I wanted to share that after a two month ordeal, we were finally able to finish most of the floor reconstruction in the house and move back in (you can read more about my house - flooding story here).

Yes, the characters are wealthy and have beautiful sea - side houses but the story works and the acting is fun and moving.

The story is about a woman who moves back to her childhood home to attend her mothers funeral, while she's there she get's thrown around the house by a paranormal presence and tries to find out whether or not it's the spirit of her mother.

There are some nicely played laughs at the story's outset, as Wilson's Henry moves into a new house and tries to fend off busybodies: his over-eager real estate agent (Cheryl Hines) and his enthusiastically intrusive next - door neighbor Esperanza Martinez (Adriana Barraza of Babel), who arrives with homemade tamales and a lot of questions.

Sequel to the 2009 mezzo - mezzo supernatural horror purporting to be based on a true story in which a cancer - afflicted teen starts seeing things in the new Victorian house he and his family moved into.

After the quake, an affluent couple wait for word of their missing son; needing to pay for repairs to their ruined three - story home, they move into the servants» quarters and sublease the rest of the house to an aid worker, who then becomes embroiled in local class warfare.

It's pretty much an updated, creepy take on Amityville with a story involving a single mother moving into the haunted house with two daughters and a son with an injury that has left him in a coma.

From first time director Oren Peli, Paranormal Activity tracks the story of a young couple who move into what seems like a typical suburban house...

The latest movie in the «Paranormal» franchise follows a new family that moves into a house in Santa Rosa, California, in 2013 and there they discover a box of videotapes that include the demonization of Katie and Kristi as children, whose stories are told in previous films.

The Haunting in Connecticut (PG - 13 for intense terror and disturbing images) Haunted house tale, based on a true story, recounts the host of supernatural horrors visited upon a family which unsuspectingly moved into a recently - renovated Victorian mansion that had been a mortuary where unspeakable acts had transpired.

«House of Cards» starts off at a remove, but it really gets going when its story plunges into something like the real world, one in which Bill Maher and Dennis Miller comment on the proceding on TV and a gaff on CNN gets autotuned into a viral clip, where an education bill is broken down and haggled over in terms of details on charter schools and collective bargaining and the slower moving but responsible reporting of a newspaper is put up against a fast - paced website in which an editor tells a writer she can just post her stories herself as soon as she's done with them.

Monster House man Gil Kenan is directing the new take on the story of a family (led by Rosemarie DeWitt and Sam Rockwell) who move into what they think will be their dream home, only for it to turn into a horrific nightmare of malevolent spirits and — if writer David Lindsay Abaire channels Tobe Hooper's original — child endangerment.

C + We Bought a Zoo Rated PG for language and some thematic elements Available on DVD and Blu - ray Based on a true story, a widower (Matt Damon) needing to get away from it all takes his two children away from their city home and moves into a house located on an actual zoo.

Related Reviews: Teacher's Pet • The Princess Diaries (Special Edition) • DuckTales: The Movie - Treasure of the Lost Lamp The Tigger Movie (10th Anniversary) • Monsters, Inc. (Blu - ray + DVD) • Max Keeble's Big Move Return to Never Land • The Jungle Book 2 • Mickey's Magical Christmas: Snowed In at the House of Mouse Buzz Lightyear of Star Command: The Adventure Begins • Remember the Titans (Director's Cut) A Goofy Movie • Spirited Away • My Neighbors the Yamadas • Toy Story 2 (Blu - ray + DVD)

From my understanding, this started as a personal story about the decision you and your wife were making about moving out of your house.

The point of all of this back story is that Alice is now living in her father's ranch house estate in Los Angeles, after moving from New York City.

Like many an Ozu film, it's the story of a father (Alex Descas, in a terrific performance) and a daughter and the father's wishes for the daughter to marry and move out of his house (so she can be happy and get on with her life).

And of course there have been stories about his sports idol, Willie Mays, otherwise known as the Say Hey Kid, the one he grew up thinking would move into the vacant house next to his in Montclair, N.J.. There's the piece about a Mays biography that Littlefield reviewed, which includes a mention of Littlefield dressed as Mays one Halloween as a kid.

Though Patchett, like other MFA grads, started out as a short story writer, once she started writing novels «it was as if I had stretched out,» she said, explaining that going back to the format would be similar to moving from a small apartment into a house and then saying you had to move back to the apartment.

Like Janet Finch's 1999 bestseller White Oleander, this is a raw and all too realistic story about a California teen forced to move from house to house — and often from bad situation to worse — after her well - intentioned but self - centered mother...

Of course, as with other stories mentioned on our volatile gas, the issue moves on, and we can thank Brantley for staying right on top of it to bring us a new post, Random House Did Not Mean Own, Exactly.

They may even correspond with your broker to create a background story to show why you need funds released (for example, you are considering moving overseas, a family sickness, or a house purchase).

Now that I have closed on the house and my family have moved into the new house for more than one month, I finally found sometime to continue the story on how I got my mortgage approved by Provident Funding.

This story is from the Fall edition of Our House Magazine Moving on up from condo to house, these young homeowners prove age is just a number For Jordan Rothwell and Karissa Roed, the timing to find their forever home couldn't be more perHouse Magazine Moving on up from condo to house, these young homeowners prove age is just a number For Jordan Rothwell and Karissa Roed, the timing to find their forever home couldn't be more perhouse, these young homeowners prove age is just a number For Jordan Rothwell and Karissa Roed, the timing to find their forever home couldn't be more perfect.

Together with seven international partners, the Anne Frank House has developed an online learning tool against antisemitism and other forms of discrimination: «Stories that Move.

It houses a beautifully created world that is centered on a strong female protagonist, and it's nice to see her fleshed out thanks to a poignant, moving back - story.

The original Destiny proved the House That Halo Built could move beyond Master Chief with swagger and joie de vivre, but the end result was still a game built to reward its earliest adopters with occasional rewards and a near non-existent story.

The game tells the story of Violett, a young and rebellious teenage girl, who moves to an old spooky house in the middle of nowhere.

The five or so story missions aren't the real focus here however, as you likely won't be going back to them after you've run through them to unlock the rest of House of Wolves, so the lack of inherently new content can be forgiven as we move on to looking at the real meat of House of Wolves: The Prison of Elders and Trials of Osiris.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

A lone aeroplane, crashed in a desert, or a spooky house stood on a mountaintop — he crafts these based on his own fictional stories: «I thought of all of the everyday items that could be used for creating figures and found the boxes we used when we moved house,» says Juhamatti.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

2 May: The Calders move into a three - story house at 14 rue de la Colonie.

2011 Becoming, Artsdepot, London Family Matters: The Family in British Art, Norwich Castle Summer Exhibition 2011, Royal Academy of Arts, London Why I Never Became a Dancer, Sammlung Goetz Collection, Haus der Kunst, Munich True Stories, Locks Gallery, Philadelphia Light Fantastic, Broadfield House Glass Museum, Dudley Dance / Draw, ICA, Boston Family Matter, Norwich Castle Museum and Art Gallery, (touring), Norwich The Art of Chess, University of the Queensland Art Museum, Brisbane Crossing Centuries: Works by Women Artists 1830 to 2000, ASC Gallery, London Naked, Jensen Gallery, Sydney Donne, Donne, Donne, Fondazione Pier Luigie Natalina Remotti, Camogli, Move: Choreographing You, K20, Dusseldorf Images From a Floating World, Fredericks & Freiser Gallery, New York Readykeulous, Invisible Exports Gallery, New York Newspeak, The Gallery of South Australia, Adelaide Royal Academicians, I - MYU Projects, Sungnam Art Centre, Seoul Text / Video / Female: Art after 60's, PKM Trinity Gallery, Seoul Watercolour, Tate Britain, London The Shape We're In (Camden), 176 Zabludowicz, London Moving Portraits, De La Warr Pavillon, Bexhill - on - Sea LUMIERE, Durham Sex Drive, Atlanta Contemporary Art Center, Pennsylvania House of the Nobleman, Zabludowicz Collection, London He disappeared into complete silence: re-reading a single artwork by Louise Bourgeois, Frans Hals Museum │ De Hallen Haarlem Sometimes, Ciragan Palace Kempinsky Gallery, Istanbul Fertility, Akim Monet, Berlin At Work, The Government Art Collection, Whitechapel Art Gallery, London Peeping Tom, Kunsthal in Amersfort, Netherlands Paint Me A Drink, 20 Hoxton Square Projects, London Contemporary Art, Fredericks & Freiser, New York

The story of her move to the desert, building a house by hand (one account made it sound like she began by putting adobe around her camper and worked outward from there) and of her «quitting» painting for the better part of a decade: I find all of that an inspiring example of taking an alternative path.

For the last few years the stories on TreeHugger have been overwhelmingly positive, from the people moving in and fixing up houses, planting urban farms, to the hugely successful Eastern Market and the growers and food manufacturers (need a perogi?)

But there is much more here than I can provide here, our brand new house which we moved into in July 2015 was also full of defects, this is another story fo snother day.

As Melody Beattie stated «A House Interrupted» is a story of extreme betrayal, and moves beyond that to becoming a story of profound healing.