In Dauerwelle — a new work commissioned for the gallery's tiny architectural element of a cube recessed into a wall — the singer's pitch black Cleopatra - coif wig rotates in mid-air, preserved like a relic, endlessly
hovering in space like the spectre of a violent beheading.
Not exact matches
Like folk songs their wings wheel and
hover, careless As falcons, I am their anxious scribe, listening myself into their coarse cries, storing the separate Notes
in small black
spaces at the back of my skull, God, if I were a bird I think I would stop worrying!
If a professor at the University of Florida (U.F.) has his way, the first flying saucer to grace Planet Earth's skies isn't likely to come from outer
space but rather from Gainesville, where the faculty member is drawing up plans to build a circular aircraft that can
hover in the air
like a helicopter without any moving parts or fuel.
In one scene, Ant - Man hovers in a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the fil
In one scene, Ant - Man
hovers in a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the fil
in a dark
space with haphazard, mirror -
like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped
in and out of throughout the fil
in and out of throughout the film.
Following Frank's half - hearted self - introduction, we get his backstory: a boyhood visit to the 1964 World's Fair, where he presents his homemade jetpack; an encounter with a peculiar young girl, Athena (Raffey Cassidy), who tells him «I'm the future»; and a trip on the «It's a Small World» ride, which debuted at that World's Fair and
in which — I promise I am not making this up — young Frank discovers an inter-dimensional portal to a futuristic metropolis
in the middle of a wheat field, featuring flying «
hover - rails» and the aforementioned building that looks just
like Space Mountain.
Some of these planets look strange from
space,
like a metallic ball but when you land on them they sport dense environments that look
like nothing else
in the game full of new floating machines,
hovering crystals and much more.
Video games
like Raw Data,
Hover Junkers, Drop Dead, Serious Sam VR: The Last Hope, Superhot,
Space Pirate Trainer and Arizona Sunshine already made a great name for themselves
in that particular genre, showing how amazing it is shooting and blowing up stuff
in virtual reality.
White triangles
hover like patches of fog over soot - ink paper
space in a painting by Joey Piziali.
Biomorphic shapes appear
like inkblots hanging
in the air, stiffened organic ghosts
in fluorescent colours
hover within a
space drawn
in Photoshop.
Ultimately, the «Light Sentences» reach a level of poetic self - containment when isolated
in dark, recessed
spaces,
hovering like disembodied hands, or when paired with other multicolored glow - sticks that somehow match or «answer» them symmetrically.
The walls themselves, painted with layers of flat, burnished blue - black paint, seem to recede
like a dark sea into the night, while the line, lit with blue light (a technique she has used before), appears to
hover untethered
in the
space.
Designed by Francis Kéré, the first African architect to win the commission, the big disc of spindly wooden slats will
hover over a gathering
space enclosed by curving blue walls, built of staggered wooden blocks
in a textile -
like pattern
in reference to the festive costumes of his native village.
At Tripoli Gallery, the works on view range from Gran Twister, 2012, a majestic conflagration of loops that
hover above the exhibition
space as if in orbit, to Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfbo
space as if
in orbit, to
Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfbo
Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall
like errant surfboards.
In Generator clusters of atom - like, circular forms, seem to hover in spatial crevices, but take the motif away and no space is now perceive
In Generator clusters of atom -
like, circular forms, seem to
hover in spatial crevices, but take the motif away and no space is now perceive
in spatial crevices, but take the motif away and no
space is now perceived.
It's supposed to allow for «fast and stable motion tracking» that makes objects look
like they're actually being placed
in real
space, instead of simply
hovering over it.
The study
hovers in the middle of the vast
space above the dining area,
like a floating, glass - sided deck.