Sentences with phrase «hovering in space like»

In Dauerwelle — a new work commissioned for the gallery's tiny architectural element of a cube recessed into a wall — the singer's pitch black Cleopatra - coif wig rotates in mid-air, preserved like a relic, endlessly hovering in space like the spectre of a violent beheading.

Not exact matches

Like folk songs their wings wheel and hover, careless As falcons, I am their anxious scribe, listening myself into their coarse cries, storing the separate Notes in small black spaces at the back of my skull, God, if I were a bird I think I would stop worrying!
If a professor at the University of Florida (U.F.) has his way, the first flying saucer to grace Planet Earth's skies isn't likely to come from outer space but rather from Gainesville, where the faculty member is drawing up plans to build a circular aircraft that can hover in the air like a helicopter without any moving parts or fuel.
In one scene, Ant - Man hovers in a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the filIn one scene, Ant - Man hovers in a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the filin a dark space with haphazard, mirror - like panes — a scene that looks strikingly similar to «Doctor Strange's» own mirror world, the place he and his fellow sorcerers popped in and out of throughout the filin and out of throughout the film.
Following Frank's half - hearted self - introduction, we get his backstory: a boyhood visit to the 1964 World's Fair, where he presents his homemade jetpack; an encounter with a peculiar young girl, Athena (Raffey Cassidy), who tells him «I'm the future»; and a trip on the «It's a Small World» ride, which debuted at that World's Fair and in which — I promise I am not making this up — young Frank discovers an inter-dimensional portal to a futuristic metropolis in the middle of a wheat field, featuring flying «hover - rails» and the aforementioned building that looks just like Space Mountain.
Some of these planets look strange from space, like a metallic ball but when you land on them they sport dense environments that look like nothing else in the game full of new floating machines, hovering crystals and much more.
Video games like Raw Data, Hover Junkers, Drop Dead, Serious Sam VR: The Last Hope, Superhot, Space Pirate Trainer and Arizona Sunshine already made a great name for themselves in that particular genre, showing how amazing it is shooting and blowing up stuff in virtual reality.
White triangles hover like patches of fog over soot - ink paper space in a painting by Joey Piziali.
Biomorphic shapes appear like inkblots hanging in the air, stiffened organic ghosts in fluorescent colours hover within a space drawn in Photoshop.
Ultimately, the «Light Sentences» reach a level of poetic self - containment when isolated in dark, recessed spaces, hovering like disembodied hands, or when paired with other multicolored glow - sticks that somehow match or «answer» them symmetrically.
The walls themselves, painted with layers of flat, burnished blue - black paint, seem to recede like a dark sea into the night, while the line, lit with blue light (a technique she has used before), appears to hover untethered in the space.
Designed by Francis Kéré, the first African architect to win the commission, the big disc of spindly wooden slats will hover over a gathering space enclosed by curving blue walls, built of staggered wooden blocks in a textile - like pattern in reference to the festive costumes of his native village.
At Tripoli Gallery, the works on view range from Gran Twister, 2012, a majestic conflagration of loops that hover above the exhibition space as if in orbit, to Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfbospace as if in orbit, to Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfboSpace Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfboards.
In Generator clusters of atom - like, circular forms, seem to hover in spatial crevices, but take the motif away and no space is now perceiveIn Generator clusters of atom - like, circular forms, seem to hover in spatial crevices, but take the motif away and no space is now perceivein spatial crevices, but take the motif away and no space is now perceived.
It's supposed to allow for «fast and stable motion tracking» that makes objects look like they're actually being placed in real space, instead of simply hovering over it.
The study hovers in the middle of the vast space above the dining area, like a floating, glass - sided deck.
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