Sentences with phrase «how big the audience»

This one is very important, and it doesn't matter how big the audience is.

It's very hard to estimate how much you could earn because of all the varying factors — how big your audience is, how successful your promotions are, which affiliate program you join and what commission structure you choose.

«Every week you are broadcasted, and every week you are praised or despised» — depending on how big the audience the programme drew.

And now we have an idea of just how big that audience is thanks to Pokémon Go, the company's most important release of 2016.

Not exact matches

You do market research to see how big of an audience is actually out there and what portion of the market you can potentially capture.

Audiences are scattering in a way they [big media] don't know how to deal with on their traditional platforms.

Imagine being able to predict the next big thing on social media, knowing what social media will look like in 2017 and beyond and how will brands use social platforms to connect with their audience.

Audiences walk away knowing how to use blogs, YouTube, Facebook, Twitter, Big Data and the newest tools like Newsjacking and to engage the media, crowd - source product development, increase sales, exert influence, disseminate ideas, build awareness and command premium prices by using speed as a strategic weapon.

While it's broad - based programming isn't exactly a swashbuckling fantasy epic, it knows how to draw big audiences.

Because learning how to bring your products, your services and your message to a bigger audience shouldn't come with a 5 - digit price tag.

We must do our research and not only understand who our our audience is, but also know exactly what their needs are and how we can help them solve their most simple and even biggest life or business problems.

We're putting up this post because, based on research we've done with our biggest clients (lists over 100,000 records) suggest both some simple technical fixes, and also a mindset shift around how we think about our online lists, and the strategies for growing our audience.

Not exactly a big audience (particularly since we have no idea how many times it's been watched by CEI employees...), but we also don't know how much promotion they've done.

The researchers were surprised to find that almost 1 percent of the websites they tested had suffered a data breach during their 18 - month study period, regardless of how big the companies» reach and audience are.

I ran into Geoff last summer at eAmore in NYC, where he impressed the audience with a great presentation about how big MyYearbook is and what a great fit it is in the social networking ecosystem.

When it comes to Annabelle's five or six big stinger moments, Leonetti manages to deliver the jolts, and if audiences are sure to head home complaining about how dumb and predictable it all was, many may also find themselves nursing their significant others» lightly bruised forearms.

McKay cowrote The Big Short's screenplay with Charles Randolph, and they know how to keep an audience engaged, broadcasting this knowledge often, as both parody and indictment.

In the wake of a number of star - studded big - budget comedy features waning at the box office (read Ghostbusters), and once - upon - a-time comedy king Adam Sandler now reaching his core audience on Netflix, A Bad Moms Christmas serves as an example of how feature film economics have also changed in a climate where streaming has impacted theatergoing for mid-and-low budgeted films.

Now, Destiny 2 is kind of a big thing, running in the same mainstream circles that fans of Red Dead are active in, meaning the target audience of the «interested in Red Dead but not fully versed in how Rockstar operates» people would still likely catch this error.

And the lousy box office results are another example of how audiences sent Hollywood a big message this last summer that spending all that money on familiar tentpole projects isn't exactly the best investment.

I went on to write, «What is less certain is how the movie performs at the box office, lacking the big effects of The Hobbit and Walter Mitty, the anticipated R - rated flair of American Hustle and The Wolf of Wall Street, and the big audience reactions of Anchorman 2.»

In Jaws, to demonstrate to the audience just how big and powerful the great white shark was, the crew hunting the animal attach several air - filled barrels.

She then starts to break audience's hearts when she recalls her forced downsizing experience and its impact on her life and how she'd always hoped to meet that Norwegian doctor who, seeing how her downsizing had reduced her pain due to her lost leg — realized it's the first time he'd never been so proud of his downsizing efforts when he heard her story and realized she was relieved from unbearable pain only to find herself on the margin of a downsized society that, even though became smaller in size, its ego and indifference are bigger than ever.

Tom Cruise may be oddly miscast in this big action movie, but he certainly knows how to make one of these preposterous films connect with an audience.

Director Tobias Lindholm knows how to pile on the tension too: Negotiation scenes are filmed from Malling's end, making them unbearably tense when things go awry, and the film's biggest shocks come from its casual way of letting the audience see the passing of time.

«Technology has lessened that burden, but the big challenge today is how audiences can see these films.

Eisner couldn't possibly fathom, he told shareholders, how this movie about a clownfish desperately scouring the ocean for his missing (and only) son with a forgetful blue Tang at his side could ever hit it big with audiences worldwide.

At a time when most folks like to stay in their houses and stream things, there's no understating how great it feels to get out and share big - screen experiences with enthusiastic audiences.»

Wilson returns to the big screen opposite Kristen Wiig and Bill Hader in «The Skeleton Twins,» and reminds audiences just how great he is at playing average.

Schwarzenegger himself gives his best post-political performance to date in a surprisingly dark role, that will undoubtedly remind audiences why they love Arnie and how great it is to see the Governator back on the big screen for the long haul.

It begins with actor Robert Downey Jr and director Jon Favreau revealing their initial concern whether or not the audience will accept a superhero from Marvel Comics onto the big screen and how their worry vanished when they saw the fan craze on the red carpet of the first Marvel film — Iron Man a decade back.

Perhaps the biggest challenge of prequels is that audiences already have an idea of how the characters end up, so creators have to ensure that the prequel's script will still hook audiences.

Audiences will still likely see every punch coming from a mile away, but what's remarkable is how the movie lands them all: It's an invigorating piece of nostalgia that fuels a bigger adrenaline rush with its climax than any big - budget blockbuster could provide.

I'm not sure how big of a role Rachel McAdams is going to play in this one (she's absent from the trailer, but there's no way she won't factor into the story somehow), but as long as Robert Downey Jr. and Jude Law still have a playful rapport, then audiences are in for another treat.

It's strange to see a big - budget sci - fi movie aimed explicitly at a family audience, and the film plays like how - to survival tactics TV, only on a massively overblown scale.

It's marvelous to hear how it changes throughout the course of conversations, and how well it sets the audience up to build for a hearty laugh or a big scare.

When it debuted at various festivals, including the Sundance Film Festival, «Skeleton» received mostly positive reviews, with Variety critic Geoff Berkshire writing that «the biggest surprise for audiences expecting plenty of laughs will be just how effectively both thesps handle the weightier dramatic material in the screenplay... «The Skeleton Twins» captures the way siblings develop their own unique comedic shorthands in a way few films ever have.»

Fans will note that 2016 was an important year for Fox, as the studio found out — via Deadpool and X-Men: Apocalypse — both how big their comic - book audience is, and that there is room for flexibility in approach.

Freed either by working with the man responsible for her breakout role or by the chance to use her actual accent for once, Collette makes a triumphant return to the big screen, reminding audiences of how much we've missed her while she toiled away on Showtime's «United States of Tara.»

Or is this just solid proof that every audience is different, and that the response at one high - profile screening — packed to the gills with people only there for the big name on the poster and industry types angling for a hot acquisition — is no indication of how a movie will be received in general?

Cuesta keeps his film lively in the first hour with montages of real life footage and news coverage, reminding his audience that this story was very much a big deal, even if it's one which is perhaps today rarely spoken about (ask «Joe Public» who Oliver North is and I'd imagine the answers back up my statement) and in another highly complementary comparison I was often thinking about how Oliver Stone would have handled a film on the subject and character.

Positive comments from some recent users of this book include: Most schools are full of documents and data... Dr Slater is among the first to show how they can be used to compare what is said on paper and in interviews... The results will shock you... Dr Slater is a successful high school teacher and an award winning author... and here's why... Fantastic little book, punches well above its weight... Makes it seem so simple... the art of the genius... As an advocate of the What Works agenda, I think this book really is a wake - up call... A fantastic insight into the potential for using documents in research... Nails twenty years of research in twenty minutes... Worth every dime... Every student in my class (6th form) has been told to buy this book... and it's easy to see why... Shines a great big light on the power of documents in research... Surely this is the best book in its field... First class... I kept referring to this book in my presentation last week and the audience was ecstatic... Education research, usually has little effect on me... Until now... This book is formidable... Crushes the concept that education research is rubbish... fantastic insight... Blows you away with its power and simplicity... Huge reality check, senior school managers at good schools tell the truth, other's don't, won't or can't, and their students suffer.

When I first started developing eLearning courses, my biggest frustration was how to take all of the content provided by my subject matter expert and transform it into a development - ready storyboard that also met the learning needs of my audience.

Rockman conducted a 19 - month study of The Big Read to learn more about how communities held a Big Read — what books they chose, what partners they enlisted, what promotional and programming strategies they devised, what NEA resources they used, and what audiences they reached.

Actually, didn't realize how big of an audience he had until after that.

It absolutely can, but you have to look at the bigger picture and see how audiobooks are more than just a royalty generator — they can be an excellent resource to expand the reach of your book marketing efforts and create pathways to new audiences.

One of the biggest bugbears writers face is how to stay up - to - date with building your brand and your audience on social media.

They revealed some very good news about how the market has rebounded in 2012 and also trades stories with the audience of primarily retailers on cheap, easy promotions that created big sales.

I then asked how the smaller, more general audience Wondercon compared to bigger or more targeted cons such as New York Comic Con or Anime Expo.

Third - party platforms stand in between you and your fans» contact information and may limit how big of an audience has the chance to see your posts.