Esmaa Mohamoud and John Edmonds anchor ltd los angeles's space with an exhibition that considers
how Black masculinity is portrayed in contemporary American culture.
Not exact matches
Pecou's paintings, performance art, and academic work addresses concerns around contemporary representations of
Black masculinity and
how these images impact both the reading and performance of
Black masculinity.
Punchbag added further complexities to questions of raced, gendered and cultural identities raised by Glenn Ligon's Skin Tight: Muhammed Ali Text (1995)[Figs.85 - 86], a punchbag and text piece which specifically sought to address «
how black men have used boxing to confront issues of
black American identity» and «the construction of
masculinity in relation to questions of violence, the commodification of
black subjects, sexuality and resistance.»
In his oeuvre, he interrogates contemporary representations of
Black masculinity and
how these images impact both the reading and performance of
Black masculinity.
His paintings, performance art, and scholarly work address concerns around representations of
black masculinity in popular culture and
how these images impact both the reading and performance of
black male
masculinity and identity.
Pecou's paintings, performance art, and scholarly work addresses concerns around representations of
black masculinity in popular culture and
how these images impact both the reading and performance of
black male
masculinity and identity.