Sentences with phrase «how black identity»
Her work includes examinations of how black identity is differentially constructed across multiple contexts and informs achievement outcomes, how black people's perceptions of opportunity vary within space and influence academic orientation, and how black educational resilience and vulnerability is structured by social, institutional, and historical forces.
http://www.teachingworks.org/ Not exact matches
I have not seen her in almost 20 years but I love her still for how she treated me - with love and dignity during a time when I was unsure about the meaning of my black identity.)
People should not kill each other because they are black or white, gay or straight, Arab or American, but should instead rejoice in how God has created persons differently so that new meanings and identities are always possible.
I enjoy Flower of Scotland, but... The «black British» point and the absence of «black English» from public discourse is not intended as a demand for hyphenated identities or any official categorisation, though I can see how it could be read as that.
«We hope to shed light in this black box to reveal how the genes affect the cells» identity and behavior.»
He is a despised character within the film designed to show the audience how loathsome many representations of black identity have been, from The Birth of a Nation onwards.
II) angelina jolie (alexander) angelina jolie (bone collector) angelina jolie (tomb raider) angelina jolie (sky captain) tommy lee jones (men in black 2) milla jovovich (he got game) milla jovovich (the messenger) ashley judd (high crimes) ashley judd (de-lovely) glen keane (tarzan animator) diane keaton (something's got ta give) christine keener (being john malkovich) david kelly (waking ned devine) nicole kidman (bewitched) nicole kidman (the hours) nicole kidman (the human stain) nicole kidman (moulin rouge) nicole kidman (stepford wives) ben kingsley (sexy beast) kevin kline (road to el dorado) kevin kline (de-lovely) ashton kutcher (butterfly effect) diane lane (under the tuscan sun) anthony lapaglia (the guys) heath ledger (the patriot) heath ledger (a knight's tale) spike lee (bamboozled) tea leoni (jurassic park 3) ray liotta (identity) jennifer lopez (the cell) jennifer lopez (maid in manhattan) justin long (jeepers creepers) jennifer love hewitt (the tuxedo) jon lovitz (rat race) baz luhrmann (moulin rouge) catherine maccormack (dancing at lughnasa) william h. macy (pleasantville) william h. macy (mystery men) madonna (the next best thing) tobey maguire (pleasantville) tobey maguire (seabiscuit) tobey maguire (spider - man) tobey maguire (spider - man 2) john malkovich (being john malkovich) david mamet (the winslow boy) julianna margulies (what's cooking) julianna margulies (ghost ship / evelyn) garry marshall (director, the runaway bride) steve martin (novocaine) matthew mcconaughey (u-571) ian mckellen (lord of the rings) kel mitchell (mystery men) ming - na (final fantasy) julianne moore (far from heaven) mandy moore (how to deal) viggo mortensen (Hidalgo) carrie - anne moss (the matrix reloaded) frankie muniz (agent cody banks) sam neill (jurassic park 3) thandie newton (besieged, MI: 2) jack nicholson (about schmidt) jack nicholson (something's got ta give) nick nolte (the good thief) nick nolte (the hulk) edward norton (keeping the faith) edward norton (red dragon) frances o'connor (a.i. artificial intelligence) chris o'donnell (vertical limit) haley joel osment (a.i. artificial intelligence) peter o'toole (troy) gwyneth paltrow (bounce)
Over the course of the past year, amid the swelling «Black Lives Matter» protests across the country, my desire to understand how young people develop a social, political, and civic identity has been reaffirmed and reinvigorated.
«I wanted to explore how artistic practices can be applied toward the identity development of Black and Brown youth,» he says.
How do black parents communicate information to their children about their personal and group identities as it relates to race, intergroup relationships, and their place in the racial hierarchy?
Interested in how socially constructed identities are understood in relation to education experiences and outcomes of Black students.
This multi-day experience will bring Black educators together to root themselves in research and affinity based reflection in order to understand how they can lead from a place that leverages multiple parts of their identity.
Much of Long Black Veil centers on the meaning of identity and how it changes as we get older.
In this riveting collection of personal essays about racial identity, blacks and whites, young and old, talk with candor and passion about both the privilege and the prejudice, and how they are negotiated, challenged, or ignored.
In a new ART21 «Exclusive,» Nick Cave discusses the experiences that force him to confront his identity as a black man — including being racially profiled by police — and how they fuel his impulse to create.
I do this so that the person viewing the piece doesn't get confused that the piece may be about black life, or cultural identity, but instead that the piece is about others» perception of the Other, and how that might obviously have a negative impact on a community and on the individual that is being portrayed in the stereotype.
With «Freestyle,» «Frequency,» «Flow,» and «Fore,» the Studio Museum explored how identity itself emerges obliquely for young black artists.
«and her reflection that «How people describe your work is important as it is how they see the work, if you are introduced as a Black Asian artist, people expect your work to be about identity.&raqHow people describe your work is important as it is how they see the work, if you are introduced as a Black Asian artist, people expect your work to be about identity.&raqhow they see the work, if you are introduced as a Black Asian artist, people expect your work to be about identity.»
Broadly interviews artist - friends Precious Okoyomon and Phoebe Collings - James about their experiences as immigrant black women and how their identities inform their respective works.
Her work focuses on the interaction between technology and black identity and questions how blackness is represented through modern technology.
Punchbag added further complexities to questions of raced, gendered and cultural identities raised by Glenn Ligon's Skin Tight: Muhammed Ali Text (1995)[Figs.85 - 86], a punchbag and text piece which specifically sought to address «how black men have used boxing to confront issues of black American identity» and «the construction of masculinity in relation to questions of violence, the commodification of black subjects, sexuality and resistance.»
This panel will look at literature, both here and in France, and how it engages the work of identity in our era of political extremism and activist movements such as Black Lives Matter in the U.S. or the Nuit Debout in France.
Combining text and odd materials like semen, peanut butter, and hair, these works reflect on black history and how identity gets constructed.
As a black man born in Manchester and now living in Trinidad, half a world away from the endless machinations of the London art world and London's art dealers, how has Ofili defined his own experience of being alive, and succeeded in establishing his own black cultural identity through his art?
This Spring Kwame Asafo - Adjei, founder and artistic director of Spoken Movement tackles the concept of identity within Black culture and how it influences and exists across space and time.
Obsessed with how America consumes black and gay culture Muse interrogates how she contributes to this further commodification of black and queer identities.
Much of the subject matter of these works centers on black identity, fertility, and how landscape both informs and provides a backdrop to these themes.
Hank's interest in commodity culture and identity through multiple perspectives shows viewers how images / objects can diverge from common understandings of Black life in the Western tradition.
His paintings, performance art, and scholarly work address concerns around representations of black masculinity in popular culture and how these images impact both the reading and performance of black male masculinity and identity.
Pecou's paintings, performance art, and scholarly work addresses concerns around representations of black masculinity in popular culture and how these images impact both the reading and performance of black male masculinity and identity.
She has also painted over parts of newspaper pages to show how they «used black people in a very subtle way which could be said to undermine their identity.»
At Culture Trip we love how French street artist JR infiltrates the urban environment with his epic black and white imagery that tackles identity and inequality.
Their debut on March 7 will be on a distinguished international stage — nothing less than the 2014 Whitney Museum Biennial — with a digital film about how race haunts black identity, told in operatic form.