Sentences with phrase «how contemporary they felt»

Not exact matches

This understanding of God's relationship to the world has been enormously influential in contemporary philosophy of religion, especially since the publication in 1948 of The Divine Relativity from which the above quotation was taken.2 Although the consistency of divine relativity with the understanding of simultaneity in modem physics is a recognized point of contention, the question I wish to ask is whether the theory of divine relativity is metaphysically possible.3 How could it be possible for God to know and feel the different experiences of radically distinct subjects with equal vividness all at the same time?

But when the contemporary fashion is for an abundance of relativist «truths» and what appears to be in the ascendancy is how one «feels» and even governments aim to have a «happiness agenda,» desperate to fill a gap at the heart of civic society, then being old - fashioned may not be such a terrible accusation.

As a contemporary cultural phenomenon, selfies are of interest to psychologists, in terms of how people think and feel when taking, posting and viewing both their own selfies and those posted by others.

Showcasing the many ways in which specialty finishes impart warmth, character and depth, Segreto: Secrets to Finishing Beautiful Interiors reveals how these techniques can give new construction an established feel, update an existing home, or serve as the perfect backdrop for contemporary or traditional furnishings and art.

It looks and feels contemporary which is kind of how members must feel getting back into the dating game.

How might the other contemporary leaders of the ANC feel about their role in the story?

Lynne Ramsay handpicks this 1966 war classic, which shows the Algerian revolution from both sides: «It's amazing how contemporary and relevant this looks and feels.

I wanted the film to feel real, to feel grounded, and I was going to incorporate as much of contemporary South Africa as I wanted to, and that's just how it is.

Besides such commonalities as Chris Cooper (here, Davis's disapproving boss and father - in - law), marijuana use and the topic of homophobia, «Demolition» — much like «American Beauty» — attempts to comment on materialistic consumption as a false measure of success and the breakdown of social connections (I liked how Davis» sleek and sharp - edged contemporary home looks and feels like a high - end freezer).

I liked how the fighting felt... I just hope the new fighting system isn't like all the contemporary fighters out there.

But the beauty of Jonathan Glazer's film is how unfamiliar the whole sci - fi element feels (visually and sonically — Mica Levi's score is excellent), while the setting of drab, rainy contemporary Scotland couldn't feel more familiar.

Del Toro is reflecting on how emotions are old fashioned and anew, as though he feels contemporary America is bereft of romance as marginalised people are sidelined.

I tried to think like a Yahoo! commenter while watching Coogler's film because I felt like the message of the film was already speaking to my choir and I wanted to consider how filmmakers and artists can reach beyond the echo chamber to try and change some minds about the issue of race in contemporary America.

Doctor Strange's first cinematic debut, however, gives viewers a quickly paced origin story that feels as familiar as most contemporary superhero stories, where the viewer tags along to see how a man adapts to become something extraordinary, but in every other aspect the film provides relentless spectacle and levity.

Added comfort with contemporary style is the leather interior to heighten the quality and craftsmanship for the Lexus GS 350 Adjectives like impeccable, spotless, and immaculate can be used to describe how clean this Lexus GS 350 LUXURY PKG is, causing it to feel more like a new vehicle than a pre-owned one.

Added comfort with contemporary style is the leather interior to heighten the quality and craftsmanship for the Honda CR - V Adjectives like impeccable, spotless, and immaculate can be used to describe how clean this Honda CR - V EX-L is, causing it to feel more like a new vehicle than a pre-owned one.

Tour our World Traveller Plus cabin and discover how we've enhanced every aspect to make you feel welcomed into a bright environment with a contemporary understated feel.

How can the Summer Exhibition be made to feel cutting - edge and contemporary?

If there is a certain feeling that the dominant definition is missing, and the variety of approaches to Art is endless, how are we to understand the difference between Contemporary and Modern Art?

HOW IT FEELS TO BE SOMETHING ON marks the inaugural exhibition for Taylor De Cordoba, a contemporary art gallery in Culver City.

SB: To your mind, and based on your experience as a curator working across the world and in a variety of forms and contexts, from the 1:54 Contemporary African Art Fair to Documenta, how might art contribute to the discourses today in a world that feels increasingly polarized as a direct result of colonial legacies?

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna,How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna,how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna,how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

the heavy feeling in the room suddenly dissipated as they saw how contemporary artists wove socially engaged ideas into their work

2008 Small Wild Things (coordinated by Michelle Ross), The Art Gym, Marylhurst University; Nine Gallery, Portland, OR WORD, Curated by Ryan Burghard, Interstate Firehouse Cultural Center, Portland, OR Gender Symposium Art Exhibition, Lewis & Clark College, Portland, OR How The Ink Feels, The Ronna and Eric Hoffman Gallery of Contemporary Art, Portland, OR

Mention Joseph Beuys» name and the usual iconic gestures come to mind — the objects made from felt and fat; the scribbled - out drawings; the pioneering performances of «How to Explain Pictures to a Dead Hare» (1965) and «I Like America and America Likes Me» (1974)-- all of which have borne a profound influence on contemporary art.

2012 She Lay Deep Beneath the Sea, Turner Contemporary, Margate How it Feels, MALBA, Buenos Aires You Don't Believe in Love But I Believe in You, White Cube, Sao Paulo You Saved Me, Galleria Lorcan O'Neill, Rome

Nancy Mitchnick's exhibition at the Museum of Contemporary Art Detroit features oil paintings of landscapes and post-industrial Detroit that Hyperallergic says «ricochet out into the real world, conveying a sense of how a place looks based on how it feels.»

MT How do you feel about contemporary painters who are interested in landscape, painters like April Gornik, David Deutsch, Mark Innerest... Do you look at these paintings?

«Winter Exhibition Series,» National and International Studio Artist Program (1989 — 90), PS 1 Museum, The Institute for Contemporary Art, Long Island City, NY, 1990 «How It Feels to be Colored Me: A Project by Glenn Ligon,» BACA Downtown, Brooklyn, NY, September 6 — October 13, 1990

She has exhibited extensively internationally, including a two - person exhibition with Egon Schiele at the Leopold Museum, Vienna (2015); and solo exhibitions including Angel Without You, Museum of Contemporary Art, Miami (2013); How It Feels, Museo de Arte Latinoamericano de Buenos Aires (2012); She Lay Down Deep Beneath the Sea, Turner Contemporary, Margate (2012); Love is What You Want, Hayward Gallery, London (2011); and Walking with Tears, Royal Academy of Art, London (2010).

Rail: But as far as the relationship between photography and painting is concerned, particularly in the subject of portraiture, I wonder how you feel about the German photographers who've dominated contemporary photography in the last two decades?

How do you feel about the frequent discussions within contemporary visual arts practice around the validity of painting; as a painter, what's your take on it?

Learn how to build social and emotional skills such as focus and listening, expressing feelings, managing anger and stress, empathy, and gratitude through this one - day training that integrates activities from contemporary drum circles and group counseling.

oh well, the best how I can describe my style is, eclectic...... I like my home to show what I love and what we do, so there will be a basket with magazines, books on shelves, a table top with family photos, plants in one tiled window bench and orchids in the other, I do not much like modern or contemporary as it feels cold and not comfy to me.

There is no doubt about it, your busy contemporary lifestyle may sometimes feel out of control and leave you wondering how to get organized, but there are no secrets for how to do this.