Not exact matches
«Starting with the background of the blighted Hell's Kitchen neighborhood and the building's initial commercial failure in the mid-1970s, the story recounts
how - in a moment of bold inspiration or maybe desperation - the buildings were're - purposed» as subsidized housing for people who worked in the performing
arts, becoming one of the first intentional, government supported,
affordable housing for artist residences.
The introduction by archives specialist Mary Savig explores the intersections between commercial holiday cards and the
art world —
how holiday cards were first marketed as «
affordable art» and
how selling their
art to card companies often provided income for artists in lean times.
With the imperative to be functional,
affordable, and collectible, Welcome Editions thinks beyond the established binary of the
art market to demonstrate
how the
art community can be a greater catalyst for social engagement, while simultaneously cultivating artistic development and enabling meaningful means of employment.
In addition, we've met with city officials, developers, and community development groups to help them understand
how tiny houses can be a good example of urban infill and serve as a small component of
affordable housing strategies and creative
arts spaces in cities.