Sentences with phrase «how beautiful these films»

No matter how beautiful the film might be, it will be a tough sell for American audiences.

Not exact matches

Some Kind of Beautiful (Canadian title: How to Make Love Like an Englishman, UK title: Lessons in Love) is a 2014 comedy / romance film written by Matthew Mira Dating Game Gets Bi - Summer Day Mike Panic Penelope Reed Lance Hart en línea en.

The Missing marks a definite return to form for Ron Howard, whose last two films - the overwhelming How the Grinch Stole Christmas and the sappy A Beautiful Mind - felt more like products geared towards a large audience than anything else.

I know this might sound strange to some people (seeing how this is a black & white film) but it is just beautiful to watch.

However, that depiction, while not always perfect (the dialogue sounds exactly like how an adult would think teenagers talk), the film is still beautiful and fascinating enough to work, thanks to Coppola's ability to give a palpable sense of atmosphere and beauty to even the most vapid of contexts.

Aloha is a beautiful mess with Crowe's fantasy dialogue, the cast is wonderful but some how the film screws it up.

THE ENGLISH PATIENT is a genuine and beautiful film about the enduring power of love, proving how circumstances lead us to places we never thought we would end up.

She is also stars in the Syfy original movie «American Horror House», which premieres Saturday, October 13 at 9:00 p.m. Media Mikes had a chance to chat with the beautiful and sweet Morgan Fairchild about her this Syfy film and how she prepares for a role.

In one of the film's odder scenes, she tells Max, rhapsodically, how Charlie almost beat the number - one boxing contender («He was beautiful,» she says).

Watching this beautiful restoration of «Blood Simple» I was actually struck by how non-bleak it is, how much the strength of the film lies in images of beauty, defiance and survival.

with great sequences, including movies within the movie (these are more introductory sequences for our cast), a smart banter between different religious figures on how Jesus should be portrayed, and some beautiful imagery (the film is shot by Roger Deakins of «Skyfall» and «No Country for Old Men»).

Nonetheless, it's still a beautiful film that shows just how important food is in relation to love and relationships, and why good food (even if it ends up delivered to the wrong place) is good for the soul.

How crazy is it to make a biographical film of someone and then go ahead and invent sections of it.The demonic Wilson doctor and the youthful Wilson are great in their parts, but Cusack is not quite so convincing nor is his girlfriend who is ridiculously beautiful and sentimental.However the film has many good points and is an interesting viewing.l am not a fan of Beach Boys silly group harmonies, style of music, but still enjoyed the film.Mixing fact with fiction, though, did make me suspicious of the whole thing.3 Stars

But to me, The Disaster Artist is all about the beautiful, nonsensical insanity of pursuing creative endeavours - and how you respond is likely dependent on how much the film resembles you.

There are joys to be found in the beautiful cinematography, though it is this film's misfortune to have been released in the same year as Life of Pi, a film which showed us just how stunning a film about a drifting boat can be.

Overall, the film has beautiful cinematography (as is expected) and the story of the two chimps works well, but the rest of the tale seems forced, as if they needed to fill Tim Allen's narration with something else exciting and they didn't know quite how to do it.

It's a stupid idea, in other words, one exacerbated by the casting of the usual suspects of beautiful young things who here find themselves trapped in a bad rave by some twisted games master (Lance Henriksen, in the kind of performance you praise for his knowing how wretched the film is — let's think on that for a moment).

There's been a lot of discussion about how Allen's proclivity toward May - December relationships mirror his own personal life, and quite frankly, it's getting a bit exhausting watching the director indulge his fantasy of beautiful young women falling in love with older men, especially now that he's no longer playing the lead in his films.

Using the language of cinema, Owen figured out how to deal with reality, and the resulting film is a beautiful commentary on not just Owen's specific case but how we all use movies to help us understand daily life.

DVD Details: Miramax has released a new 2005 Collector's Series DVD, but I'm not sure how well the film will play 16 years later, since this kind of disease - of - the - week biopic — and variations thereof — has been copied to death (Shine, A Beautiful Mind, etc.).

Tellingly, Signs also features bookend title cards touting it as «An M. Night Shyamalan Film» in thirty - foot letters — it's a total ego trip (note Shyamalan's extended «cameo» and exactly how crucial it is to the film: the man makes himself the most important character in the piece), and no matter how beautiful it looks, how expertly its sound is mixed, how funny it can be, and how effective a few tense scenes are, the picture is a first - class disappointment.

At the press day for Beautiful Boy, actress Maria Bello did this exclusive interview with Collider, where she talked about choosing roles very instinctually, how she was drawn to exploring the levels of grief for this role, how much she enjoyed collaborating with co-star Michael Sheen, and that she thinks this is ultimately a hopeful film.

It was fun to figure out how to approach that but still [keep the film] in my style, and to have this kind of beautiful, dreamy world that I like — but with a plot!

It becomes a rather beautiful film about different generations of women from the same family and how they're not quite the strangers they think they are.

It's a beautiful film that is never self conscious or coy in its presentation of desires, no matter how innocent or tainted.

«There's something so universal about the human condition of growing up with siblings and parents, with how we maneuver through the world over time — you can't not relate to it on some level, which means the response to this film has been fun and heartfelt and kind of beautiful,» Richard Linklater said of «Boyhood's» 12 year journey.

In an exclusive interview with Screen Rant for his upcoming action film Den Of Thieves, Butler mentioned his recent work recording for How To Train Your Dragon 3, and called it «beautiful»:

It was the same kind of style and really kind of a beautiful little film,» Welsh explained about how Baird came on board.

Probably my favorite quality of the film is how beautiful it is.

While in L.A. promoting the film, Bullz - Eye had a chance to sit down with the Brothers Farrelly and the cast (including Jerry Stiller, Danny McBride, Rob Corddry, Malin Ackerman, Michelle Monaghan, and Carlos Mencia) to discuss, among many things, the struggle to create a likable character and how to make strenuous sex scenes not so strenuous on your beautiful stars.

Richard Attenborough: an escaped lunatic in A Bridge Too Far (1977) John Carpenter: his longest cameo appearance was as Bennett in The Fog (1980) Terry Gilliam: directed himself in bit roles in Jabberwocky (1977), Brazil (1985), and The Adventures of Baron Munchausen (1988); he also directed himself as a member of the Monty Python troupe in Monty Python and the Holy Grail (1975), and The Meaning of Life (1983) Ron Howard: small cameo roles in Night Shift (1982), How the Grinch Stole Christmas (2000), and A Beautiful Mind (2001) Lawrence Kasdan: Devo's (River Phoenix) lawyer in I Love You To Death (1990) Elia Kazan: Mortuary Assistant in Panic in the Streets (1950) Stephen King: in his lone directorial effort Maximum Overdrive (1986) Spike Lee: cameos (and some larger roles) in many of his own films, including: She's Got ta Have It (1986), School Daze (1988), Do the Right Thing (1989), Mo» Better Blues (1990), Jungle Fever (1991), Malcolm X (1992), Crooklyn (1994), Clockers (1995), Girl 6 (1996), Summer of Sam (1999), and 3 A.M. (2001) Terrence Malick: an unexpected visitor at door, with blueprints, in Badlands (1973)- credited as «Caller at Rich Man's House» Robert Redford: the Narrator in A River Runs Through It (1992) Rob Reiner: a helicopter pilot in Misery (1990) M. Night Shyamalan: Dr. Hill at the hospital in The Sixth Sense (1999), a Stadium drug dealer in Unbreakable (2000), deadly driver Ray Reddy in Signs (2002), and Guard at Desk in The Village (2004) Steven Soderbergh: small cameo roles in Schizopolis (1996), Ocean's Eleven (2001) Oliver Stone: an officer with a phone in his hand in a US base's bunker when it is blown up by a suicide bomber in Platoon (1986)

Group shots are as appetisingly clustered as fruit baskets, while a couple of scenes with Bobby and Vonnie together — in his Hollywood motel room during a power cut, and later, on a Central Park bridge at dawn — are the most visually beautiful sequences in an Allen film in goodness knows how long.

If you were struck by the beautiful look of the film and wondered how the characters moved so realistically, there is a reason for that — Pixar rewrote its animation system for the first time in 25 years to portray Merida and her epic quest.

In Todd Haynes» unspeakably beautiful adaptation of Patricia Highsmith's semi-autobiographical novel about a 1950s Manhattan shopgirl (Rooney Mara) who is thunderstruck by a mutual infatuation with a well - to - do housewife (Cate Blanchett), the film illustrates — among other things — how falling in love is an act of looking, while being in love is an act of seeing.

I'm curious to see how this film catches on, but the shots of Southern England could be beautiful.

One thing you will quickly notice is just how stunningly beautiful this film is.

Also, the location where they shot the film was beautiful while the cinematography helped convey the idea of how far away from civilization the group was, adding to the idea they were completely on their own.

In the interview, Pete talks about some of his favorite movies he recommends to friends, the evolution of the project over the years, how he got involved as a director, his vision behind the stark contrast between the beautiful, almost photo realistic backgrounds and the cartoony characters, a scene from the film that I felt was a homage to Jaws, the 1400 kid search for the main star of this film, how directing the voice actors for the English version of Miyazaki's Ponyo helped him in making this film, and find out who directs Peter Sohn when he performs in his own film.

Big props to Aussie writer and director Ben Lewin, whose script gives every single character, no matter how small, a meaningful contribution to the film and backs it up with restrained but beautiful direction.

This concept art for Star Wars: The Force Awakens is fantastically beautiful, but it also reveals the how far along the movie was before filming began.

While touring around to promote her upcoming film, Beauty and the Beast, Watson has created an Instagram account called The Press Tour that documents the beautiful outfits she wears while on tour and explains how they are sourced and made.

The company expressed its desire to «film beautiful scenes in stereoscopic 360 VR video,» expressing a strong belief in how much that can be achieved with virtual reality.