Sentences with phrase «how architectural spaces»

He is invested in questions of memory, the possibility of preservation, and how architectural spaces can reflect interior states.

Not exact matches

A fresh take on shiplap and wood paneling in the dazzling powder room shows how having fun with architectural details can make a space come to life.

However, I believe anyone can learn to write about structures (from castles, to space stations, to huts) by asking themselves a few simple questions about how they want to use the building in the... Continue reading «Navigating Architectural Spaces in your Fiction: From Apse to Ziggurat:»

Candida Höfer is a photographer known for her large - format images of architectural interiors, which address the psychological environment of social and cultural institutions by acknowledging how public spaces are designed to accommodate and inform the public.

In the exhibition Work in Progress, Umeå School of Architecture gives an insight into how structure, materials, light, motion and activity are used in the creation of architectural space.

The exhibit's title, Geometry's Garden, refers not only to Andrade's longstanding interests in mathematics and precision drawing, but also to how her work shifted in the 1980s to become expansive reveries on mosaic - like, architectural schematics, or alternatively, the sky and infinite space.

In this piece, Frezza and Chiao illustrate how the constructed and architectural can interact with the organic environment, creating the playful, hybrid space of an indoor garden.

In this interview, Anish Kapoor explains how he worked with the exhibition space with its specific architectural style and its own history.

A Chicago artist who teaches at Northwestern University, Judy Legerwood has for much of her career made paintings that play with a basic quatrefoil floral motif, laying them down in patterned rows or focusing on them solo to explore how the variations interact with architectural space.

Freddy Tuppen's work examines how externalisations of memory such as photography and cinema affect our experience of architectural space.

With Revd Dr Richard Davey, Shawcross explains how he approached the courtyard installation and how scale, failed theories and architectural space all influence his practice.

It's an architectural sensibility, it's really understanding how objects in space function», she says.

For the fourth installation at Vancouver Art Gallery Offsite, renowned sculptor Elspeth Pratt draws on architectural forms as inspiration to investigate how built environments define public space.

In her first solo show in New York, Litchfield's collaged and painted memory landscape compositions will ramble across the walls of the gallery working directly with the architectural elements of the space itself and calling attention to how we perceive and recall place and time.

Those who like contemporary photography, they will certainly enjoy works by Candida Hofer, a photographer known for her large - format images of architectural interiors, which address the psychological environment of social and cultural institutions by acknowledging how public spaces are designed to accommodate and inform the public.

«The firm understands and appreciates the value of institutional mission and has clearly demonstrated in past projects — such as New York's Neue Galerie and the Clark Art Institute in Williamstown — how new designs can enrich, rather than overwhelm, already distinguished architectural spaces.

The work was an installation of five identical cast iron figures, bent at the waist, arranged around the room in different positions to pose questions about architectural space and how human posture conveys mood.

Here, we might further examine how these artists consider the queer body in space amongst the domestic, the architectural, the landscape, public or private sectors — and how the collision between such domains might summon, conjure, or propose a third space.

To present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Bern?

Although I could see the attraction in terms of how to deal with architectural space and sweeping gestures that would bring fragmentary objects together as one coherent pictorial unity, I'm curious what other impulse is behind it?

It struck me how you related this architectural and curatorial context to a moving viewer navigating multiple screens in a contemporary museum space.

Taking root from architectural theory, futurology and geopolitics, as well as family photographs and memory of place, his hand - drawn and digital sketches, collages and mobile constructs respond to the psychic and physical impact of space, and to how these experiences are navigated and mapped.

Here I began to realize that no matter how conceptual a work of art may appear, once it becomes visualized in the formal sense of being placed in a living architectural space, it transforms into decorum.

In addition, ordinary windows will be replaced with colored panels disrupting one's expectation, and images of small, empty containers enlarged to architectural scale disassociate the photographs from their references and challenge how we relate to space.

How Profound Is the Air (1996) combines the roughly hewn, natural exterior of the stone with a highly finished, interior architectural space.

Roy - Bois, architect Leslie Van Duzer and artist / architect Robert Kleyn will consider the role of the built work in instituting a narrative for the viewer; how architecture leads the viewer in galleries and museums; and how one might, or might not, distinguish between architectural spaces and the spaces created by art.

It's great to see how small space design can not only make «less» feel like «more», but can also help preserve a city's architectural heritage and traditional character.

Since the agenda for my clients was to make the room bright and airy while creating a better definition of rooms and spaces, I opted to add character and a bit of enclosure by installing antique glass door panels (you know how I love architectural salvage, after all).

The ceiling height, the style of the home, the visual weight of the treatment in the room, the width, stain or paint color of the beams or boards and how the architectural feature will complement the floors, windows, walls and other elements in the space are definitely important considerations.

Blue can also help define the architectural space of a room — note here how the solid blue wall instantly draws the eye.